This book deals with the phenomenon of vowel harmony, a phonological process whereby all the vowels in a word are required to share a specific phonological property, such as front or back articulation. Vowel harmony occurs in the majority of languages of the world, though only in very few European languages, and has been a central concern in phonological theory for many years. In this volume, Harry van der Hulst puts forward a new theory of vowel harmony, which accounts for the patterns of and exceptions to this phenomenon in the widest range of languages ever considered. The book begins with an overview of the general causes of asymmetries in vowel harmony systems. The two following chapters provide a detailed account of a new theory of vowel harmony based on unary elements and licensing, which is embedded in a general dependency-based theory of phonological structure. In the remaining chapters, this theory is applied to a variety of vowel harmony phenomena from typologically diverse languages, including palatal harmony in languages such as Finnish and Hungarian, labial harmony in Turkic languages, and tongue root systems in Niger-Congo, Nilo-Saharan, and Tungusic languages. The volume provides a valuable overview of the diversity of vowel harmony in the languages of the world and is essential reading for phonologists of all theoretical persuasions.

Vowel harmony is a well known phonological phenomenon found in a large number of languages spoken mainly in Eurasia and the African continent. In simple terms, vowel harmony is a law which governs the co-occurrence of vowels within a span of utterance, nearly always the word. The contributions of this volume focus on various (not always uncontroversial) aspects of vowel harmony that include typological investigations, phonetic/acoustic experimental studies, descriptions of individual systems, genetic and historical ramifications, and implications for a variety of theoretical models. This volume will prove to be a useful guide to the multifaceted issues posed by an often discussed and quite significant phonological process. This volume will stimulate further discussion and better understanding of the issues raised by the intricate process called vowel harmony.

Vowel Harmony and Correspondence Theory covers the major issues in the generative analysis of vowel harmony and vowel harmony typology. The book offers an economical account of the most prominent features of vowel harmony systems (root control, affix control, dominance, vowel opacity, and neutrality) within the framework of optimality theory, extending the notion of correspondence to the syntagmatic dimension.The book contains a typological overview of vowel harmony patterns, an introduction to the basics of optimality theory including some of its most recent extensions and detailed studies of harmony systems in 10 languages from a variety of language families.

This handbook provides a detailed account of the phenomenon of vowel harmony, a pattern according to which all vowels within a word must agree for some phonological property or properties. Vowel harmony has been central in the development of phonological theories thanks to its cluster of remarkable properties, notably its typically 'unbounded' character and its non-locality, and because it forms part of the phonology of most world languages. The five parts of this volume cover all aspects of vowel harmony from a range of theoretical and methodological perspectives. Part I outlines the types of vowel harmony and some unusual cases, before Part II explores structural issues such as vowel inventories, the interaction of vowel harmony and morphological structure, and locality. The chapters in Part III provide an overview of the various theoretical accounts of the phenomenon, as well as bringing in insights from language acquisition and psycholinguistics, while Part IV focuses on the historical life cycle of vowel harmony, looking at topics such as phonetic factors and the effect of language contact. The final part contains 31 chapters that present data and analysis of vowel harmony across all major language families as well as several isolates, constituting the broadest coverage of the phenomenon to date.

This dissertation examines the phonological patterning as well as phonetic characteristics of transparent vowels in Hungarian palatal vowel harmony. Traditionally, these vowels are assumed to be excluded from participating in harmony alternations. The experimental data presented in this dissertation run contrary to this assumption. The data show that transparent vowels in Hungarian are articulated differently depending on the harmonic domain in which they occur. Based on this observation, the central claim defended and formalized in this dissertation is that continuous phonetic details of all stem vowels including the transparent vowels are relevant for the phonological alternation in suffixes. The dissertation proposes an integrated model that relates phonetic and phonological aspects of vowel harmony using the formal language of non-linear dynamic. The advantage of this approach is in its potential to capture both qualitative as well as quantitative aspects of the same pattern in a unified way. Crucially, a dynamic approach allows one to express both phonological and phonetic generalizations while maintaining the essential distinction between them. Hence, the dynamic approach provides a feasible research strategy in the quest for understanding one of the continuing challenges in the study of speech: the relation between phonology - the mental or symbolic aspects of our speaking competence, and phonetics - continuous physical manifestations of this competence. Applied to the particular case of transparency in Hungarian vowel harmony, the premise of interdependency between the phonetic properties of the stem vowels and the phonological patterns of suffix selection allows for an explanation of a broad range of data. Most importantly, it provides a motivation for the cross-linguistic generalizations related to transparent vowels in palatal vowel harmony systems. In addition, the effects of tongue body height, lip rounding, and surrounding vocalic context on the suffix selection in Hungarian receive a natural and lawful explanation. To summarize, this dissertation presents novel experimental data from the production of transparent vowels in Hungarian. The proposed integrated model, relating phonetics and phonology using the formal language of non-linear dynamic, achieves a unified explanation of both the phonetic and phonological generalizations observed in the data and the literature.

The papers included in the volume "Phonetics and Phonology: Interactions and interrelations" are concerned with some of the multiple possible forms of interactions and interrelations in phonetics and phonology: the phonetic and/or phonological nature of speech patterns, segmental and prosodic interactions, and interactions between segments and features, both in child and in adult language, combining perception and production data, and doing so from theoretically as well as experimentally oriented perspectives. The book is unique in the universe of recent publications for its topic, wide scope and coherent thematic content. It is of interest to all researchers, teachers and students in the fields of phonetics and phonology as well as to those interested in the interplay between production and perception, the organization of grammar and language typology. In general, "Phonetics and Phonology. Interactions and interrelations" may be a useful companion to all those wishing to widen and deepen their knowledge of the sound structure of language(s).

This volume brings together articles by some major figures in various linguistics domains — phonology, morphology and syntax — aiming at explaining the form of linguistic items by exploring the structures that underlie them. The book is divided in 5 parts: vowels, syllables, templates, syntax-morphology interface and Afro-Asiatic languages. Specific topics are the internal structure of vowels and its relation to harmony; the logic of recurrent vocalic patterns; syllabic prominence; the interaction of syllabic and templatic structure and segmental realization; the innateness of templates and paradigms; the limits of phonology; and various morpho-syntactic implications on phonological form. The volume renders homage to Jean Lowenstamm’s work, by underlining the importance of seeking structural and intermodular insight in the study of linguistic form.

The most comprehensive work on dissimilation to date, this book surveys over 150 dissimilation patterns drawn from over 130 languages.

This work elucidates the nature of the notion of Locality in phonology, describing the minimal conditions under which sounds assimilate to one another. The central thesis is that a sound can assimilate to another sound only if gestural contiguity is established between these two sounds. The argument supporting the central thesis of this book is unique in bringing evidence from articulatory dynamics, electromyography, and cross-linguistic sound patterns to converge on the same notion of locality in phonology. This book will be of particular interest to researchers in phonetics, phonology, and morphology, as well as to cognitive scientists interested in how the grammar may include constraints that emerge from the physical aspects of speech.