Maria loves tea parties and dancing and wearing her hair in pigtails, but more than anything in the world...Maria loves churros. She’ll do anything to get her hands on more of them, even enter a bullfight. To win, she must outsmart the other matadors who don’t think she’s big enough, fast enough, or strong enough. With determination and creativity, spunky Maria will dance her way to victory—and into readers’ hearts. Complemented by distinct, expressive illustrations, this charming story shows that you don’t have to fight to win, and you might even end up with more than you were hoping for.

A young matador who would rather draw pictures than fight bulls finds a new way to entertain the townsfolk.

As one girl walks home from school, she loves nothing more than to look at all the people and dogs she passes on the way. There are small people with tall dogs, people and dogs who share ice cream, and even pairs with matching mustachios. Some people are just like their dogs and some are very different, but no matter what, it’s clear that they’re the best of friends. When the girl finally makes it home, she has her own best friend waiting for her – and readers are in for a delightful surprise. Amusing observations and charming illustrations highlight a parade of colorful characters in this celebration of man’s best friend. This showcase of delightful dogs and their people is perfect for every animal lover.

"Juxtaposing the narrative strategies of Freud, Wilde and Jarman; film pornography and Almodovar; and Dennis Cooper, Robert GlÃ1⁄4ck and Kevin Killian, Jackson offers a delightfully intelligent and inventive reappraisal of key issues in gay representation." -- Gay Times "A major event in gay cultural theory.... the feat of critical imagination is absolutely stunning in its scope and power. [This book] will be definitive in laying out the issues for subsequent writers in gay theory." -- David M. Halperin Earl Jackson examines visual and narrative texts from a variety of genres, including case histories, pornography, science fiction, and experimental prose.

The remarkable story of Deborah Sampson, a woman who fought in the American Revolution disguised as a man—and who ends up finding her true identity and purpose in life. Deborah Sampson didn’t like being told what to do, especially by the King of England. Fiercely independent, 18-year-old Deborah enlists as Robert Shurtliff in George Washington’s Continental Army to fight for her country’s independence. But being a soldier is hard, dangerous work. Can she fight for her country and keep her identity a secret? Can she also discover who she really is and find her true purpose? This unbelievable story from American history about a woman with a rebel spirit will inspire and enlighten young readers. “Cloaked in Courage is inspiring storytelling centering the life and actions of a brave woman and soldier, Deborah Sampson. Anderson’s contribution brings to light a lesser-known hero in history and emphasizes the importance of historical investigation and research.” —Lori Ann Terjesen, director of education, National Women’s History Museum

Maria was born and raised in a beautiful northern Spanish village on the coast with a close loving family and a college degree, ostensibly she appears to have a very comfortable lifestyle.

Sometimes bad decisions come back to bite you... The princess is too sweet, too kind—but the witch knows just how to handle a princess like that. One bite from a painstakingly made poisoned apple should do it! Once the apple is in the hands of the princess, the plan is in motion. But when the kindhearted princess gives the apple away, the witch watches as her plot spirals out of control. Can she get the apple back before it’s too late? Who will end up with a happily ever after? What goes around comes around in this darkly humorous fairy tale, sure to keep readers on the edge of their seats and howling with laughter.

In this entertaining and delightful mystery, an Italian chef and her cousins start their own investigation to clear their grandmother’s name after she’s arrested for murder. At Miracolo Northern Italian restaurant, one can savor brilliantly seasoned veal saltimbocca, or luscious risotto alla milanese, but no cannoli. Never cannoli. Maria Pia Angelotta, the spirited seventy-six-year-old owner of the Philadelphia-area eatery that’s been in her family for four generations, has butted heads with her head chef over the cannoli ban more than once. And when the head chef is your own granddaughter, things can get a little heated. Fortunately, Eve Angelotta knows how to handle what her nonna dishes out. But when Maria Pia’s boyfriend is found dead in Miracolo’s kitchen, bludgeoned by a marble mortar, the question arises: Can a woman this fiery and stubborn over cream-filled pastry be capable of murder? The police seem to think so, and they put the elder Angelotta behind bars, while Eve, sexy neighborhood attorney Joe Beck, and the entire Miracolo family—parenti di sangue and otherwise—try every trick in the cookbook to unravel a tangle of lies and expose a killer.

In her newest hilarious endeavour, Olivia embarks upon a quest for identity and individuality. It seems there are far too many pink and sparkly princesses around these days and Olivia has had quite enough! She needs to stand out. And so, in typical 'Olivia' style, she sets about creating a whole array of fantastically dressed princesses… and shows us that everyone can be individual and special.

A clothbound companion to Marina Abramovic's tribute to Maria Callas, a new performance that recreates the iconic opera diva's famous onstage death scenes An opera production conceived by the legendary performance artist Marina Abramovic (born 1946), 7 Deaths of Maria Callasis a continuation of the artist's lifelong meditation on the female body as a source of both power and pain. Here Abramovic turns her focus to renowned opera singer Maria Callas, whose stunning soprano voice captivated audiences around the world in the mid-20th century. Though she remains one of opera's greatest singers, Callas' life was beset by struggle and scandal. Today, the opera diva is remembered for having been a figure of both talent and tragedy. Through a mix of narrative opera and film, Abramovic recreates seven iconic death scenes from the American-born Greek singer's most important roles--in La Traviata, Tosca, Otello, Madame Butterfly, Carmen, Lucia di Lammermoorand Norma--followed by an interpretive recreation of Callas' own death performed onstage by Abramovic herself. This clothbound volume serves as a companion to the live performance and provides insight into the conception, planning and execution of Abramovic's project, probing the many creative elements that make up this dynamic exploration of female suffering.