From award-winning Wiradyuri author, Anita Heiss, comes a fun, light-hearted and empowering story featuring a deadly Koori heroine who is forced to choose between her dream job and the man of her dreams. Lauren is a curator at the National Aboriginal Gallery in Canberra. She's good at her job, passionate about the arts, and focused on her work – that is, when she's not focusing on Adam, halfback for the Canberra Cockatoos. But Adam is a player, both on and off the field. Lauren knows he's the one, but he doesn't seem to feel the same way about her. If she just waits long enough, though, surely he'll realise how much he needs her? Then her boss offers her the chance of a lifetime – a fellowship at the Smithsonian in New York. Lauren has to make some big decisions: the man or Manhattan?

NEW YORK TIMES BESTSELLER • A NEW YORK TIMES NOTABLE BOOK · WINNER OF THE BROOKLYN PUBLIC LIBRARY PRIZE • INTERNATIONAL LATINO BOOK AWARD FINALIST A blazing talent debuts with the tale of a status-driven wedding planner grappling with her social ambitions, absent mother, and Puerto Rican roots—all in the wake of Hurricane Maria NAMED ONE OF THE BEST BOOKS OF THE YEAR: Kirkus, Washington Post, TIME, NPR, Vogue, Esquire, Book Riot, Goodreads, EW, Reader's Digest, and more! "Don’t underestimate this new novelist. She’s jump-starting the year with a smart romantic comedy that lures us in with laughter and keeps us hooked with a fantastically engaging story." —The Washington Post It's 2017, and Olga and her brother, Pedro “Prieto” Acevedo, are boldfaced names in their hometown of New York. Prieto is a popular congressman representing their gentrifying Latinx neighborhood in Brooklyn, while Olga is the tony wedding planner for Manhattan’s power brokers. Despite their alluring public lives, behind closed doors things are far less rosy. Sure, Olga can orchestrate the love stories of the 1 percent but she can’t seem to find her own. . . until she meets Matteo, who forces her to confront the effects of long-held family secrets. Olga and Prieto’s mother, Blanca, a Young Lord turned radical, abandoned her children to advance a militant political cause, leaving them to be raised by their grandmother. Now, with the winds of hurricane season, Blanca has come barreling back into their lives. Set against the backdrop of New York City in the months surrounding the most devastating hurricane in Puerto Rico’s history, Xochitl Gonzalez’s Olga Dies Dreaming is a story that examines political corruption, familial strife, and the very notion of the American dream—all while asking what it really means to weather a storm.

A sweeping epic of two families—one Dutch, one English—from the time when New Amsterdam was a raw and rowdy settlement, to the triumph of the Revolution, when New York became a new nation’s city of dreams. In 1661, Lucas Turner, a barber surgeon, and his sister, Sally, an apothecary, stagger off a small wooden ship after eleven weeks at sea. Bound to each other by blood and necessity, they aim to make a fresh start in the rough and rowdy Dutch settlement of Nieuw Amsterdam; but soon lust, betrayal, and murder will make them mortal enemies. In their struggle to survive in the New World, Lucas and Sally make choices that will burden their descendants with a legacy of secrets and retribution, and create a heritage that sets cousin against cousin, physician against surgeon, and, ultimately, patriot against Tory. In what will be the greatest city in the New World, the fortunes of these two families are inextricably entwined by blood and fire in an unforgettable American saga of pride and ambition, love and hate, and the becoming of the dream that is New York City.

American Dreaming chronicles in rich detail the struggles of immigrants who have fled troubled homelands in search of a better life in the United States, only to be marginalized by the society that they hoped would embrace them. Sarah Mahler draws from her experiences living among undocumented Salvadoran and South American immigrants in a Long Island suburb of Manhattan. In moving interviews they describe their disillusionment with life in the United States but blame themselves individually or as a whole for their lack of economic success and not the greater society. As she explores the reasons behind this outlook, the author argues that marginalization fosters antagonism within ethnic groups while undermining the ethnic solidarity emphasized by many scholars of immigration. Mahler's investigation leads to conditions that often bar immigrants from success and that they cannot control, such as residential segregation, job exploitation, language and legal barriers, prejudice and outright hostility from their suburban neighbors. Some immigrants earn surplus income by using private cars as taxis, subletting space in apartments to lower rent burdens, and filling out legal forms and applications--in essence generating institutions largely parallel to those of the mainstream society whereby only a small group of entrepreneurs can profit. By exacting a price for what used to be acts of reciprocal good will in the homeland, these entrepreneurs leave people who had expected to be exploited by "Americans" feeling victimized by their own.

