Combine Origami with the art of papercrafting to embellish cards, scrapbooks, framables and more!

Drawing equally on material culture and literary history, Stabile discusses how the group used their writings to explore and at times replicate the arrangement of their material possessions, including desks, writing paraphernalia, mirrors, miniatures, beds, and coffins. As she reconstructs the poetics of memory that informed the women's lives and structured their manuscripts, Stabile focuses on vernacular architecture, penmanship, souvenir collecting, and mourning.

Memory Folding adapts the art of tea bag folding for scrapbook enthusiasts. Crafters will learn how to create 3-dimensional paper art to complement their memory pages in a few simple steps.Includes: step-by-step folding color illustrations; concise assembly instructions; special techniques; four sheets of colorful specialty folding paper; over 30 pages of ideas for memory crafts.

Combine your love of crafting, fabric, and reading to create unique volumes for preserving your memories. The 24 projects feature a variety of binding methods as well as inventive techniques like transferring photos onto textiles.

Showcase your patriotic spirit with these stars and stripes folds. Printed papers included.

Written by outstanding scientists in physics and molecular biology, this book addresses the most recent advances in the analysis of the protein folding processes and protein structure determination. Emphasis is also placed on modelling and presentation of experimental results of structural membrane bound proteins. Many color plates help to illustrate structural aspects covered including: Defining folds of protein domains Structure determination from sequence Distance geometry Lattice theories Membrane proteins Protein-Ligand interaction Topological considerations Docking onto receptors All analysis is presented with proven theory and experimentation. Protein Folds: A Distance-Based Approach is an excellent text/reference for biotechnologists and biochemists as well as graduate students studying in the research sciences.

In Regions of Unlikeness Thomas Gardner explores the ways a number of quite different twentieth-century American poets, including Elizabeth Bishop, John Ashbery, Robert Hass, Jorie Graham, and Michael Palmer, frame their work as taking place within, and being brought to life by, an acknowledgment of the limits of language. Gardner approaches their poetry in light of philosopher Stanley Cavell?s remarkably similar engagement with the issues of skepticism and linguistic finitude. The skeptic?s refusal to settle for anything less than perfect knowledge of the world, Cavell maintains, amounts to a refusal to accept the fact of human finitude. Gardner argues that both Cavell and the poets he discusses reject skepticism?s world-erasing conclusions but nonetheless honor the truth about the limits of knowledge that skepticism keeps alive. In calling attention to the limits of such acts as describing or remembering, the poets Gardner examines attempt to renew language by teasing a charged drama out of their inability to grasp with certainty. ø Juxtaposed with Gardner?s readings of the work of the younger poets are his interviews with them. In many ways, these conversations are at the core of Gardner?s book, demonstrating the wide-ranging implications of the struggles and mappings enacted in the poems. The interviews are themselves examples of the charged intimacy Gardner deals with in his readings.