A study of the use of history as political ammunition and literature as historical counter-discourse in Mongane Serote's "Gods of Our Time", Mike Nicol's "The Ibis Tapestry", and Zakes Mda's "Ways of Dying". Moslund shows how literary engagement with the past seeks to rupture the continuity of a strongly dichotomised epistemology and through that dissolve the inherited polarisation of society. Falsification of history is exposed as constructed discourse and past simplifications of reality as sharply demarcated into homogenous self-justifying, categorisations of, Us against Them, are challenged with paradox, doubt and introspection.

An extraordinary, literary memoir from a gay white South African, coming of age at the end of apartheid in the late 1970s. Glen Retief's childhood was at once recognizably ordinary--and brutally unusual. Raised in the middle of a game preserve where his father worked, Retief's warm nuclear family was a preserve of its own, against chaotic forces just outside its borders: a childhood friend whose uncle led a death squad, while his cultured grandfather quoted Shakespeare at barbecues and abused Glen's sister in an antique-filled, tobacco-scented living room. But it was when Retief was sent to boarding school that he was truly exposed to human cruelty and frailty. When the prefects were caught torturing younger boys, they invented "the jack bank," where underclassmen could save beatings, earn interest on their deposits, and draw on them later to atone for their supposed infractions. Retief writes movingly of the complicated emotions and politics in this punitive all-male world, and of how he navigated them, even as he began to realize that his sexuality was different than his peers'.

South Africa's unique history has produced literatures in many languages, in both oral and written forms, reflecting the diversity in the cultural histories and experiences of its people. The Cambridge History offers a comprehensive, multi-authored history of South African literature in all eleven official languages (and more minor ones) of the country, produced by a team of over forty international experts, including contributors from all of the major regions and language groups of South Africa. It will provide a complete portrait of South Africa's literary production, organised as a chronological history from the oral traditions existing before colonial settlement, to the post-apartheid revision of the past. In a field marked by controversy, this volume is more fully representative than any existing account of South Africa's literary history. It will make a unique contribution to Commonwealth, international and postcolonial studies and serve as a definitive reference work for decades to come.

'SA is one of the few regions of the world where humans have lived continuously for nearly two million years' - the New History of South Africa offers an account of all these people.-The Weekender

This volume begins in the early centuries of the Common Era with the various groups of people who had settled in southern Africa. Stone Age foragers, farmers with iron technology, and pastoralists all interacted to create a complex society before Europeans arrived. In the seventeenth century, Dutch settlers developed a colonial society based on the menial labor of indigenous inhabitants of the Cape and slaves imported from the East Indies and other parts of Africa. British conquest in the early nineteenth century brought an end to slavery, as well as new forms of colonial domination, tension between the British and the original Dutch settlers, armed struggle between expanding European communities and Africans (including the highly militarized Zulu kingdom), and intensive missionary activity that transformed many African societies. The discovery of diamonds and gold in the late nineteenth century brought industrialization based on migrant labor, new clashes between British and Africaaners, the final conquest of African societies, and new European migrants. During the twentieth-century, despite further economic development, African communities were increasingly impoverished. New forms of racial domination lead to the implementation of apartheid in 1948 and heightened political organizing among both African and Africaaner nationalists. The intensification of resistance in the 1970s and '80s coupled with drastic changes in the international balance of power brought an end to the apartheid state in 1994 and an intensified struggle to overcome apartheid's economic and political legacy by building a new nonracial society. The book emphasizes social and cultural history, focusing on people's interactions and identities according to race, class, gender, religion and ethnicity. It also addresses changes in literature (both oral and written), music, and the arts and draws on the extensive biographical and autobiographical literature to provide a personal focus for the discussion of major themes. While this emphasis reflects dominant trends in historical scholarship for the past two decades, it also includes recent material on environmental history and relationships between African Americans and South Africans. Where relevant, it highlights comparisons between South African and U.S. history.

The Columbia Guide to South African literature in English since 1945 Gareth Cornwell, Dirk Klopper and Craig MacKenzie This guide captures the pulsating diversity of South African literature in English since 1945 in a single volume, with a strong range of entries, richness of detail and critical sophistication. With some 400 entries on post-1945 writers, and a particular emphasis on writers emerging in the last 20 years or so, it is both comprehensive and concise on major writers and themes, and provides key background information on major historical and cultural events. The introduction provides a context for the entries, which include emerging writers, major post-1945 writers, and detailed subject entries. An appendix on some 30 essential pre-1945 writers ensures that the literary history is presented in a balanced way. The guide concludes with an extensive bibliography including primary works, critical literature, and anthologies, as well as a detailed index. From Afrika to Zwi, with Baderoon, Coovadia, and Duiker in between - not to mention Essop, Fugard, Galgut, Head, Jensma, Kozain, La Guma, Magona, Ndebele, Oliphant, Paton, Rampolokeng, Slovo, Themba, Uys, VladislaviÃ?Â, Wicomb, Zadok . . . this is the indispensible guide to South African literature in English.

Martin Chanock's illuminating and definitive perspective on that development examines all areas of the law including criminal law and criminology; the Roman-Dutch law; the State's African law; and land, labour and 'rule of law' questions.

A survey of South African history from the formation of early human communities to the present. The Making of South Africa provides a detailed understanding of all the forces that have shaped South Africa to date. It represents a valuable and unique addition to the field by emphasizing African voices as well as recent developments in South Africa, including analyses on the post-transition political change, the World Cup of soccer, and public health issues. The text incorporates important new perspectives on South African geography and the spatial dimensions of segregation and apartheid. It also covers environmental studies and the dynamic literature on identities and ethnicity while highlighting how Europeans and Africans shaped the environment, politics, and the economy to develop a complex multi-ethnic nation. Learning Goals Upon completing this book readers will be able to: Understand how South Africa became the nation it is today View South African history from the point of view of Africans as well as Europeans who have settled there Assess the impact of cultural, political, social, economic, geographical, environmental, and health-related forces on South African history

The Broken River Tent is a novel that marries imagination with history. It is about the life and times of Maqoma, the Xhosa chief who was at the forefront of fighting British colonialism in the Eastern Cape during the nineteenth century. The story is told through the eyes of a young South African, Phila, who suffers from what he calls triple 'N' condition--neurasthenia, narcolepsy and cultural ne plus ultra. This makes him feel far removed from events happening around him but gives him access to the analeptic memory of his people. After being under immense mental pressure, he crosses the mental divide between the living and the dead and is visited by Maqoma. They engage in different conversations about cultural history, literature, religion, the past and contemporary South African life.

His unforgiving brother, a post-apartheid politician, tries to come to terms with Oscar's apostasy but will himself betray both his principles and his family when he falls in love with Amina, a beautiful and spirited psychotherapist.