Alef, Mem, Tau also discusses Islamic mysticism and Buddhist thought in relation to the Jewish esoteric tradition as it opens the possibility of a temporal triumph of temporality and the conquering of time through time."

A New Physiognomy of Jewish Thinking is a search for authenticity that combines critical thinking with a yearning for heartfelt poetics. A physiognomy of thinking addresses the figure of a life lived where theory and praxis are unified. This study explores how the critical essays on music of German-Jewish thinker, Theodor Wiesengrund Adorno (1903-1969) necessarily accompany the downfall of metaphysics. By scrutinizing a critical juncture in modern intellectual history, marked in 1931 by Adorno's founding of the Frankfurt Institute for Social Research, neglected applications of Critical Theory to Jewish Thought become possible. This study proffers a constructive justification of a critical standpoint, reconstructively shown how such ideals are seen under the genealogical proviso of re/cognizing their original meaning. Re/cognition of A New Physiognomy of Jewish Thinking redresses neglected applications of Negative Dialectics, the poetics of God, the metaphysics of musical thinking, reification in Zionism, the transpoetics of Physics and Metaphysics, as well as correlating Aesthetic Theory to Jewish Law (halakhah).

"Venturing Beyond - Law and Morality in Kabbalistic Mysticism is an investigation of the relationship of the mystical and moral viewed through the prism of the kabbalistic tradition. Elliot R. Wolfson's analysis focuses in particular on the multi-layered corpus of Zohar, the major sourcebook of theosophic symbolism that has informed the variegated evolution of kabbalastic thought and practice."--BOOK JACKET.

Renowned as one of the world’s most astute interpreters of Kabbalistic texts, Elliot Wolfson offers an illuminating and original presentation of Kabbalah. Combining its wisdom with Western philosophical heritage from Plato to Heidegger and beyond, synergy guides his elucidation of the fundamentals of Jewish mysticism and shapes his taxonomy of Kabbalistic thought. A deeply dialectical thinker, Wolfson holds seemingly paradoxical tenets in tandem: Medieval Judaism and American modernity; the ‘tradition’ of Kabbalah and postmodern philosophy; sexual body and human spirit; ontological truth and religious imagination; revelation and occultation; good and evil; left and right – none of these, he writes, are diametrically opposite. Rather, they are dialectical poles with which to think and through which to intuit, tools to gaining a deeper understanding of the Jewish mystical tradition and its meaning for the twenty-first century. An insightful collection of seminal essays written between 1986 and 1998, Luminal Darkness reveals the unmistakably poetic nature of this important scholar’s creative process, and delineates the evolution of his thinking on the role and importance of the Zohar in Kabbalistic tradition. Author Elliot R. Wolfson is the Judge Abraham Lieberman Professor of Hebrew Studies at New York University. He is currently the Editor of the Journal of Jewish Thought and Philosophy and the author of several award-winning books on Jewish mysticism and the Kabbalah.

On Wings of Moonlight - a phrase taken from one of the poems - illuminates the poetic and philosophic kinship between Wolfson, Franz Rosenzweig, one of his influences since graduate school, and Paul Celan. Displaying a deep knowledge of the literary, philosophical, Jewish, and feminist traditions informing Wolfson's academic work, Galli argues that his prose cannot be fully appreciated without consideration of its poetic dimensions.

No one theory of time is pursued in the essays of this volume, but a major theme that threads them together is Wolfson’s signature idea of the timeswerve as a linear circularity or a circular linearity, expressions that are meant to avoid the conventional split between the two temporal modalities of the line and the circle.

Demonstrates that Rabbi Shneur Zalman’s teachings regarding time and history enabled Habad’s growth into a mass Jewish movement. The Habad movement, formed in eighteenth-century Belarus, has developed into one of the most influential streams of Hasidic Judaism. Drawing on both mystical sermons and legal writings of its founder, Rabbi Shneur Zalman of Liady (1745–1812), Eternity Now provides the first account of the historiosophical dimensions of early Habad doctrine. Challenging the commonly held view that Shneur Zalman was primarily concerned with supratemporal transcendence, Wojciech Tworek reveals the importance of time and history in his teachings. Tworek argues that the worldly dimensions of Shneur Zalman’s thought were largely responsible for the rapid growth of Habad at the turn of the nineteenth century and fostered its transformation from an elitist circle into a mass movement. Tworek’s readings of Hebrew and Yiddish sources demonstrate the implications of these ideas not only for male scholars but also for non-scholars, Jewish women, and even non-Jews. Philosophical and kabbalistic thought joined together to form a model of religious experience attractive to a broad audience, laying an ideological foundation for the missionary messianism that was to become a hallmark of Habad in the twentieth century. “The description of Shneur Zalman’s teachings as a ‘dynamic and often inharmonious body that changes and adjusts according to temporal circumstances’ is a thoughtful way of approaching the textual mire of Hasidic sources. Tworek draws upon various corpora without attempting to systematize the teachings into a coherent theological system, revealing their vitality through his analysis of this critical theme.” — Ariel Evan Mayse, editor of From the Depth of the Well: An Anthology of Jewish Mysticism

