This is the most comprehensive, integrated explanation ever published of the properties of question formations and their variations across languages. Movement in Language develops a new set of arguments for the controversial claim that syntax should be understood derivationally; that is, that the best model of language is one in which sentences are constructed in a series of operations that precede or follow each other in time. The arguments are exemplified through reference to a number of languages, including Bulgarian, Japanese, English, Chinese, and Serbo-Croatian.

An examination of the ways human movement can be represented as a formal language and how this language can be mediated technologically. In Motion and Representation, Nicolás Salazar Sutil considers the representation of human motion through languages of movement and technological mediation. He argues that technology transforms the representation of movement and that representation in turn transforms the way we move and what we understand to be movement. Humans communicate through movement, physically and mentally. To record and capture integrated movement (both bodily and mental), by means of formal language and technological media, produces a material record and cultural expression of our evolving kinetic minds and identities. Salazar Sutil considers three forms of movement inscription: a written record (notation), a visual record (animation), and a computational record (motion capture). He focuses on what he calls kinetic formalism—formalized movement in such pursuits as dance, sports, live animation, and kinetic art, as well as abstract definitions of movement in mathematics and computer science. He explores the representation of kinetic space and spatiotemporality; the representation of mental plans of movement; movement notation, including stave notation (Labanotation) and such contemporary forms of notation as Choreographic Language Agent; and the impact of digital technology on contemporary representations of movement—in particular motion capture technology and Internet transfer protocols. Motion and Representation offers a unique cultural theory of movement and of the ever-changing ways of representing movement.

This volume brings together papers which address issues regarding the copy theory of movement. According to this theory, a trace is a copy of the moved element that is deleted in the phonological component but is available for interpretation at L(ogical) F(orm). Thus far, the bulk of the research on the copy theory has mainly focused on interpretation issues at LF. The consequences of the copy theory for syntactic computation per se and for the syntax–phonology mapping, in particular, have received much less attention in the literature, despite its crucial relevance for the whole architecture of the model. As a contribution to fill this gap, this volume congregates recent work that deals with empirical and conceptual consequences of the copy theory of movement for the inner working of syntactic computations within the Minimalist Program, with special emphasis on the syntax–phonology mapping.

This book demonstrates that some properties of rightward movement phenomena (a cover term referring to sentences in which an element appears to be “displaced” to the right) may be derived from syntactic principles and interface conditions within the framework of the generative grammar/minimalist program. It also argues that certain properties, which up to now have been dealt with purely in regards to syntax, can be better accounted for in terms of language processing; accordingly, the human parser should undertake explanations of part of the competence system’s output. The volume’s analysis of rightward movement phenomena leads to the conclusion that phrasal rightward movement rules in syntax fail to follow specific principles. At first glance, this conclusion seems identical with Kayne’s (1994) claim that no rightward movement rules exist. However, this work provides completely different grounds for the absence of rightward movement rules, meaning that it presents an original view of rightward movement phenomena.

The Language of Coaching examines how instruction, feedback, and cueing can have a significant impact on training and performance outcomes. The book offers a comprehensive collection of cueing frameworks to help coaches better communicate with athletes in any sport.

The architecture of the human language faculty has been one of the main foci of the linguistic research of the last half century. This branch of linguistics, broadly known as Generative Grammar, is concerned with the formulation of explanatory formal accounts of linguistic phenomena with the ulterior goal of gaining insight into the properties of the 'language organ'. The series comprises high quality monographs and collected volumes that address such issues. The topics in this series range from phonology to semantics, from syntax to information structure, from mathematical linguistics to studies of the lexicon.

Many disciplines study language movement and change in Africa, but they rarely interact. Here, eighteen scholars from a range of disciplines explore differing conceptions of language movement in Africa through empirical case studies.

This volume presents a collection of papers of recent generative research into the properties of phrasal and feature movement, which explore these key syntactic phenomena from different angles and across languages. The papers advance or build on models of movement which capitalize either on generalized feature movement or on generalized remnant movement. Both these approaches attempt to develop a restrictive theory of movement aiming at a simplification of the operations of the computational system. Despite the fact that they are so different technically, generalized feature movement and generalized remnant movement both push the theory of movement to the same direction in two important respects: (a) Elimination of head movement. (b) Elimination of covert movement. The book is of primary interest to researchers and students in theoretical linguistics and syntactic theory.

Class Politics The Movement for the Students’ Right to Their Own Language (2e) is a response to histories of Composition Studies that focused on scholarly articles and university programs as the generative source for the field. Such histories, particularly in the 1980s and 1990s divorced the field from activist politics—washing out such work in the name of disciplinary identity. Class Politics shows the importance of political mass movements in the formation of Composition Studies—particularly Civil Rights and Black Power. Class Politics also critiques how the field appropriates these movements. The book traces a pathway from social movement, to progressive academic groups, to their work in professional organizations, to the formation of the Students’ Right to Their Own Language. Stephen Parks then shows how the SRTOL was attacked and politically neutralized by conservative forces in the 1980s and 1990s, arguing for a return to politics to reanimate it’s importance—and the importance of politics in the field. “Stephen Parks restores politics to the history of Composition Studies.” —Richard Ohmann