In this remarkable book, Martha Hailey DuBose has given those multitudes of readers who love the mystery novel an indispensable addition to their libraries. Unlike other works on the subject, Women of Mystery is not merely a directory of the novelists and their publications with a few biographical details. DuBose combines extensive research into the lives of significant women mystery writers from Anna Katherine Green and Mary Roberts Rinehart with critical essays on their work, anecdotes, contemporary reviews and opinions and some of the women's own comments. She takes us through the Golden Age of the British women mystery writers, Christie, Sayers, Marsh, Allingham and Tey, to the leading crime novelists of today, focused on the women who have become legends of the genre. And though she laments, "so many mysteries, so little time," she makes a good effort a mentioning "some of the best of the rest." When DuBose writes of the lives of her principal players, she relates them to their times, their families, their personal situations and above all to their books. She subtly points out that Sayers, whose experience with the men in her life was inevitably disastrous, created in Lord Peter the ideal lover -- one who is all that a woman desires and needs. DuBose gives us the curriculum vitae that Dorothy Sayers created to help her bring Peter Wimsey to a virtual actuality. Ngaio Marsh would give up an active presence in the theatrical world she loved, but she recreated it for herself as well as her readers in many of her novels. The biographies of these woman are as engrossing as the stories they wrote, and Martha DuBose has shined a different, intimate and intriguing light on them, their works, and the lives that informed those works. This book is so full of treasure it's hard to see how any mystery enthusiast will be able to do without it. And what a gift it would make for anyone on your list who has been heard to announce "I love a mystery." Some of the treats inside: In the Beginning: The Mothers of Detection Anna Katherine Green Mary Roberts Rinehart A Golden Era: The Genteel Puzzlers Agatha Christie Dorothy L. Sayers Ngaio Marsh Margery Allingham Josephine Tey Modern Motives: Mysteries of the Murderous Mind Patricia Highsmith P.D. James Ruth Rendell Mary Higgins Clark Sue Grafton and more!!

The murder of a famous opera soprano finds Inspector Alleyn crawling around backstage in her life, interviewing agents, past lovers, servants, and others hoping to learn who dispatched La Sommita with her own stiletto.

A classic Ngaio Marsh novel

One of Ngaio Marsh’s most popular novels, this time featuring one of her best creations – Lucy Lockett, the crime-solving cat.

This tale of murder at a snowed-in country house is a “constant puzzle to the end . . . alive with wit” (The New York Times). The unspeakably wealthy (and generally unspeakable) Jonathan Royal has decided to throw a party and, just for fun, has studded the guest list with people who loathe one another. When a blizzard imprisons them all in Royal’s country house, murder ensues, and there are nearly as many suspects as there are potential victims. Eventually, Inspector Alleyn makes his way through the snow to put things right, in this classic whodunit by the Mystery Writers of America Grand Master. “A smooth yarn.” —Kirkus Reviews (starred review)

Theodora: Actress, Empress, Whore, Stella Duffy's chronicle of this amazing woman's early years, delighted readers with its exquisite blend of historical detail and vivid storytelling. Now, The Purple Shroud chronicles Theodora at the height of her power, bringing the ancient world alive in another unforgettable, epic saga. Theodora and Justinian have been crowned Emperor and Empress, but ruling an empire is no easy task. The two factions of Christianity are still battling for dogmatic supremacy, the Empire's borders are not secure, and Theodora worries about the ambitions of Justinian's two best generals. But the most pressing concern is close to home: Constantinople's two factions, the Blues and the Greens, are beginning to unite in their unhappiness with rising taxes. When that unhappiness spills over into all-out violence, thousands are killed (including someone very close to Theodora) and many of the City's landmarks are destroyed, including Theodora's beloved Hagia Sophia. In the aftermath of the riots, Theodora guides Justinian in gaining back the love and trust of the people, her unerring instinct for what the people want proving invaluable. Justinian promises to rebuild the Hagia Sophia to be even more spectacular than before. Theodora comes to realize that being the Augusta is simply another role she must play, though the stakes are much higher and there is no offstage. It's a role she was born to play.

A high-society homicide is the talk of the London season . . .“Marsh’s writing is a pleasure.” —The Seattle Times It’s debutante season in London, and that means giggles and tea-dances, white dresses and inappropriate romances . . ..and much too much champagne. And, apparently, a blackmailer, which is where Inspector Roderick Alleyn comes in. The social whirl is decidedly not Alleyn’s environment, so he brings in an assistant in the form of Lord “Bunchy” Gospell, everybody’s favorite uncle. Bunchy is more than lovable; he’s also got some serious sleuthing skills. But before he can unmask the blackmailer, a murder is announced. And everyone suddenly stops giggling . . . “It’s time to start comparing Christie to Marsh instead of the other way around.” —New York Magazine “[Her] writing style and vivid characters and settings made her a mystery novelist of world renown.” —The New York Times

Roderick Alleyn is back in this unique crime novel begun by Ngaio Marsh during the Second World War and now completed by Stella Duffy in a way that has delighted reviewers and critics alike.

This book analyses the ways in which twenty-first century detective fiction provides an understanding of the increasingly complex and often baffling contemporary world — and what sociology, as a discipline, can learn from it. Conventional sociological accounts of fiction generally comprehend its value in terms of the ways in which it can illustrate, enlarge or help to articulate a particular social theory. Evans, Moore, and Johnstone suggest a different approach, and demonstrate that by taking a group of detective novels, we can unveil so far unidentified, but crucial, theoretical ideas about what it means to be an individual in the twenty-first century. More specifically, the authors argue that detective fiction of the last forty years illuminates the effects of urban isolation and separation, the invisibility of institutional power, financial insecurity, and the failure of public authorities to protect people. In doing so, this body of fiction traces out the fault-lines in our social arrangements, rehearses our collective fears, and captures a mood of restless disquiet. By engaging with detective stories in this way, the book revisits ideas about the promise and purpose of sociology.​