How did Melbourne earn its place as one of the world's 'music cities'? Beginning with the arrival of rock 'n' roll in the 1950s, this book explores the development of different sectors of Melbourne's popular music ecosystem in parallel with broader population, urban planning and media industry changes in the city. The authors draw on interviews with Melbourne musicians, venue owners and policy-makers, documenting their ambitions and experiences across different periods, with accompanying spotlights on the gendered, multicultural and indigenous contexts of playing and recording in Melbourne. Focusing on pop and rock, this is the first book to provide an extensive historical lens of popular music within an urban cultural economy that in turn investigates the contemporary nature and challenges of urban music activities and policy.

In the 1960s, as gentrification took hold of New York City, Jane Jacobs predicted that the city would become the true player in the global system. Indeed, in the 21st century more meaningful comparisons can be made between cities than between nations and states. Based on case studies of Melbourne, Austin and Berlin, this book is the first in-depth study to combine academic and industry analysis of the music cities phenomenon. Using four distinctly defined algorithms as benchmarks, it interrogates Richard Florida’s creative cities thesis and applies a much-needed synergy of urban sociology and musicology to the concept, mediated by a journalism lens. Building on seminal work by Robert Park, Lewis Mumford and Jane Jacobs, it argues that journalists are the cultural branders and street theorists whose ethnographic approach offers critical insights into the urban sociability of music activity.

Made in Australia and Aotearoa/New Zealand: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth-century popular music of Australia and Aotearoa/New Zealand. The volume consists of chapters by leading scholars of Australian and Aotearoan/New Zealand music, and covers the major figures, styles, and social contexts of pop music in Australia and Aotearoa/New Zealand. Each chapter provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Australian or Aotearoan/New Zealand popular music. The book first presents a general description of the history and background of popular music in these countries, followed by chapters that are organized into thematic sections: Place-Making and Music-Making; Rethinking the Musical Event; Musical Transformations: Decline and Renewal; and Global Sounds, Local Identity.

Over two years, writer Nick Gadd and his wife Lynne circled the city of Melbourne on foot, starting at Williamstown and ending in Port Melbourne. Along the way they uncovered lost buildings, secret places and mysterious signs that told of forgotten stories and curious characters from the past. Soon after they completed the circle, Lynne passed away from cancer. Melbourne Circle is the story of their journey, a memoir, and a stunning meditation on personal loss. ‘What a gem this book is! Oddity, wonderment, weirdness: these splendid essays reveal a marvellous Melbourne most of us have never encountered before. This is a psychogeography dense with vernacular history, humane detail, and from beneath the shadow of grief, love.’ –­ Gail Jones, author of Five Bells and The Death of Noah Glass ‘‘‘Psychojogging”’ and the pleasures of walking.’ – interview with Hilary Harper on Radio National, Life Matters ‘Marvellous Melbourne: the books that capture our city and its life.’ – The Age/Sydney Morning Herald ‘Melbourne Circle: Walking, Memory and Loss is a very special book. Just read it, and then take to the streets and walk with the same spirit of enquiry.’ – Sophie Cunningham, The Age ‘A beautiful meditation on the streets in which we live, ghosts, love and loss … While there is sadness in this book, Gadd writes with warmth, humour and a generosity of spirit.’ – Stephen Romei, The Weekend Australian ‘An endearing book about enduring love and serendipitous discoveries; of remnants of the past pasted onto old buildings, and the way these ghost signs are portals into another time.’ – The Saturday Paper

"In this book, you will get to imagine that you are an insect living in Melbourne's parks! Imagine drinking nectar from flowers, flying over the swings, or crawling on the ground in between blades of grass. You will also get to learn some words in the Boon wurrung Aboriginal language. Do you know that the Boon wurrung word for insect is 'kam-kam-koor'? Let's meet some of the amazing insects living with us in the City of Melbourne!"--Page [2].

A 10th anniversary edition of this cult classic with a new introduction. From cult heroes the Saints and the Go - Betweens to national icons Powderfinger and international stars Savage Garden, Brisbane has produced more than its share of great bands. But behind the music lay a ghost city of malice and corruption. Pressed under the thumb of the Bjelke - Petersen government and its toughest enforcers - the police - Brisbane's musicians, radio announcers and political activists braved ignorance, harassment and often violence to be heard. Pig City's reputation has grown in the decade since its first publication. In 2007, Queensland Music Festival staged the book as an all - day music event, headlined by the first performance in nearly 30 years by the original line - up of the Saints. This updated 10th anniversary edition features a scathing new introduction by the author, assessing the changing shape of Brisbane, its music, and troubling developments since the return of the state of Queensland to conservative governance.

Melbourne - aka 'Burn City' - is internationally renowned for its street art. For more than twelve years Lou Chamberlin has been photographing its painted streets, capturing the most memorable pieces of this ephemeral art form and creating an ongoing record of the city's robust street subculture. These pages showcase the best of the city, including the 'burners' - the pieces so hot they're 'burning' off the wall.

Melbourne has often been considered the most English of Australia's captialities, yet it was the only one to be founded by a native - born Australian.n 1835, John Bateman, the son of a convict, sailed for Port Phillip Bay andp the River Yarra. He later wrote in his diary: "This will be the place for village."oday, with a population of more than three million, it isustralia's second largest city. The city is a mix of nineteenth centuryrchitecture, glass towers and innovative, modern buildings framed byarklands, magnificent gardens and the yellow beaches of Port Phillip Bay.his fascinating book gives an insightnto how the city has developed from the Victorian era and why it isonsidered to be one of the most liveable cities in the world.