Generative phonology aims to formalise two distinct aspects of phonological processes: the functional and the representational. Since functions operate on representations, it is clear that the functional aspect is influenced by the form of representations, i.e. different types of representation require different types of rules, principles or constraints. This volume examines the representational issue in phonology and considers what kind of representation is most appropriate for recent models of generative phonology. In particular, it provides the first platform for debate on the place of morpheme-internal structure and on the formal status of phonology in the language faculty, and attempts to identify phonological recursive structure as a means of capturing frequently observed processes.

Generative phonology aims to formalise two distinct aspects of phonological processes: the functional and the representational. Since functions operate on representations, it is clear that the functional aspect is influenced by the form of representations, i.e. different types of representation require different types of rules, principles or constraints. This volume examines the representational issue in phonology and considers what kind of representation is most appropriate for recent models of generative phonology. In particular, it provides the first platform for debate on the place of morpheme-internal structure and on the formal status of phonology in the language faculty, and attempts to identify phonological recursive structure as a means of capturing frequently observed processes.

Harry van der Hulst's model of Radical CV Phonology has roots in the framework of Dependency Phonology, but proposes a rather different 'geometry', which reduces the set of unary elements to just two: |C| and |V|. The model explains the phonological distinctions that function contrastively in the world's languages rather than presenting it as a 'random' list. Van der Hulst shows how this model accounts for a number of central claims about markedness and minimal specification. He explains how the representational system accounts for phonological rules and shows how this theory can be applied to sign language structure. Through comparison to other models, he also provides insight into current theories of segmental structure, commonly used feature systems, as well as recurrent controversies.

Elements, Government and Licensing brings together new theoretical and empirical developments in phonology. It covers three principal domains of phonological representation: melody and segmental structure; tone, prosody and prosodic structure; and phonological relations, empty categories, and vowel-zero alternations. Theoretical topics covered include the formalisation of Element Theory, the hotly debated topic of structural recursion in phonology, and the empirical status of government. In addition, a wealth of new analyses and empirical evidence sheds new light on empty categories in phonology, the analysis of certain consonantal sequences, phonological and non-phonological alternation, the elemental composition of segments, and many more. Taking up long-standing empirical and theoretical issues informed by the Government Phonology and Element Theory, this book provides theoretical advances while also bringing to light new empirical evidence and analysis challenging previous generalisations. The insights offered here will be equally exciting for phonologists working on related issues inside and outside the Principles & Parameters programme, such as researchers working in Optimality Theory or classical rule-based phonology.

Element Theory (ET) covers a range of approaches that consider privativity a central tenet defining the internal structure of segments. This volume provides an overview and extension of this program, exploring new lines of research within phonology and at its interface (phonetics and syntax). The present collection reflects on issues concerning the definition of privative primes, their interactions, organization, and the operations that constrain phonological and syntactic representations. The contributions reassess theoretical questions, which have been implicitly taken for granted, regarding privativity and its corollaries. On the empirical side, it explores the possibilities ET offers to analyze specific languages and phonological phenomena.

Representing Phonological Detail Part I: Segmental Structure and Representations Part II: Syllable, Stress and Sign Part I of Representing Phonological Detail focuses on the latest phonological research on a range of issues. The first main theme in this volume is vowel representation, with special attention paid to topics such as vowel harmony and other vocalic processes (e.g., historical umlaut, vowel epenthesis, and the representation of vowel quality and height). The second main theme is consonant representation and consonantal processes (including laryngeal phonology and stop insertion). Finally, the acquisition of phonology and the interface between phonology and morphosyntax are examined, attending in particular to boundary symbols, morphological blends, and the status of recursion in phonology and syntax.

This book brings together phonologists working in different areas to explore key questions relating to phonological primitives, the basic building blocks that are at the heart of phonological structure and over which phonological computations are carried out. Whether these units are referred to as features, elements, gestures, or something else entirely, the assumptions that are made about them are fundamental to modern phonological theory. Even so, there is limited consensus on the specifics of those assumptions. The chapters in this book present differing perspectives on phonological primitives and their implications, addressing some of the most pressing issues in the field such as how many features there are; whether those features are privative or binary; and whether segments need to be specified for all features. The studies cover a wide range of methodologies and domains, including experimental work, fieldwork, language acquisition, theory-internal concerns, and many more, and will be of interest to phoneticians and phonologists from all theoretical backgrounds.

Illustrated with real-life examples throughout, this book provides a complete introduction to one of the most fundamental question about what it means to be human: how does human language arise in the mind? Theory is explained in an easy-to-understand way, making it accessible for students without a background in linguistics.

This book deals with the phenomenon of vowel harmony, a phonological process whereby all the vowels in a word are required to share a specific phonological property, such as front or back articulation. Vowel harmony occurs in the majority of languages of the world, though only in very few European languages, and has been a central concern in phonological theory for many years. In this volume, Harry van der Hulst puts forward a new theory of vowel harmony, which accounts for the patterns of and exceptions to this phenomenon in the widest range of languages ever considered. The book begins with an overview of the general causes of asymmetries in vowel harmony systems. The two following chapters provide a detailed account of a new theory of vowel harmony based on unary elements and licensing, which is embedded in a general dependency-based theory of phonological structure. In the remaining chapters, this theory is applied to a variety of vowel harmony phenomena from typologically diverse languages, including palatal harmony in languages such as Finnish and Hungarian, labial harmony in Turkic languages, and tongue root systems in Niger-Congo, Nilo-Saharan, and Tungusic languages. The volume provides a valuable overview of the diversity of vowel harmony in the languages of the world and is essential reading for phonologists of all theoretical persuasions.

The contributions of this volume centre around the (ongoing) work of John Anderson, Professor Emeritus at the University of Edinburgh and Fellow of the British Academy, who, with detailed studies in phonology, morphology, semantics and syntax as well as careful discussions of historical and methodological issues in linguistics at large, has been and still is the central figure in the development of a theory of language structure driven by the assumption of structural analogy between syntax and phonology and firmly grounded in the long-standing tradition of substantively based grammar behind it. The first contribution is a lengthy ‘interview’, based on a series of written interchanges by József Andor with John Anderson, which focuses on the development of Anderson’s work and its relation to contemporaneous developments in linguistics. The following eight contributions, centring on general issues concerning the historiography of localism, the lexicon, meaning and syntax and, finally, phonology, deal with applications, extensions, answers to criticism and philosophical context of Anderson’s work.