Pop Quiz: • Have you ever woken up and felt bad about yourself for no reason whatsoever? • Have you spent time trying to figure out how to get into the popular group at school? • Have you ever been embarrassed by your dad singing in the car with your friends? • Have you noticed that things are starting to feel different than ever before? • Do you change your opinion—or even your personality around different friends? • Do you get overwhelmed with all of the thoughts and feelings bouncing around inside of you? If you answered yes to even one of these questions, you passed the quiz. That means you’re a normal girl, who is going through the confusing changes of growing up! Sometimes it might feel like you woke up in a whole new world—kind of like Dorothy, in the Wizard of Oz. The good news is, you’re not alone. Melissa and Sissy, the authors of this book, think they can help you figure out some of the big questions in your life. Even if you haven’t asked them out loud, chances are you’ve started to wonder: • Who am I? • What do I want? • What should I do? • Who do I want to be? While they’re no longer teenagers, Melissa and Sissy remember a bit about what it was like to be 11 or 12—almost a teenager. But more than that, they talk with girls who are a lot like you every day—girls who are feeling confused or overwhelmed, who are feeling like they’re changing in ways they don’t understand—physically, emotionally, and spiritually—and they feel like their lives are out of their own control. In this book, Melissa and Sissy, along with girls your age, will share some insight into what’s going on in your life. You’ll find that you’re not going crazy—you’re just growing up and becoming the person God has created you to be.

Maps and Mirrors explores the links and gaps between the aesthetic and the political at the intersection of philosophy and literature. Testing the major voices of aesthetic and literary theory, it raises important questions about the implicit political contexts and commitments of thinkers from Kant to de Man. Taken together the essays provide a tour of the complexities and richness of contemporary modes of critique.

Maps in a Mirror brings together nearly all of Orson Scott Card's short fiction written between 1977 and 1990. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience. In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain. "One of the genre's most convincing storytellers. An important volume."--Library Journal At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Resource added for the Landscape Horticulture Technician program 100014.

The research for this extensive, two volume project... represents a comprehensive effort to establish a complete context from which the sport of bodybuilding arose. "Muscle, Smoke & Mirrors" is the rise and fall of what was truly once an extraordinary discipline associated with a term known as "Physical Culture". Experience what bodybuilding was originally and learn just exactly what "Physical Culture" really is. See what growing philanthropic power flexed its financial and political muscles to foster its corporate agenda, compromising human health internationally. Read how the merger of technology and politics culminated in the industrialization, commercialization, federalization, internationalization and finally the STERILIZATION of a nation's food supply, rendering it suspect not only to the general public; but also to the most elite of athletes. Whether you are a novice, an elite bodybuilder or simply sports-nutrition minded, learn how the emerging forces of the Iron Game evolved. Ultimately, the factions of this industry would grow powerful and manipulative while fighting for control over the Game. It took the running of several parallel histories on bodybuilding, nutrition, supplements and the role of drugs to offer a complete, first-time unraveling of the web of confusion and politics that still permeates the sport into the 21st century! Volume I of "Muscle, Smoke & Mirrors" is truly the untold stories surrounding "Bodybuilding's Amazing Nutritional Origins."

A comprehensive survey of mirror-imagery in English literature from the thirteenth to the end of the seventeenth century.

A contemplation of the fabled city which for the Western mind is as much a myth as a physical reality. Amos Elon’s elegant, dazzling biography of Jerusalem gives a profound insight into the kaleidoscopic culture of this magical city. Battle-scarred from four thousand years of violent conflict, the holy city is a sacred symbol of Judaism, Islam and Christianity, and its religious wars of today reflect those of the past — Arab versus Jew, orthodox versus secular, continuity versus change. “[a] remarkable portrait of Jerusalem...” — Christopher Lehmann-Haupt, The New York Times “Jerusalem: City of Mirrors is a word portrait like none of those that have come before of the fabled city. It is from the loving but unsparing pen of Israel's most elegant iconoclast.” — Peter Grose, The New York Times “A brilliantly illuminating book.” — Philip Roth “Finely written and very readable... Elon’s contention, and convincing demonstration, that religious fanaticism and communal violence are deeply ingrained in Jerusalem’s geography and its long history (four thousand years) leave little hope for the ‘city of mirrors.’” — John C. Campbell, Foreign Affairs “Elon... has written a literary, and often lyrical, biography of the images of Jerusalem” — Roger Friedland and Richard Hecht, Los Angeles Times “Elon’s Jerusalem is both a learned book and a charming one... He places us before a veritable many-layered mountain of myth and history, a compressed symbol of our most sublime aspirations along with our most disgusting, hatefully brainless excursions into religious bigotry and fratricide. It is a book as complex and surprising as the city itself.” — Arthur Miller “A superbly readable study.” — Jewish Chronicle “A book which should be read by all.” — Catholic Herald “Jerusalem, the most longed-for and fought-for of all cities, is probably also the most written about. Yet, if I had to recommend one contemporary book about Jerusalem for everyone concerned with the city — both visitors and Jerusalemites — would certainly be this one.” — Dan Leon, Palestine-Israel Journal

Some say that in the city of Orlyn, godhood is on sale to the highest bidder. Thousands flock to the city each year, hoping for a chance at immortality.Lydia Hastings is a knowledge sorcerer, capable of extracting information from anything she touches. When she travels to Orlyn to validate the claims of the local faith, she discovers a conspiracy that could lead to a war between the world's three greatest powers. At the focal point is a prisoner who bears a striking resemblance to the long-missing leader of the pantheon she worships. Rescuing the prisoner would require risking her carefully cultivated cover - but his execution could mean the end of everything Lydia holds dear.

If the postmodern is a collage--as some critics have suggested--or if collage is itself a kernel of the postmodern, what does this mean for our way of understanding the world? The Frame and the Mirror uses this question to probe the distinctive character of the postmodern situation and the philosophical problem of representation. Brockelman's work is itself a collage of sorts, using juxtapositions of critics and art historical figures to conduct a debate between such figures as Karsten Harries, Gianni Vattimo, Rosalind Krauss, Immanuel Kant, Jean-Francois Lyotard, Slavo Zizek, and Le Corbusier about issues such as truth in art, perspectivism, theatricality, the sublime, psychoanalytic theory, politics, and urbanism. More than an introduction to the postmodern, The Frame and the Mirror advances our understanding of the contemporary world by relating its features to the peculiar characteristics of collage. Ultimately, Brockelman shows how collage demands that we reinterpret modernity, conceiving of it as suspended between a loss of certainty and a new kind of knowledge about the human condition. In doing so, his work challenges many of the claims made in the name of postmodernism--and offers in their place a new and ironic view of the cultural space in which contemporary and historical events occur.