The recent exhibitions dedicated to Botticelli around the world show, more than ever, the significant and continued debate about the artist. Botticelli Past and Present engages with this debate. The book comprises four thematic parts, spanning four centuries of Botticelli’s artistic fame and reception from the fifteenth century. Each part comprises a number of essays and includes a short introduction which positions them within the wider scholarly literature on Botticelli. The parts are organised chronologically beginning with discussion of the artist and his working practice in his own time, moving onto the progressive rediscovery of his work from the late eighteenth to the turn of the twentieth century, through to his enduring impact on contemporary art and design. Expertly written by researchers and eminent art historians and richly illustrated throughout, the broad range of essays in this book make a valuable contribution to Botticelli studies.

The recent exhibitions dedicated to Botticelli around the world show, more than ever, the significant and continued debate about the artist. Botticelli Past and Present engages with this debate. The book comprises four thematic parts, spanning four centuries of Botticelli’s artistic fame and reception from the fifteenth century. Each part comprises a number of essays and includes a short introduction which positions them within the wider scholarly literature on Botticelli. The parts are organised chronologically beginning with discussion of the artist and his working practice in his own time, moving onto the progressive rediscovery of his work from the late eighteenth to the turn of the twentieth century, through to his enduring impact on contemporary art and design. Expertly written by researchers and eminent art historians and richly illustrated throughout, the broad range of essays in this book make a valuable contribution to Botticelli studies.

Catalog of an exhibition held at the Victoria and Albert Museum, London, 5 March 2016-3 July 2016.

Godiva Blue thinks she controls the world she has created for her daughter Dylan and herself in a neglected corner of North Florida. While her fellow college activists have become Reagan-era yuppies, Godiva—an elementary-school janitor who is also an avant-garde artist and avowed nonconformist—staunchly refuses to compromise her ideals. Then one day she glances at the wanted posters hanging in her local post office and recognizes the face of a man she hasn’t seen since 1969: Dylan’s father. Shaken, Godiva grabs the poster and takes it home. When 15-year-old Dylan, already secretly chafing against her mother’s out-sized personality, finds the photograph, the discovery rocks the very foundation of their relationship. Fueled by simmering adolescent resentment, Dylan sets out across America to look for the father she’s never known. Left behind and powerless to protect her daughter, Godiva must finally confront the choices she made long ago. By turns funny, scary and reflective, Playing Botticelli follows Godiva and Dylan deep into the uncharted territories of their hearts as they seek that elusive balance between autonomy and family love?

Botticelli’s Muse peels back layers of history to tell a fictionalized version of the life of Sandro Botticelli, his conflicts with the Medici family of Florence, and the woman at the heart of his paintings. In 1477, Botticelli is suddenly fired by his prestigious patron and friend Lorenzo de’ Medici. In the villa of his irritating new patron, the artist’s creative well runs dry—until the day he sees Floriana, a Jewish weaver imprisoned in his sister’s convent. But events threaten to keep his unlikely muse out of reach. So begins a tale of one of the art world’s most beloved paintings, La Primavera, as Sandro, a confirmed bachelor, and Floriana, a headstrong artist in her own right, enter into a turbulent relationship.

When Jim Botticelli launched the Dirty Old Boston Facebook page as a salute to the gritty city he once knew, he discovered that thousands of people were equally nostalgic and curious about Boston's recent past. And for good reason; after World War II, Boston changed rapidly, without apology, for better and worse, and in many ways forever.Dirty Old Boston chronicles the people, streets, and buildings from the postwar years to 1987. From ball games to dive bars, Dirty Old Boston also covers some of the city's most tumultuous events including the razing of neighborhoods, Boston's busing crisis, and the continual fight for affordable housing.Photographs—assembled from family albums, student projects, institutional archives, and professional collections—reveal Boston as seen from the streets. Illuminating Boston's tenacity and spirit, Dirty Old Boston presents our proud moments and our growing pains. Raw and beautiful, this book is an evocative tribute to the city and its people.

A suspenseful tale of Borgesian circularity, Shadowing Botticelli's Beauty features an unusual cast drawn from three distinct spheres: C.I.A. operatives running sensitive operations during the Cold War; players from the art world among them a painter-architect based in Buenos Aires, and from ages past, the Renaissance master, Sandro Botticelli; and colorful inhabitants of an elite, New England prep school. But throughout this sinuous tale of intrigue, there is the constancy of "Abel Baaker Charlie:" devoted husband; journeyman case officer; apprentice school master; autodidactic painter; and, last but not least, self-appointed art detective. While weathering the chaos of revolutions, personal tragedies, identity crises, a treacherous colleague, and radical career shifts, the novel's dauntless protagonist tenaciously stalks a lost masterpiece looted by a Nazi war criminal in the closing days of World War II. Baaker's story, which has a basis in fact, is told with the assuredness of a veteran insider privy to the clandestine realm of spies, the arcane province of art historians, and the twisted turf of private boarding schools. While making for a fine read, with its rewarding resolution, Shadowing Botticelli's Beauty ponders the opposing roles of chance and grand design in the destiny of its memorable characters.

Examines the life and work of the Italian painter of the early Renaissance, describing and giving examples of his art.

What do we mean when we say that we are bored? Or when we find a subject boring? Contributors to On Boredom: Essays in art and writing, which include artists, art historians, psychoanalysts and a novelist, examine boredom in its manifold and uncertain reality. Each part of the book takes up a crucial moment in the history of boredom and presents it in a new light, taking the reader from the trials of the consulting room to the experience of hysteria in the nineteenth century. The book pays particular attention to boredom’s relationship with the sudden and rapid advances in technology that have occurred in recent decades, specifically technologies of communication, surveillance and automation. On Boredom is idiosyncratic for its combination of image and text, and the artworks included in its pages – by Mathew Hale, Martin Creed and Susan Morris – help turn this volume into a material expression of boredom itself. With other contributions from Josh Cohen, Briony Fer, Anouchka Grose, Rye Dag Holmboe, Margaret Iversen, Tom McCarthy and Michael Newman, the book will appeal to readers in the fields of art history, literature, cultural studies and visual culture, from undergraduate students to professional artists working in new media.