Libby is determined to stay on her no-man fast: no more romance, no more cheating men, no more heartbreak. But in the city of love there is no escaping fate … A hilarious and heartfelt romantic comedy from bestselling Wiradyuri author, Anita Heiss. Libby has given up on romance. After all, she has her three best girlfriends and two cats to keep her company at night, and her high-powered job at the National Aboriginal Gallery in Canberra to occupy her day – isn't that enough? But when fate gives Libby the chance to work in Paris at the Musée du Quai Branly, she's thrown out of her comfort zone and into a city full of culture, fashion and love. Surrounded by thousands of gorgeous men, romance has suddenly become a lot more tempting.

A story about what it means to be a friend … Five women, best friends for decades, meet once a month to talk about books … and life, love and the jagged bits in between. Dissecting each other’s lives seems the most natural thing in the world – and honesty, no matter how brutal, is something they treasure. Best friends tell each other everything, don’t they? But each woman harbours a complex secret and one weekend, without warning, everything comes unstuck. Izzy, soon to be the first Black woman with her own television show, has to make a decision that will change everything. Veronica, recently divorced and dedicated to raising the best sons in the world, has forgotten who she is. Xanthe, desperate for a baby, can think of nothing else, even at the expense of her marriage. Nadine, so successful at writing other people’s stories, is determined to blot out her own. Ellen, footloose by choice, begins to question all that she’s fought for. When their circle begins to fracture and the old childhood ways don’t work anymore, is their sense of sistahood enough to keep it intact? How well do these tiddas really know each other? Praise for Tiddas ‘Generous and witty’ Susan Johnson ‘This enjoyable and human story is impressively interwoven with historical and contemporary Aboriginal issues.’ Sun Herald ‘A celebration of female friendships’ Sunday Territorian ‘Will resonate with many readers … a novel that asks whether a strong sense of sisterhood is enough to keep friends together.’ Burnie Advocate

"Will understands the life-enhancing abilities of colour. He's a true talent with a keen eye." Jonathan Adler This book will take readers on an inspiring journey to discover fifteen decor destinations that each have a distinct and inspired style. From the colourful cool of Miami Brights to the eclectic urban hipster warehouses of Brooklyn and the nautical feel of the Hamptons and Normandy, a diverse mix of decor styles will be explored. The homes will mirror their surrounding environments, and room analysis for every space in the home will show readers how they can recreate their favourite looks and styles no matter where they live. Our homes are a reflection of how we live and nothing impacts on that more than where we live, and the lifestyle we lead. This book will take readers on an inspiring and tactile journey to discover the decorating style that represents their personal style, all demonstrated via Will's personal and evocative travel imagery, charming illustrations and personality-packed homes across the globe. By inspiring readers to look to their surroundings and call on their own travel memories and personal journeys, the book will be the practical yet playful travel companion the reader needs to create their own Destination Decor style.

Richard Rodgers and Lorenz Hart are one of the defining duos of musical theater, contributing dozens of classic songs to the Great American Songbook and working together on over 40 shows before Hart's death. With hit after hit on both Broadway and the West End, they produced many of the celebrated songs of the '20s and '30s--such as "Manhattan," "The Lady is a Tramp," and "Bewitched"--that remain popular favorites with great cultural resonance today. Yet the early years of these iconic collaborators have remained largely unexamined. We'll Have Manhattan: The Early Work of Rodgers & Hart provides unprecedented insight into the first, formative period of Rodgers and Hart's collaboration. Author Dominic Symonds examines the pair and their work from their first meeting in 1919 to their brief flirtation with Hollywood in the early 1930s as they left the theater to explore sound film. During this time, their output was prodigious, progressive, and experimental. They developed their characteristic style and a new approach to musical theater writing that provided the groundwork for the development of the Broadway musical. Symonds also analyzes the theme of identity that runs throughout Rodgers and Hart's work, how the business side of the theater affected their artistic output, and their continued experimentation with a song's dramatic role within a narrative. We'll Have Manhattan goes beyond a biographical or historical look at Rodgers and Hart's early years--it's also an accessible but authoritative study of their material. Symonds documents their early shows and provides deft critical and analytical commentary on their evolving practice and its influence on the subsequent development of the American musical. Fans of musical theater and devotees of Rodgers and Hart will find this definitive exploration of their early works to be an essential addition to their Broadway library.

The recent exhibitions dedicated to Botticelli around the world show, more than ever, the significant and continued debate about the artist. Botticelli Past and Present engages with this debate. The book comprises four thematic parts, spanning four centuries of Botticelli’s artistic fame and reception from the fifteenth century. Each part comprises a number of essays and includes a short introduction which positions them within the wider scholarly literature on Botticelli. The parts are organised chronologically beginning with discussion of the artist and his working practice in his own time, moving onto the progressive rediscovery of his work from the late eighteenth to the turn of the twentieth century, through to his enduring impact on contemporary art and design. Expertly written by researchers and eminent art historians and richly illustrated throughout, the broad range of essays in this book make a valuable contribution to Botticelli studies.