A short novel grappling with memory, identity, and ownership in an alternate version of the 1920s where the elite's memories can be removed and exist as clones

As darkness falls, parents get their children ready for sleep.

Despite the differences between children around the world, there are similarities that join us together, such as pain, joy, and love. Inside they are the same.

A wizard's hat blows into town, changing people into different animals when it lands on their heads.

Scamper and Scurry "Now tell me what you're looking for." Magnus edged closer, till his coat brushed against Mem's. "Do...do you think, somewhere, there are others like us?" Magnus and the mice have a cozy home in the stable loft. But Magnus's whiskers are prickling. Change is in the air, and it's hard work keeping the mice out of harm's way, especially bold little Mem. Mem is searching for a friend like herself, and one day, when no one is looking, she goes missing. Will the mice be able to find her and bring her back? The journey to the circus is long and full of danger, but Magnus learns not to lose sight of the precious things in life, especially when he finds that Mem has made friends with the most majestic, the most magnificent creature he's ever seen!

A story about many different sheep, and one that seems to be missing.

This highly original, provocative, and poetic work explores the nexus of time, truth, and death in the symbolic world of medieval kabbalah. Demonstrating that the historical and theoretical relationship between kabbalah and western philosophy is far more intimate and extensive than any previous scholar has ever suggested, Elliot R. Wolfson draws an extraordinary range of thinkers such as Frederic Jameson, Martin Heidegger, Franz Rosenzweig, William Blake, Julia Kristeva, Friedrich Schelling, and a host of kabbalistic figures into deep conversation with one another. Alef, Mem, Tau also discusses Islamic mysticism and Buddhist thought in relation to the Jewish esoteric tradition as it opens the possibility of a temporal triumph of temporality and the conquering of time through time. The framework for Wolfson’s examination is the rabbinic teaching that the word emet, "truth," comprises the first, middle, and last letters of the Hebrew alphabet, alef, mem, and tau, which serve, in turn, as semiotic signposts for the three tenses of time—past, present, and future. By heeding the letters of emet we discern the truth of time manifestly concealed in the time of truth, the beginning that cannot begin if it is to be the beginning, the middle that re/marks the place of origin and destiny, and the end that is the figuration of the impossible disclosing the impossibility of figuration, the finitude of death that facilitates the possibility of rebirth. The time of death does not mark the death of time, but time immortal, the moment of truth that bestows on the truth of the moment an endless beginning of a beginningless end, the truth of death encountered incessantly in retracing steps of time yet to be taken—between, before, beyond.

A beautiful and brilliant portrait of two generations of women. Set in India’s railway colonies, this is the story of Kamini and her mother Saroja, nicknamed Tamarind Mem due to her sour tongue. While in Canada beginning her graduate studies, Kamini receives a postcard from her mother saying she has sold their home and is travelling through India. Both are forced into the past to confront their dreams and losses and to explore the love that binds mothers and daughters everywhere.

The internationally acclaimed children's book writer, on herself and on the art of writing and publishing children's books.