This book tells the story of three young men: two French, one Russian; all born the same year, when European culture was moving from Romanticism to something else in painting, music, and literature. Influenced by the environment from which they came, all three grew to take a leading role in moving the arts in a bold new direction. It was the age when Impressionism reinvented what painting could be, when Naturalism changed how fiction is written, and when Russia moved from the edges of European society to the vital role it has played ever since. Leading, guiding, determining this new course were Monet, Tchaikovsky, and Zola. Parallel biographies of these three artistic geniuses follow them from the magic year of their birth to the point when they established themselves as bold, original creators in the early 1870s. The book explores how they chose to follow careers in creative art, how each of them came to play such a central role in their respective domains, and how those arts interacted and influenced each other. As they move through the cultural world of 19th century Europe, a panorama appears of the rich intellectual environment of France and Russia in that period, as well as the unique experiences and talents that led all three to their towering position in modern culture. Often considered separately, art, music, and literature come together in this study to offer a multifaceted view of a key era in the development of modernism in all the arts.

This book tells the story of three young men: two French, one Russian; all born the same year, when European culture was moving from Romanticism to something else in painting, music, and literature. Influenced by the environment from which they came, all three grew to take a leading role in moving the arts in a bold new direction. It was the age when Impressionism reinvented what painting could be, when Naturalism changed how fiction is written, and when Russia moved from the edges of European society to the vital role it has played ever since. Leading, guiding, determining this new course were Monet, Tchaikovsky, and Zola. Parallel biographies of these three artistic geniuses follow them from the magic year of their birth to the point when they established themselves as bold, original creators in the early 1870s. The book explores how they chose to follow careers in creative art, how each of them came to play such a central role in their respective domains, and how those arts interacted and influenced each other. As they move through the cultural world of 19th century Europe, a panorama appears of the rich intellectual environment of France and Russia in that period, as well as the unique experiences and talents that led all three to their towering position in modern culture. Often considered separately, art, music, and literature come together in this study to offer a multifaceted view of a key era in the development of modernism in all the arts.

The Sufi tradition remains one of the most mysterious and least understood systems of self-realization. This book demystifies the practice of the sohbet—an ad hoc discourse—as the central instructional tool in the globally influential Naqshbandi-Haqqani Order. It approaches the practice using categories of improvised music to establish a framework for analyzation. Its ritualized formal structure, illustrated via selected talks of Shaykh Nazim Adil al-Haqqani, discloses the underlying—and assumingly primary—function to provoke prolonged states of raised awareness in listeners and condition their sympathetic nervous system. In an extensive discussion based on several years of field research in Cyprus, the book relates this intention to similar practices in other traditional knowledge systems by proposing psychophysical interpretations based on psychology, biochemistry, neuroscience, or quantum physics. It will appeal to scholars and students of Sufism, Islamic studies, and comparative religion, as well as those interested in performance studies and improvised music, interpersonal communication, and education.

In extending the traditional field of Word and Music Studies to include research on film and other forms of moving visualizations, this volume focuses on innovative discussions of artistic works showing relationships between three individual communicative media. This trifocal, interdisciplinary perspective is reflected in seventeen essays that cover the historical space from the 19th to the 21st centuries and discuss a wide variety of individual genres in the represented media. These range from Parisian cabaret to ‘revolutionary’ Peking opera, from silent film to Holocaust narration, from documentary propaganda movies to opera film interludes, and more. The investigation of historical cases is broadened by reflections on theoretical and functional issues, primarily in film music, which show a remarkable breadth of technical and perceptual varieties. The essays here collected are of relevance to scholars and students of film studies, musicology, and literature, as well as readers generally interested in Intermediality Studies.

"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.

The period between 1867 and 1914 remains the greatest watershed in human history since the emergence of settled agricultural societies: the time when an expansive civilization based on synergy of fuels, science, and technical innovation was born. At its beginnings in the 1870s were dynamite, the telephone, photographic film, and the first light bulbs. Its peak decade - the astonishing 1880s - brought electricity - generating plants, electric motors, steam turbines, the gramophone, cars, aluminum production, air-filled rubber tires, and prestressed concrete. And its post-1900 period saw the first airplanes, tractors, radio signals and plastics, neon lights and assembly line production. This book is a systematic interdisciplinary account of the history of this outpouring of European and American intellect and of its truly epochal consequences. It takes a close look at four fundamental classes of these epoch-making innovations: formation, diffusion, and standardization of electric systems; invention and rapid adoption of internal combustion engines; the unprecedented pace of new chemical syntheses and material substitutions; and the birth of a new information age. These chapters are followed by an evaluation of the lasting impact these advances had on the 20th century, that is, the creation of high-energy societies engaged in mass production aimed at improving standards of living.

In a bold new look at the Modern Art era, Brettell explores the works of such artists as Monet, Gauguin, Picasso, and Dali--as well as lesser-known figures--in relation to expansion, colonialism, national and internationalism, and the rise of the museum. 140 illustrations, 75 in color.

Examines how changes from the Industrial Revolution prior to World War I brought about radical transformation in society, changes in education, and massive migration in population that led to one of the bloodiest events in history.

In A Baroque Vision Nicholas Hagger chose key passages from his verse that convey the thread of his Baroque vision. In its companion volume The Essentials of Universalism he chooses key passages from his prose works that convey the thread of his Universalism, which grew out of his Baroque perspective. Hagger’s literary, mystical, religious, philosophical, historical, cultural and political Universalist writings are innovatory. In 60 books he has: set out a new approach to literature and identified its fundamental theme as a quest for the One, an infinite Reality perceived as Light, that alternates with condemnation of social follies and vices; presented many mystics’ illuminations; seen the Light as the common essence of all religions; created a new philosophy of Universalism that restates the unity of the universe and challenges modern philosophy; charted the history of the rise and fall of civilisations; reconciled the divisions within world culture; and proposed a democratic World State with limited supranational power to abolish war and bring in a Golden Age of peace and prosperity. The Essentials of Universalism is a stunning anthology of his writings that covers all aspects of his thinking and range. Chosen by the author himself, the excerpts include the most important passages in the Hagger canon and are representative of his vast output. Since the book was completed Hagger has brought out The Algorithm of Creation, the first-ever statement of a Theory of Everything and a further development of his Universalism.This anthology makes clear the main thrust of his life’s work and is required reading for all interested in seeing how his many innovations connect.