Annotation In, Martin Heidegger set out an anti-Cartesian attack on Husserl that argued Cartesian philosophy falsely separates the subject from the world. In turn, Alweiss (philosophy, Trinity College, Ireland) contends that Heidegger failed in his attempt to, in her words, "reclaim the world." She defends Husserl's work, detailing the epistemological debate between the two philosophers, and thereby examining a central concern of modern analytic philosophy as it played out in the very different tradition of Continental thinking. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).

The classic work on the philosophy of music—now available in English to a new generation of readers Vladimir Jankélévitch left behind a remarkable body of work steeped as much in philosophy as in music. His writings on moral quandaries reflect a lifelong devotion to music and performance, and, as a counterpoint, he wrote on music aesthetics and on modernist composers such as Fauré, Debussy, and Ravel. Music and the Ineffable brings together these two threads, the philosophical and the musical, as an extraordinary quintessence of his thought. Jankélévitch deals with classical issues in the philosophy of music, including metaphysics and ontology. These are a point of departure for a sustained examination and dismantling of the idea of musical hermeneutics in its conventional sense. Music, Jankélévitch argues, is not a hieroglyph, not a language or sign system; nor does it express emotions, depict landscapes or cultures, or narrate. On the other hand, music cannot be imprisoned within the icy, morbid notion of pure structure or autonomous discourse. Yet if musical works are not a cipher awaiting the decoder, music is nonetheless entwined with human experience, and with the physical, material reality of music in performance. Music is "ineffable," as Jankélévitch puts it, because it cannot be pinned down, and has a capacity to engender limitless resonance in several domains. Jankélévitch's singular work on music was central to such figures as Roland Barthes and Catherine Clément, and the complex textures and rhythms of his lyrical prose sound a unique note, until recently seldom heard outside the francophone world.

Menaḥem Mendel Schneerson (1902-1994) was the seventh and seemingly last Rebbe of the Habad-Lubavitch dynasty. Marked by conflicting tendencies, Schneerson was a radical messianic visionary who promoted a conservative political agenda, a reclusive contemplative who built a hasidic sect into an international movement, and a man dedicated to the exposition of mysteries who nevertheless harbored many secrets. Schneerson astutely masked views that might be deemed heterodox by the canons of orthodoxy while engineering a fundamentalist ideology that could subvert traditional gender hierarchy, the halakhic distinction between permissible and forbidden, and the social-anthropological division between Jew and Gentile. While most literature on the Rebbe focuses on whether or not he identified with the role of Messiah, Elliot R. Wolfson, a leading scholar of Jewish mysticism and the phenomenology of religious experience, concentrates instead on Schneerson's apocalyptic sensibility and his promotion of a mystical consciousness that undermines all discrimination. For Schneerson, the ploy of secrecy is crucial to the dissemination of the messianic secret. To be enlightened messianically is to be delivered from all conceptual limitations, even the very notion of becoming emancipated from limitation. The ultimate liberation, or true and complete redemption, fuses the believer into an infinite essence beyond all duality, even the duality of being emancipated and not emancipated an emancipation, in other words, that emancipates one from the bind of emancipation. At its deepest level, Schneerson's eschatological orientation discerned that a spiritual master, if he be true, must dispose of the mask of mastery. Situating Habad's thought within the evolution of kabbalistic mysticism, the history of Western philosophy, and Mahayana Buddhism, Wolfson articulates Schneerson's rich theology and profound philosophy, concentrating on the nature of apophatic embodiment, semiotic materiality, hypernomian transvaluation, nondifferentiated alterity, and atemporal temporality.