A classic Ngaio Marsh novel

A high-society homicide is the talk of the London season . . .“Marsh’s writing is a pleasure.” —The Seattle Times It’s debutante season in London, and that means giggles and tea-dances, white dresses and inappropriate romances . . ..and much too much champagne. And, apparently, a blackmailer, which is where Inspector Roderick Alleyn comes in. The social whirl is decidedly not Alleyn’s environment, so he brings in an assistant in the form of Lord “Bunchy” Gospell, everybody’s favorite uncle. Bunchy is more than lovable; he’s also got some serious sleuthing skills. But before he can unmask the blackmailer, a murder is announced. And everyone suddenly stops giggling . . . “It’s time to start comparing Christie to Marsh instead of the other way around.” —New York Magazine “[Her] writing style and vivid characters and settings made her a mystery novelist of world renown.” —The New York Times

Superintendent Roderick Alleyn of Scotland Yard visits the Channel Islands after a riding accident leads to charges of premeditated murder.

A spring may have healing properties—but the controversy over it may have harmful results—in a witty mystery by a Mystery Writers of America Grand Master. The elderly Emily Pride is perfectly pleased to have inherited an island, even if her starchy pragmatism is ever-so-faintly appalled by the island’s “Pixie Falls” spring and its reported miraculous healing properties. Really, the locals’ attempts to capitalize on the “miracles” are entirely too tacky—Ye Olde Gift Shoppe, the neon signs . . .not on Miss Emily’s watch, thank you. Of course, the locals are not exactly thrilled to give up their trade. Pixie Falls may be merely be known for healing warts, it’s true, but you take your shillings where you can find them. Could their frustration have bubbled up into murderous rage? Inspector Alleyn will have to sort it out. And this time, it’s personal. “It’s time to start comparing Christie to Marsh instead of the other way around.” —New York Magazine “A peerless practitioner of the slightly surreal, English-village comedy-mystery.” —Kirkus Reviews “The nonpareil among criminal investigators.” —The New York Times

A fancy hotel plays host to homicide in a “jubilant” novel by “a peerless practitioner of the slightly surreal, English-village comedy-mystery” (Kirkus Reviews, starred review). Sybil Foster lives the sort of little English village that is home mostly to the very rich and the servants who make their lives delightful. But Sybil Foster’s life is not delightful, even if she does have an extremely talented gardener. Exhausted from her various family stresses—a daughter, for instance, who wants to marry a man without a title!—Sybil takes herself off to a local hotel that specializes in soothing shattered nerves. When she’s killed, Inspector Alleyn has a real puzzler on his hands: Yes, she was silly, snobbish, and irritating. But if that were enough motive for murder, half of England would be six feet under . . . “In her ironic and witty hands the mystery novel can be civilized literature.” —The New York Times “The brilliant Ngaio Marsh ranks with Agatha Christie and Dorothy Sayers.” —Times Literary Supplement

A collection of short mystery stories by New Zealand's premier mystery writer. Also included are the author's essays about her major character, Detective-Inspector Rodericl Alleyn.

This invaluable resource provides information about and sources for researching 50 of the top crime genre writers, including websites and other online resources. Crime Writers: A Research Guide is an easy-to-use launch pad for learning more about crime fiction authors, including those who write traditional mystery novels, suspense novels, and thrillers with crime elements. Emphasizing the best and most popular writers, the book covers approximately 50 contemporary authors, plus a few classics like Agatha Christie. Each entry provides a brief quotation that gives some indication of writing style; a biographical sketch; lists of major works and awards; and research sources, including websites, biographies, criticism, and research guides. There are also read-alikes for selected authors. Of special note is the inclusion of websites and other online resources, such as blogs and social networking sites, which are often overlooked in author-reference sources. The book also provides an overview of the genre and subgenres, a timeline, and a comprehensive bibliography. An ideal resource for genre studies and literature classes, this guide will also be invaluable to readers' advisors, book club leaders, students, and genre fans.

A murdered body is discovered on a farm, packed in a bale of wool--and Roderick Alleyn must find a wild, woolly killer.

While the roots of the detective novel go back to the 19th century, the genre reached its height around 1925 to 1945. This work presents information on 21 British and American women who wrote during the 20th century. As a group they were largely responsible for the great popularity of the detective novel in the first half of the century. The British authors are Dora Turnbull (Patricia Wentworth), Agatha Christie, Dorothy L. Sayers, Elizabeth Mackintosh (Josephine Tey), Ngaio Marsh, Gladys Mitchell, Margery Allingham, Edith Pargeter (Ellis Peters), Phyllis Dorothy James White (P.D. James), Gwendoline Butler (Jennie Melville), and Ruth Rendell, and the Americans are Patricia Highsmith, Carolyn G. Heilbrun (Amanda Cross), Edna Buchanan, Kate Gallison, Sue Grafton, Sara Paretsky, Nevada Barr, Patricia Cornwell, Carol Higgins Clark, and Megan Mallory Rust. A flavor of each author's work is provided.