The internationally acclaimed debut of a novelist described by the New York Times Book Review as a “lovely comic surrealist”—a story of sex, love, and art found in the unlikeliest of places Jeremy Acidophilus is not really named after the yogurt culture—he just likes to tell people that he is. Actually, he thought of that line years ago but has never been brave enough to use it on someone—until he meets Lady Henrietta over a dish of green Jell-O in his new favorite coffee shop. A painter of naked men for Playgirl magazine who has taken her name from The Picture of Dorian Gray, Henrietta has the power to make Jeremy do all kinds of things he would not normally do, including disrobe for a stranger. He thinks that he must be falling in love. Think again, says Sara, the artist’s outrageously precocious eleven-year-old daughter as she sets out to seduce the new model. From the gray streets of Manhattan to the pastel kaleidoscope of Disney World, Jeremy’s journey of self-discovery is both irresistibly absurd and uncannily real. Everyone—from his cat Minou to a dancing magician named Laura to the agents hired by his mother to taunt him—has advice for Jeremy. Before he can hear any of it, though, he first needs to find out how to listen to himself. A witty and wild exploration of sexuality, creativity, and the paradoxes of self, Nude Men is the rare novel with the power to charm and shock in equal measure.

De l'image interdite à l'art : l'ouvrage de référence sur l'histoire de la photographie du nu masculin.

"Bare Men" portrays the male nude as a human and a work of art, not simply a utilitarian device. It celebrates men who are comfortable in their skin, relaxed, powerful, erect, vulnerable. The images share moments of joy, the power of release, physical angst and ease of masculinity. "Bare Men" offers glimpses into their private moments. The viewer is privy to two relationships: the man and the photographer and the man and himself while in some instances is invited to join in.

This extraordinary book documents a fascinating moment in the history of American culture - a period in the 1930s, '40s and '50s that give birth to a new notion of male beauty and desire, and to a new type of male icon. Long before Stonewall and the gay pride movement, a small group of daring men - photographers and the models who sat for them - helped pave the way for male sexual liberation. Led by the photographer George Platt Lynes and featuring men such as Jean Marais, Yul Brynner, Paul Cadmus and Tennessee Williams, this group of men - straight as well as gay - shattered taboos surrounding the artistic representations of the male figure. Their ground-breaking work remains as relevant and evocative today as it did half a century ago and its influence can be seen in the work of modern masters such as Bruce Weber, Herb Ritts and Robert Mapplethorpe.

Fully Exposed is a pioneering cultural history of the photography of the male nude which sets the photographer and the model within our cultural and historical perceptions and prejudices. This second edition extends the book's coverage so that the story from the beginnings of the medium to the present day is complete. Fully Exposed is lavishly illustrated with over two hundred and fifty photographs,many of them new to this edition. Different chapters discuss how the male nude has been used by artists, the way it has been treated in the popular press,in relation to British colonialism and scientific ideology. It also discusses `private pictures' taken at home or acquired as erotic material by the private collector. A final chapter brings the book up-to-date and discusses the male nude in the nineties. The combination of art criticism and photographic essay make this an unusual and important book both for academics and the general reader.

Naked Male Figurines in the EIA Aegean -- Iconographic and Regional Patterns in EIA Bronze Figurines and the History of Ritual Action -- The Lost Wax Method of Production and EIA Bronze Figurines -- Bronze Figurines, Transformative Processes, and Ritual Power -- EIA Nudity and Ritual in Historical Perspective -- Method and Approach in the Archaeology of the EIA Aegean.

Nude Male Drawings is a tasteful display of over 150 nude drawings of men in a variety of positions and locations. While this book is intended to help artists learn to draw men in the nude, this book is more of a visual reference for artists, as the book is short on words but plentiful in the number of sketches it contains. The men are diverse in age and the type of movements captured are varied. If you're an artists with limited access to live nude men or simply a lover of nude male art, this book is for you. The book contains drawings of nude men from all over the world and provides wonderful examples of the ethnic differences between male bodies. The book is divided into the following chapters: Caucasians, Africans, Arabian, Asian, Indian, and Latino.

Examines the photographers and models who pioneered photography of the male nude, led by George Platt Lynes, Paul Cadmus and Lincoln Kirstein.

This book includes glimpses into the life-drawing classes of European art academies, representations of men during the time of the French Revolution, "Sturm und Drang" and late Impressionism. It also offers examples of 20th century art. It contains a variety of essays that examine concepts such as masculinity and the construction of identity, male desire in modern art and the naked man as a motif in advertising

The Planeta Prize–winning novel from the author of the Petra Delicado series: “A highly literate noir, a powerful tale of lives spiraling out of control” (NB magazine). Irene’s husband has left her for a younger woman and her family business is on the verge of collapse, but the last thing she wants is to be the subject of gossip or pity. So she starts spending time with a divorcée who, in liberating herself from the bonds of marriage, has also freed herself from the clutches of the old crowd of “couple friends.” Javier is a literature teacher who suddenly loses his job at a Catholic school. He’s not ambitious—the months go by and no work materializes. Then, almost by accident, he gets back in contact with a cocky friend from his youth who introduces him to the world of stripping and male prostitution. Circumstance brings Irene and Javier together: he gets some extra cash and mental stimulation out of their relationship, and she finds an outlet for her frustrations. However, Irene doesn’t want to have sex with him—she just wants to see him naked, humiliated, dominated. Their relationship takes a troubling turn, but things may be even more complicated than they seem. Alicia Giménez-Bartlett weaves a tale of economic and personal devastation, portraying the ways that life’s disappointments can bring people to do things they never would have imagined. “Incendiary . . . This provocative dive into gender, power, and class uses diverse viewpoints to craft a powerful story and an unpredictable, memorable ending.” —Publishers Weekly “A stark realist portrait of characters who are searching for their place in a world without redemption.” —Culturamas