In Regions of Unlikeness Thomas Gardner explores the ways a number of quite different twentieth-century American poets, including Elizabeth Bishop, John Ashbery, Robert Hass, Jorie Graham, and Michael Palmer, frame their work as taking place within, and being brought to life by, an acknowledgment of the limits of language. Gardner approaches their poetry in light of philosopher Stanley Cavell?s remarkably similar engagement with the issues of skepticism and linguistic finitude. The skeptic?s refusal to settle for anything less than perfect knowledge of the world, Cavell maintains, amounts to a refusal to accept the fact of human finitude. Gardner argues that both Cavell and the poets he discusses reject skepticism?s world-erasing conclusions but nonetheless honor the truth about the limits of knowledge that skepticism keeps alive. In calling attention to the limits of such acts as describing or remembering, the poets Gardner examines attempt to renew language by teasing a charged drama out of their inability to grasp with certainty. ø Juxtaposed with Gardner?s readings of the work of the younger poets are his interviews with them. In many ways, these conversations are at the core of Gardner?s book, demonstrating the wide-ranging implications of the struggles and mappings enacted in the poems. The interviews are themselves examples of the charged intimacy Gardner deals with in his readings.

Nolan explores the way Roman and medieval authors used the mirror as both instrument and metaphor

Once Out of Nature offers an original interpretation of Augustine’s theory of time and embodiment. Andrea Nightingale draws on philosophy, sociology, literary theory, and social history to analyze Augustine’s conception of temporality, eternity, and the human and transhuman condition. In Nightingale’s view, the notion of embodiment illuminates a set of problems much larger than the body itself: it captures the human experience of being an embodied soul dwelling on earth. In Augustine’s writings, humans live both in and out of nature—exiled from Eden and punished by mortality, they are “resident aliens” on earth. While the human body is subject to earthly time, the human mind is governed by what Nightingale calls psychic time. For the human psyche always stretches away from the present moment—where the physical body persists—into memories and expectations. As Nightingale explains, while the body is present in the here and now, the psyche cannot experience self-presence. Thus, for Augustine, the human being dwells in two distinct time zones, in earthly time and in psychic time. The human self, then, is a moving target. Adam, Eve, and the resurrected saints, by contrast, live outside of time and nature: these transhumans dwell in an everlasting present. Nightingale connects Augustine’s views to contemporary debates about transhumans and suggests that Augustine’s thought reflects our own ambivalent relationship with our bodies and the earth. Once Out of Nature offers a compelling invitation to ponder the boundaries of the human.

A collection of essays representing the cutting edge of critical thinking in Greek and Roman literature in America today.

This book reviews the political significance of COVID-19 in the context of earlier pandemic encounters and scares to understand the ways in which it challenges the existing individual health, domestic order, international health governance actors, and, more fundamentally, the circulation-based modus operandi of the present world order. It argues that contagious diseases should be regarded as complex open-ended phenomena with various features and are not reducible merely to biology and epidemiology. They are, as such, fundamentally politosomatic, namely that they disrupt, agitate, and trigger large-scale processes because individual somatic-level anxieties stem from individuals’ sensing immediate danger through the networks of their local and global connectedness. The author further argues that pandemics have somatic effects in political expressions that transform the epidemic into national security dramas which should not, for the sake of efficient health governance, be treated as aspects extraneous to the disease itself. The book highlights that when a serious infectious disease spreads, a 'threat' is very often externalized into a culturally meaningful 'foreign' entity. Pandemics tend to be territorialized, nationalized, ethnicized, and racialized. This book will be of key interest to scholars and students of global health and governance, pandemic security, epidemics, history of medicine, geopolitics, international relations, and general readers interested in the COVID-19 pandemic.

Reactions to pandemics are unlike any other global emergency; with an emphasis on withdrawal and containment of the sight of the infected. Dealing with the historical and conceptual background of diseases in politics and international relations, this volume investigates the global political reaction to pandemic scares. By evaluating anxiety and the political response to pandemics as a legitimisation of the modern state and its ability to protect its citizens from infectious disease, Understanding the Politics of Pandemic Scares examines the connection between international health governance and the emerging Western liberal world order. The case studies, including SARS, Bird Flu and Swine Flu, provide an understanding of how the world order, global health governance and people’s bodies interact to produce scares and panics. Aaltola introduces an innovative new concept of ‘politosomatics’ based on the relationship that links individual stress, strain, and fear with global circulations of power to evaluate increasingly global bio-political environments in which pandemics exist. This book will be of interest to students and researchers of International Relations, Global Health, International Public Health and Global Health governance.

To date, no book-length study of the work of poet Jorie Graham has been published. Graham now holds the prestigious Boylston Professorship of Rhetoric and Oratory at Harvard University; recipient of a MacArthur Fellowship and a Pulitzer Prize, Graham has established herself as one of the most important poets of her generation. This book addresses the connection between Graham's work and the legacy of American Modernism, arguing that her recurring interest in the visible world and how best to represent it in her poetry can be seen as a continuation of the work of Eliot and Stevens. For Graham, the visible world is a means of approaching the ineffable, or the divine. The poet's approach to the ineffable in her work is conflated at times with the relationship between the self and the other: maintaining the integrity of both and accurately representing the truth of what she sees become a moral project for the poet, aligning her work with that of the Moderns. The book addresses Graham's entire body of work, now nine books of poetry, and interprets her poetic preoccupation with visuality through the lens of psychoanalytic criticism.

From the modernist explorations of the first half of the 20th century to the diverse styles and practitioners of the 21st century, contemporary American poetry has forged a vital and enduring tradition. This volume explores the genre's recent history and development, as succeeding generations of poets have taken up the American idiom and molded it into their own unique modes of expression. This new edition explores contemporary poetry through a selection of critical essays and also features an introductory essay by esteemed professor Harold Bloom.

Saint Bernard was born in 1090 near Dijon, France. He joined the fifteen-year-old monastery of Cîteaux in 1113. In 1115 he became the founding abbot of Clairvaux Abbey, whence his name, Bernard of Clairvaux. Saint Bernard was a gifted and prolific writer of theological treatises, Scriptural commentaries, letters, and many sermons. The sermons in the collection published here, styled Sermones de diversis (Sermons about Various Topics), lack the specific point of departure that characterizes his other sermons. That is, whereas the sermons on the Song of Songs are a verse-by-verse commentary on that biblical book and his Sermons for the Year follow the liturgical calendar, this collection of sermons deals with his various pastoral concerns. Since Scripture is always Bernard’s point of departure and inspiration, the sermons often read like a Scripture study, but what comes through equally is the voice of an understanding spiritual father who is a masterful student of Scripture, biblical language, and the needs of his monks.