Shannon Aitken has all the insight on what it's like to live in Beijing-she's made the move there herself. In Moon Living Abroad in Beijing, she offers firsthand advice on navigating the language and culture of this exciting metropolis and outlines all the information needed to settle down abroad in an organized and straightforward manner. Moon Living Abroad in Beijing is packed with essential information and must-have details on setting up daily life, including obtaining visas, arranging finances, gaining employment, choosing schools, and finding health care-plus practical suggestions for how to rent or buy a home for a variety of needs and budgets, whether it's a small apartment downtown or a sprawling villa in suburban Shunyi. With extensive color and black and white photos, illustrations, and maps to help you find your way, Moon Living Abroad in Beijing makes it easy for anyone to transition to a life abroad.

If you have always dreamed of living in China and are ready to take that step, Moon Living Abroad in China delivers what you need to know about your move—in a smart and organized manner. Wife-and-husband author team Barbara and Stuart Strother have extensive experience working, traveling, and living in China. With their expertise, you'll receive the information you need, including essential information on setting up your daily life, applying for visas, tackling finances, and looking for employment. You'll get practical advice on education, health care, and how to rent or buy a home that fits your needs. The book also includes color and black and white photos, illustrations, and maps to help you find your bearings. With insight into navigating the language and culture of China, Moon Living Abroad in China is a helpful resource for tourists, business people, adventurers, students, teachers, professionals, families, couples, and retirees looking to relocate.

If you have always dreamed of living in China and are ready to take that stepf actually moving there, nowhere else will you find a book that accomplishesverything you need to know in a smart, organized, and straightforward manner.tuart and Barbara Strother left the U.S. to make a home in China. Withheir expertise, you'll receive the information you need.

In The Future Conditional, Eric S. Henry brings twelve-years of expertise and research to offer a nuanced discussion of the globalization of the English language and the widespread effects it has had on Shenyang, the capital and largest city of China's northeast Liaoning Province. Adopting an ethnographic and linguistic perspective, Henry considers the personal connotations that English, has for Chinese people, beyond its role in the education system. Through research on how English is spoken, taught, and studied in China, Henry considers what the language itself means to Chinese speakers. How and why, he asks, has English become so deeply fascinating in contemporary China, simultaneously existing as a source of desire and anxiety? The answer, he suggests, is that English-speaking Chinese consider themselves distinctly separate from those who do not speak the language, the result of a cultural assumption that speaking English makes a person modern. Seeing language as a study that goes beyond the classroom, The Future Conditional assesses the emerging viewpoint that, for many citizens, speaking English in China has become a cultural need—and, more immediately, a realization of one's future.

Featuring entirely original writings written exclusively for this work, this anthology is filled with 28 essays from foreigners who live or have lived in China for a significant period of time. The book contains beautiful and enlightening stories about China from such noteworthy writers as Simon Winchester, Peter Hessler, Susan Conley, and Alan Paul, among others. Through their personal stories, they illustrate the many sides of Chinese life--the weird, the fascinating, and the appalling--and share what it's like to live, learn, and love as an outsider in a land unlike any other in the world.

Finalist for the 2019 Jazz Journalists Association Book of the Year About Jazz, Jazz Awards for Journalism "Is there jazz in China?" This is the question that sent author Eugene Marlow on his quest to uncover the history of jazz in China. Marlow traces China's introduction to jazz in the early 1920s, its interruption by Chinese leadership under Mao in 1949, and its rejuvenation in the early 1980s with the start of China's opening to the world under Premier Deng Xiaoping. Covering a span of almost one hundred years, Marlow focuses on a variety of subjects--the musicians who initiated jazz performances in China, the means by which jazz was incorporated into Chinese culture, and the musicians and venues that now present jazz performances. Featuring unique, face-to-face interviews with leading indigenous jazz musicians in Beijing and Shanghai, plus interviews with club owners, promoters, expatriates, and even diplomats, Marlow marks the evolution of jazz in China as it parallels China's social, economic, and political evolution through the twentieth and into the twenty-first century. Also featured is an interview with one of the extant members of the Jimmy King Big Band of the 1940s, one of the first major all-Chinese jazz big bands in Shanghai. Ultimately, Jazz in China: From Dance Hall Music to Individual Freedom of Expression is a cultural history that reveals the inexorable evolution of a democratic form of music in a Communist state.

The Cosmopolitan Dream presents the broad patterns in the transformations of mainland Chinese masculinity over recent years, covering both representations (in film, fiction, and on television) and the lived experiences of Chinese men on four continents. Exposure to transnational influences has made Chinese notions of masculinity more cosmopolitan than ever before, yet the configurations of these hybrid masculinities retain the imprint of Chinese historical models. With the increasing interconnectivity of markets around the world, the hegemonic mode of manhood is now a highly mobile transnational business form of masculinity. However, the fusion of this kind of cosmopolitanism with Chinese characteristics has not diminished the conventional class and gender privileges for educated men. On the other hand, the traditionally prized intellectual masculinity in Chinese culture, which did not hold commerce in high regard, has reconciled with today’s business values. Together these factors shape the outlook of the contemporary generation of Chinese elites. At the same time globalization has increased the cross-country mobility of blue-collar Chinese men, who may possess a masculine ideal that is different from their white-collar counterparts. Therefore it is important to examine various types of masculinity with the recent, reform-era mainland Chinese migration. The migrant man—whether he is a worker, student, pop idol, or writer (all cases studied in this volume)—could face challenges to his masculinity based on his race, class, intimate partners, or fatherhood. The strategies adopted by the Chinese men to reinvent their masculine identities in these stories offer much insight into the complex connections between masculinity and the rapid socioeconomic developments of postsocialist China. “The Cosmopolitan Dream provides a rich and multidisciplinary window into how Chinese masculinities are both shaping and being shaped by a new era of globalization, one in which circulations of Chinese capital, images, and people play an ever more important role. This is an insightful and engaging work that makes important contributions to the study of media, gender, migration, and globalization more broadly.” —John Osburg, University of Rochester “A pioneering contribution toward understanding transnational Chinese masculinities. Covering both imagined representations and the actual experience of migrating Chinese men, this volume is definitely greater than the sum of its parts in conveying the contents and significance of cosmopolitanism to Chinese masculinities.” —Harriet Zurndorfer, Leiden University

Dominic Meng-Hsuan Yang examines one of the least understood migrations in modern East Asia - the human exodus from China to Taiwan when Chiang Kai-shek's regime collapsed in 1949. Peeling back layers of Cold War ideological constructs, he tells a very different story from the conventional Chinese civil war historiography that focuses on debating the reasons for Communist success and Nationalist failure. Yang lays bare the traumatic aftermath of the Chinese Communist Revolution for the hundreds of thousands of ordinary people who were forcibly displaced from their homes across the sea. Underscoring the displaced population's trauma of living in exile and their poignant 'homecomings' four decades later, he presents a multi-event trajectory of repeated traumatization with recurring searches for home, belonging, and identity. This thought-provoking study challenges established notions of trauma, memory, diaspora, and reconciliation.