Digital still images captured from Nick Baer's classic 1998 film Primal Man Forest Men. Filmed in the California desert near Idylwild, these world class body builders build a campsite, dig a post hole, climb a fallen tree, and scale a rocky wall. Featuring Eric Campos, Jimmy Nesmith, Jay Pope and John Switzer. Full frontal male nudity, color, 40 pages.

Intimate moments with Hefner Ring, in his first ever photo shoot. In cooperation with MJ Photography, Las Vegas. Full frontal male nudity, color, 42 pages.

After a long work out, 24 sport jocks look forward to a hot shower. Brad Slater, Jason Forest, Josh Catchings, Ang Lei, Mike Reddev, Christian Hunt, Dominik, Danny Diamond, Mr Thorn, Zen Takai, Mr. Divine, Tristan Dempsey. 36 pages, full frontal male nudity in shower, color.You may also be interested in these books featuring Jocks Showering: Male Nude Photography- Shower Jocks (ASIN # 1434821609), Male Nude Photography- Shower Guys (ASIN # 1440456410), Male Nude Photography- Hit The Showers (ASIN # 1441430431), Male Nude Photography- Shower Time (ASIN # 1442147261).

Digital still images captured from Nick Baer's classic 1998 film Primal Man Forest Men (which is also available on DVD on Amazon.com). Filmed in the California desert near Idylwild, these world class body builders build a campsite, dig a post hole, climb a fallen tree, and scale a rocky wall. Featuring Eric Campos, Jimmy Nesmith, Jay Pope and John Switzer. Full frontal male nudity, color, 40 pages.

A Nude barber, a nude guy, equals a Nude Haircut! All over his body! Digital still images from the DVD Primal Man Nude haircut. Full frontal male nudity, color digital stills from video, 42 pages.

Intimate moments with Lyndon James, in his first ever photo shoot. In cooperation with MJ Photography, Las Vegas. Full frontal male nudity, color, 42 pages.

This book traces the origins of a faith--perhaps the faith of the century. Modern revolutionaries are believers, no less committed and intense than were Christians or Muslims of an earlier era. What is new is the belief that a perfect secular order will emerge from forcible overthrow of traditional authority. This inherently implausible idea energized Europe in the nineteenth century, and became the most pronounced ideological export of the West to the rest of the world in the twentieth century. Billington is interested in revolutionaries--the innovative creators of a new tradition. His historical frame extends from the waning of the French Revolution in the late eighteenth century to the beginnings of the Russian Revolution in the early twentieth century. The theater was Europe of the industrial era; the main stage was the journalistic offices within great cities such as Paris, Berlin, London, and St. Petersburg. Billington claims with considerable evidence that revolutionary ideologies were shaped as much by the occultism and proto-romanticism of Germany as the critical rationalism of the French Enlightenment. The conversion of social theory to political practice was essentially the work of three Russian revolutions: in 1905, March 1917, and November 1917. Events in the outer rim of the European world brought discussions about revolution out of the school rooms and press rooms of Paris and Berlin into the halls of power. Despite his hard realism about the adverse practical consequences of revolutionary dogma, Billington appreciates the identity of its best sponsors, people who preached social justice transcending traditional national, ethnic, and gender boundaries. When this book originally appeared The New Republic hailed it as "remarkable, learned and lively," while The New Yorker noted that Billington "pays great attention to the lives and emotions of individuals and this makes his book absorbing." It is an invaluable work of history and contribution to our understanding of political life.

“You're hooked, you feel every cut, grope up every cliff, swallow water with every spill of the canoe, sweat with every draw of the bowstring. Wholly absorbing [and] dramatic.”—Harper's Magazine The setting is the Georgia wilderness, where the states most remote white-water river awaits. In the thundering froth of that river, in its echoing stone canyons, four men on a canoe trip discover a freedom and exhilaration beyond compare. And then, in a moment of horror, the adventure turns into a struggle for survival as one man becomes a human hunter who is offered his own harrowing deliverance. Praise for Deliverance “Once read, never forgotten.”—Newport News Daily Press “A tour de force . . . How a man acts when shot by an arrow, what it feels like to scale a cliff or to capsize, the ironic psychology of fear: these things are conveyed with remarkable descriptive writing.”—The New Republic “Freshly and intensely alive . . . with questions that haunt modern urban man.”—Southern Review “A fine and honest book that hits the reader's mind with the sting of a baseball just caught in the hand.”—The Nation “[James Dickey's] language has descriptive power not often matched in contemporary American writing.”—Time “A harrowing trip few readers will forget.”—Asheville Citizen-Times "A novel that will curl your toes . . . Dickey's canoe rides to the limits of dramatic tension."—New York Times Book Review "A brilliant and breathtaking adventure."—The New Yorker

25 celebrities in the nude. From leaked photos to the ones hard to find.

This book includes glimpses into the life-drawing classes of European art academies, representations of men during the time of the French Revolution, "Sturm und Drang" and late Impressionism. It also offers examples of 20th century art. It contains a variety of essays that examine concepts such as masculinity and the construction of identity, male desire in modern art and the naked man as a motif in advertising