DigiCat Publishing presents to you this special edition of "Memoirs of Mistral" by Frédéric Mistral. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

'Memoirs of Mistral' is an autobiography written by Frédéric Mistral about his life. He was a French writer of Occitan literature and lexicographer of the Provençal form of the language. He received the Nobel Prize in Literature "in recognition of the fresh originality and true inspiration of his poetic production, which faithfully reflects the natural scenery and native spirit of his people, and, in addition, his significant work as a Provençal philologist".

Written in the relaxed conversational style of an elderly gentlemen reminiscing about old days, the Memoirs describe the circumstances of mistral's childhood and early manhood--the Provencal landscapes, the seasonal life of the farm, the religious observances and seasonal festivities, many clearly of pagan origin. Memoirs, which is not so much an autobiography as a recollection of the life of ordinary country people in his early years, filled with delightful anecdotes, tales, folksongs, and poetry.

Mistral is a portrait of Provence seen through its legendary wind. Photographer Rachel Cobb illustrates the effects of this relentless wind that funnels down the Rhône Valley, periodically gusting to 120 km per hour--hurricane strength on the Beaufort wind force scale. The region has, accordingly, adjusted to accommodate the mistral's impact. Some houses are built the traditional way, with few or no windows on the windward side and the main entrance on the sheltered side. Heavy stones hold down terra-cotta roof tiles. Rows of trees lining fields create windbreaks to shield crops. Cobb spent years chasing this capricious wind, challenging herself to photograph the invisible. As she became sensitive to its rhythms and effects, Cobb realized the mistral was not just a weather phenomenon; it was an integral part of the fabric of Provençal life. It was everywhere, yet always unseen. Mistral captures this invisible force of nature through its effects: a leaf caught in flight, a bride tangled in her veil, spider webs oriented to withstand the wind and grapes lashed by powerful gusts ("You can taste the wine better when the mistral blows," a Châteauneuf-du-Pape winemaker says). Writers have also tried their hand at conjuring this ungraspable phenomenon. Excerpts from writings by Paul Auster, Lawrence Durrell, Jean Giono and Frédéric Mistral are included in this volume, a luminous evocation of nature's unseen power.

A breezy, charming, and perfectly escapist mystery set in the heart of sun- and wine-soaked Aix-en-Provence--where murder investigations are always put on hold for lunch and the only thing more sweeping than the story is the Mediterranean coastline. Provençal Mystery Series #9 Watch the series! Murder in Provence is now on Britbox. Something strange has happened at the unassuming Musée de Quentin-Savary in Aix-en-Provence. When the director, Monsieur Achille Formentin, walks in one beautiful April morning, he is shocked to find the whole museum emptied of its contents--only a bench, the reception desk, and a lowly fern remain. Distressed, he calls the local police, and Aix's examining magistrate Antoine Verlaque sets out to discover the thief's identity. But it's the most baffling case Verlaque has ever encountered. Why would someone want to steal porcelain dessert plates, some old documents, and a few small paintings? Could this have something to do with the mysterious robbery of Madame de Montbarbon's apartment a few weeks earlier? And how can Verlaque possibly concentrate on the theft when he and his wife, Marine Bonnet, are going to have a baby?

Written in the relaxed conversational style of an elderly gentlemen reminiscing about old days, the Memoirs describe the circumstances of mistral's childhood and early manhood--the Provencal landscapes, the seasonal life of the farm, the religious observances and seasonal festivities, many clearly of pagan origin. Memoirs, which is not so much an autobiography as a recollection of the life of ordinary country people in his early years, filled with delightful anecdotes, tales, folksongs, and poetry.

NATIONAL BESTSELLER • In this witty and warm-hearted account, Peter Mayle tells what it is like to realize a long-cherished dream and actually move into a 200-year-old stone farmhouse in the remote country of the Lubéron with his wife and two large dogs. He endures January's frosty mistral as it comes howling down the Rhône Valley, discovers the secrets of goat racing through the middle of town, and delights in the glorious regional cuisine. A Year in Provence transports us into all the earthy pleasures of Provençal life and lets us live vicariously at a tempo governed by seasons, not by days.

They were three generations of magnificent red-haired beauties born to scandal, bred to success, bound to a single extraordinary man—Julien Mistral, the painter, the genius, the lover whose passions had seared them all. Maggy: Flamboyant mistress of Mistral’s youth, the toast of Paris in the‘20s. Her luminous flesh was immortalized in the paintings that made Mistral legendary. Teddy: Maggy’s daughter, the incomparable cover girl who lived fast and left as her legacy Mistral’s dazzling love child. Fauve: Mistral's daughter, the headstrong, fearless glory girl whose one dark secret drove her to rule the world of high fashion and to risk everything in a feverish search for love. From the ‘20s Paris of Chanel, Colette, Picasso and Matisse to New York’s sizzling new modeling agencies of the ‘50s, to the model ward of the‘70s, Mistral's Daughter captures the explosive glamour of life at the top of the worlds of art and high fashion. Judith Krantz has given us a glittering international tale as spellbinding as her other celebrated bestsellers, Scruples, Princess Daisy, I'll Take Manhattan, Till We Meet Again, Scruples Two, Dazzle, and Lovers.

On the impulse behind Cartographies, Marjorie Agosín writes, "I have always wanted to understand the meaning of displacement and the quest or longing for home." In these lyrical meditations in prose and poetry, Agosín evokes the many places on four continents she has visited or called home. Recording personal and spiritual voyages, the author opens herself to follow the ambiguous, secret map of her memory, which "does not betray." Agosín's journey begins in Chile, where she spent her childhood before her family left in the early days of the Pinochet dictatorship. Of Santiago Agosín writes, "Day and night I think about my city. I dream the dream of all exiles." Agosín also travels to Prague and Vienna, ancestral homes of her grandparents, and to Valparaíso in Chile, which received them as immigrants. Kneeling among the yellow mounds at the Terezin concentration camp, where twenty-two of her relatives died, Agosín places "small stones, shrubs, the stuff of life on graves I did not recognize." And then on through the Middle East, the Mediterranean, Europe, and the Americas . . . Everywhere, she is drawn to women in whose devotion and creativity she sees a deep vein of hope--from Julia, keeper of the synagogue at Rhodes, to the women potters in the Chilean town of Pomaire. Agosín writes of diaspora, exile, and oppression, yet only to highlight the dignity and valor of those who find refuge in their humanity and their art, in community and tradition. Cartographies shows us what can be found when we journey with openness, as approachable to strangers as we are to ourselves.