This volume presents a portrait of the friendship between Maria Chabot (1913-2001) and American artist Georgia O'Keeffe (1887-1986) seen through the lens of their personal correspondence to each other. For four summers beginning in 1941, when O'Keeffe was in New Mexico, Chabot lived with the artist at Ghost Ranch, managing her house and guests, and organizing the famed camping-painting trips from which came some of O'Keeffe's most distinguished works of the period. In 1946, Chabot agreed to conceive and oversee the reconstruction of a ruined adobe house in New Mexico that would become O'Keeffe's permanent home in 1949. During the periods when O'Keeffe was in New York where she lived with her husband, famed photographer Alfred Stieglitz, the two women wrote each other with remarkable frequency. Their letters describe their love for northern New Mexico, the hardships of life there during World War II, and their interactions with the diverse cultural groups of the region. The letters also offer insights into the women's very different ways of dealing with the world and their differing perceptions of a complex and sometimes tempestuous friendship.

Collects the private correspondence between Georgia O'Keeffe and Alfred Stieglitz, revealing the ups and downs of their marriage, their thoughts on their work, and their friendships with other artists.

Voices of laughter and comic relief are a timeless, vital aspect of Hispanic culture. In this book practical jokes, pranks, slips-of-the-tongue, hyperbole, and slapstick are given in English and regional Spanish.

Offers a portrait of the twentieth-century woman artist through discussions of her marriage to art photography pioneer Alfred Stieglitz, the impact of his infidelity on her psyche, and her relocation to New Mexico, where she created her signature works.

"When I got to New Mexico that was mine. As soon as I saw it that was my country.” Beginning with her teaching career in Texas, through her time in New York City and Lake George, and ending at her two desert ranches in New Mexico, this sumptuous life history explores the influence of the various landscapes and cities inhabited by Georgia O'Keeffe on her life and artwork. Fully illustrated throughout, the book features Georgia's own drawings and paintings together with archival imagery of her houses, friends and family – many of the photographs taken my notable contemporaries, including her husband Alfred Stieglitz – from the Georgia O'Keeffe Museum in Santa Fe, New Mexico. Georgia O'Keeffe at Home is a fascinating glimpse into the world of one of the most significant and intriguing artists of the twentieth century.

"Accompanying an exhibition at The New York Botanical Garden, this catalogue focuses on Georgia O'Keeffe's life and work in relation to her transformative three-month trip to Hawaii"--

This sampler was designed for art specialists and art museum educators with a basic understanding of teaching discipline-based art education content. The introduction offers a brief history of the Sampler and explains its intended purpose and use. Then 8 unit models with differing methodologies for relating art objectives to the four disciplines: aesthetics, art criticism, art history, and art production, are presented. The sampler consists of two elementary units, two units for middle school, two units intended for required high school art, one high school studio ceramic unit, and a brief unit for art teachers and art museum educators that focuses on visits to art museums. Learning activities, resource material, and learning strategies are given for the units along with a sequence of lessons organized on a theme.

Ladies of the Canyons is the true story of remarkable women who left the security and comforts of genteel Victorian society and journeyed to the American Southwest in search of a wider view of themselves and their world. Educated, restless, and inquisitive, Natalie Curtis, Carol Stanley, Alice Klauber, and Mary Cabot Wheelwright were plucky, intrepid women whose lives were transformed in the first decades of the twentieth century by the people and the landscape of the American Southwest. Part of an influential circle of women that included Louisa Wade Wetherill, Alice Corbin Henderson, Mabel Dodge Luhan, Mary Austin, and Willa Cather, these ladies imagined and created a new home territory, a new society, and a new identity for themselves and for the women who would follow them. Their adventures were shared with the likes of Theodore Roosevelt and Robert Henri, Edgar Hewett and Charles Lummis, Chief Tawakwaptiwa of the Hopi, and Hostiin Klah of the Navajo. Their journeys took them to Monument Valley and Rainbow Bridge, into Canyon de Chelly, and across the high mesas of the Hopi, down through the Grand Canyon, and over the red desert of the Four Corners, to the pueblos along the Rio Grande and the villages in the mountains between Santa Fe and Taos. Although their stories converge in the outback of the American Southwest, the saga of Ladies of the Canyons is also the tale of Boston’s Brahmins, the Greenwich Village avant-garde, the birth of American modern art, and Santa Fe’s art and literary colony. Ladies of the Canyons is the story of New Women stepping boldly into the New World of inconspicuous success, ambitious failure, and the personal challenges experienced by women and men during the emergence of the Modern Age.

Documents the central role of chile in New Mexico history and culture.

Almost 24 years his junior, Georgia O'Keeffe became for Alfred Stieglitz a near icon of American art--as well as his wife. In a marvelous, multileveled biography, Benita Eisler traces the epic and stormy relationship of these incomparable artists, from their consuming ambition to their sexual experimentation.