Covering prehistoric times to the modern era, this fascinating resource presents pro-and-con arguments regarding unresolved, historic controversies throughout the development of the world. Popular Controversies in World History: Investigating History's Intriguing Questions offers uniquely compelling and educational examinations of pivotal events and puzzling phenomena, from the earliest evidence of human activity to controversial events of the 20th century. From the geographic location of human origins, to the authenticity of the Shroud of Turin, to the innocence—or guilt—of Sacco and Vanzetti, Popular Controversies in World History: Investigating History's Intriguing Questions provides four volumes on the ongoing debates that have captivated both the historical community and the public at large. In each chapter, established experts offer credible opposing arguments pertaining to specific debates, providing readers with resources for independent critical thinking on the issue. This format allows students, scholars, and other interested readers to actively engage in some of the most intriguing conundrums facing historians today.

Over recent decades, almost every area of historical study has seen its global turn – from consumption to finance, from politics to migration, from social order to cultural patterns. This volume reflects the vibrant state of global history scholarship in Europe and examines to what extent global history is practiced and conceptualised distinctively within Europe. Drawing together contributions from scholars from France, Germany, Hungary, the Netherlands, Switzerland, and the UK, the book offers a sweeping overview of the state of the field. In particular, the contributors look at histories of colonialism and imperial expansion, knowledge circulation and mobility across borders. This book reflects the diversity of current scholarship on global and transnational history and will offer important insights for anyone interested in understanding the cutting edge of research in this area.

Inspired by Marcelo Dascal’s theory of controversies, this volume includes studies in the theory of controversies, studies of the history of controversy forms and their evolution, and case-studies of particular historical and current controversies. The purpose of this volume is to identify a taxonomy of controversies and also to sense a line of development for the phenomenon of controversies itself. At the same time, we want to ask ourselves about the impact and the spread of controversies in the contemporary world, eminently intended as a heuristic element facilitating knowledge. For all these reasons, the fundamental aim of the volume is to provide the reader with a selection of current theoretical and practical perspectives on controversies, and to offer a broad picture of the complex range of definitions, meanings and practices connected to them.

Blending architecture, design, and technology, a visual tour through futures past via the objects we have replaced, left behind, and forgotten. So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. Extinct gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more. In eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world. Extinct is filled with curious, half-remembered objects, each one evoking a future that never came to pass. It is also a visual treat, full of interest and delight.

"An original large concrete panel is the centerpiece of the Pavilion of Chile at the 14th International Architecture Exhibition. This was one of the first ever produced by the KPD plant, a Chilean factory for the production of prefabricated housing, which was donated in 1971 by the Soviet Union to the Chilean government led by President Salvador Allende. By bringing together the voices of former KPD workers and scholars, this book tells the history of this panel, which was the agent of significant political, ideological and aesthetic controversies"--Back cover.

This latest volume in the Controversies in Contextual Theology series provides an introduction to the current state of the field for those new to interreligious dialogue and the theology of religions, as well as providing insights and new concepts that will be of interest to specialists. In particular, the current deadlock between pluralist and particularist approaches is re-imagined, and a strong argument for radical openness to the religious Other is advanced, based upon the resources of the Christian heritage. The book draws inspiration from many sources including intercultural theology, feminist theologies of religions, comparative theology, postcolonial identity theory, scholarly debates on the nature of religion, and biblical concepts of hospitality to outline its new approach. It concludes that we must seek mutual fulfillment with religious Others while maintaining Christian integrity. It also addresses the problems this involves when seeking ethical partnership across religious boundaries. No easy answers are given, however, a vision for radical openness based on Jesus' example, the Christian heritage, and contemporary scholarship is endorsed.

As the cold war took shape during the late 1940s, policymakers in the United States and Great Britain displayed a marked tendency to regard international communism as a "monolithic" conspiratorial movement. The image of a "communist monolith" distilled the messy realities of international relations into a neat, comprehensible formula. Its lesson was that all communists, regardless of their native land or political program, were essentially tools of the Kremlin. Marc Selverstone recreates the manner in which the "monolith" emerged as a perpetual framework on both sides of the Atlantic. Though more pervasive and millennial in its American guise, this understanding also informed conceptions of international communism in its close ally Great Britain, casting the Kremlin's challenge as but one more in a long line of threats to freedom. This illuminating and important book not only explains the cold war mindset that determined global policy for much of the twentieth century, but reveals how the search to define a foreign threat can shape the ways in which that threat is actually met.

This book helps to deepen our understanding of the varieties of contemporary Islam and the issues that are of most concern to Muslims today. Oliver Leaman explores some of the controversies and debates that exist within Islam and between Islam and other religions. He considers how the religion can be defined by looking at the contrast between competing sets of beliefs, and arguments amongst Muslims themselves over the nature of the faith. Areas covered include: Qur’anic interpretation, gender, finance, education, and nationalism. Examples are taken from a range of contexts and illustrate the diversity of approaches to Islam that exists today.

The “spatial”, the “bodily”, and the “memory turn” in the humanities and cultural studies are well-canonized developments. These features of our being in the world are fundamental in the medium of cinema, which is an art of spaces, bodies, and memories, increasingly so today when the analogue platform has been running parallel with the digitalized method of filmmaking. The three nodal concepts define the tripartite structure of this volume, composed of an overview study and twelve case-studies of post-1989 Eastern European film and cinema. The overarching questions of space representation and construction, bodies on screen, issues of national identification in a postcolonial framework, and cinema as a form of cultural memory are explored through the lens of specific national cinemas or contemporary Croatian, Hungarian, Polish, Serbian, Slovakian, Slovenian, and Romanian films. In addition to investigating the cohesive forces that mark the postcommunist Eastern European region as a coherent cultural entity in its cinematic representations, the volume also stands as a witness to the importance of transnational approaches.

Beginning in 1954, Apr. issue lists studies in progress; Oct. issue, completed studies.