"Made in Nusantara serves as a comprehensive introduction to the history, sociology, ethnography and musicology of historical and contemporary popular music in maritime Southeast Asia. Each essay covers major figures, styles, and social contexts of genres of a popular nature in the Nusantara region including Malaysia, Indonesia, Brunei, Singapore, and the Philippines. Through a critical investigation of specific genres and their spaces of performance, production, and consumption, the volume is organized into four thematic areas: 1) issues in Nusantara popular music; 2) history; 3) artistes and genres; and 4) national vs local industries. Written by scholars working in the region, Made in Nusantara brings local perspectives to the history and analysis of popular music and critically considers conceptualisations developed in the West, rendering it as an intriguing read for students and scholars of Popular and Global Music"--

Made in Nusantara serves as a comprehensive introduction to the history, sociology, ethnography, and musicology of historical and contemporary popular music in maritime Southeast Asia. Each essay covers major figures, styles, and social contexts of genres of a popular nature in the Nusantara region including Malaysia, Indonesia, Brunei, Singapore, and the Philippines. Through a critical investigation of specific genres and their spaces of performance, production, and consumption, the volume is organised into four thematic areas: 1) issues in Nusantara popular music; 2) history; 3) artists and genres; and 4) national vs. local industries. Written by scholars working in the region, Made in Nusantara brings local perspectives to the history and analysis of popular music and critically considers conceptualisations developed in the West, rendering it an intriguing read for students and scholars of popular and global music.

On December 31, 2015, the ten-member Association of Southeast Asian Nations (ASEAN) ushered in a new era with the founding of the ASEAN Community (AC). The culmination of 12 years of intensive preparation, the AC was both a historic initiative and an unprecedented step toward the area's regional integration. Political commentators and media outlets, however, greeted its establishment with little fanfare. Implicitly and explicitly, they suggested that the AC was only the beginning: Southeast Asia, they seemed to say, was taking its first steps on a linear process of unification that would converge on the model of the European Union. In The Indonesian Way, Jürgen Rüland challenges this previously unquestioned diffusion of European norms. Focusing on the reception of ASEAN in Indonesia, Rüland traces how foreign policy stakeholders in government, civil society, the legislature, academe, the press, and the business sector have responded to calls for ASEAN's Europeanization, ultimately fusing them with their own distinctly Indonesian form of regionalism. His analysis reframes the nature of ASEAN as well as the discipline of international relations more broadly, writing a narrative of regional integration and norm diffusion that breaks free of Eurocentric thought.

Global Popular Music: A Research and Information Guide offers an essential annotated bibliography of scholarship on popular music around the world in a two-volume set. Featuring a broad range of subjects, people, cultures, and geographic areas, and spanning musical genres such as traditional, folk, jazz, rock, reggae, samba, rai, punk, hip-hop, and many more, this guide highlights different approaches and discussions within global popular music research. This research guide is comprehensive in scope, providing a vital resource for scholars and students approaching the vast amount of publications on popular music studies and popular music traditions around the world. Thorough cross-referencing and robust indexes of genres, places, names, and subjects make the guide easy to use. Volume 2, Transnational Discourses of Global Popular Music Studies, covers the geographical areas of North America: United States and Canada; Central America, Caribbean, and South America/Latin America; Europe; Africa and Middle East; Asia; and areas of Oceania: Aotearoa/New Zealand, Australia, and Pacific Islands. It provides over twenty-four hundred annotated bibliographic entries covering discourses of extensive research that extend beyond the borders of the United States and includes annotated entries to books, book series, book chapters, edited volumes, special documentaries and programming, scholarly journal essays, and other resources that focus on the creative and artistic flows of global popular music.

In the world of Singapore cinema, Western, Middle-Eastern and Asian folktales once coexisted in a unique melding of cultural and filmic traditions. This book takes you through the various forces and stages that have shaped the mosaic that is Singapore cinema. And, along the way, you will find unexpected cinematic treasures, compiled from archival sources as well as from never-before-published collections tracked down by the writer himself. Book jacket.

The collective research effort of senior and junior scholars from Indonesia and beyond, The Road to Nusantara: Process, Challenges and Opportunities examines the political, economic, socio-cultural, security and environmental implications of President Joko Widodo’s historic plan to move Indonesia’s national capital from Jakarta to Nusantara, East Kalimantan. This volume will be of interest to policymakers, Indonesia’s neighbours near and far, prospective investors, and students of Indonesia who wish to understand the complex challenges underlying this megaproject. "The chapters in this book are important contributions to the study of Indonesia today …. Ground-breaking and meticulously documented using post-independence archival material and contemporary essays on new capitals …. Essential reading for a better understanding of the impetus behind Nusantara, made even more critical as the future of Nusantara hangs in the balance.” -- Edward Lee Kwong Foo, Chairman of Indofood Agri Resources Ltd and former Singapore’s Ambassador to Indonesia, 1994–2006

Cosmopolitan ideals and pluralist tendencies have been employed creatively and adapted carefully by Muslim individuals, societies and institutions in modern Southeast Asia to produce the necessary contexts for mutual tolerance and shared respect between and within different groups in society. Organised around six key themes that interweave the connected histories of three countries in Southeast Asia - Singapore, Malaysia and Indonesia - this book shows the ways in which historical actors have promoted better understanding between Muslims and non-Muslims in the region. Case studies from across these countries of the Malay world take in the rise of the network society in the region in the 1970s up until the early 21st century, providing a panoramic view of Muslim cosmopolitan practices, outlook and visions in the region.

Historians have only recently begun to chart the experiences of maritime regions in rich detail and penetrate the historical processes at work there. Seascapes makes a major contribution to these efforts by bringing together original scholarship on historical issues arising from maritime regions around the world. The essays presented here take a variety of approaches. One group examines the material, cultural, and intellectual constructs that inform and explain historical experiences of maritime regions. Another set discusses efforts—some more successful than others—to impose political and military control over maritime regions. A third group focuses on issues of social history such as labor organization, information flows, and the development of political consciousness among subaltern populations. The final essays deal with pirates and efforts to control them in Mediterranean, Japanese, and Atlantic waters.

This is an open access book. The Critical Island Studies Consortium (CIS) was born in 2019 in Manila with the theme, “Critical Island Studies: The Islandic Archipelago, and Oceanic.” The CIS consortium aims at developing a new planetary perspective from which to invent an image of the environment and create a new sense of nature with which to seek environmental justice. This conference in Yogyakarta is composed of two related yet autonomous sections; one is hosted by Universitas Sanata Dharma (USD) and the other by Universitas Gadjah Mada (UGM). With USD and UGM taking the lead, CIS 2023 continues to carve out the vision of a new, more sustainable future for our planet.

The Meaning of Son of God provides a Biblical interpretation of the term son of God. The term interpreted in a different way by the Christians and the Christian’s explanation on this term responded by Muslim through Islamic view, which considered as a mistake in term of faith. As a result, there is a misunderstanding between Christian and Muslims concerning the term son of God.