This book-length study of an eminent, distinguished and influential poet and contemporary woman of letters integrates analysis and a honed interpretation of the near-total gamut of the oeuvre to-date of Professor Fiona Sampson. The study includes biographical insight and synthesizes its rigorous discussions of the dominant rubric of Professor Sampson’s poetic métier, her prose in different genres, and the literary practices of over a decades-long and much-lauded literary career. This critical work finds and displays incisive and fruitful ways by which the oeuvre in question crosses boundaries in literary writing and practices with fertile results and evidences those cross-currents in a manner that indicates the trajectory of a sensibility or structure of feeling, one which though highly intelligent and self-aware is also deeply empathic. A lucid, coherent and compelling reading of Sampson’s main works makes this book a scintillating study and a much needed contribution to the current work being done on major contemporary poets and writers and, in particular, contemporary women figures, in the British and international literary scenes.

Leading poet, critic and former musician explores the 'deep forms' common to both poetry and musicToday, poetry and art music occupy similar cultural positions: each has a tendency to be regarded as problematic, adifficult and therefore aelitist. Despite this, the audiences and numbers of participants for each are substantial: yet they tend not to overlap. This is odd, because the forms share early history in song and saga, and have some striking similarities, often summed up in the word lyric.These similarities include much that is most significant to the experience of each, and so of most interest to practitioners and audiences. They encompass, at the very least: the way each art-form is aural, and takes place in time; a shared reliance on temporal, rather than spatial, forms; an engagement with sensory experience and pleasure; availability for both shared public performance and private reading, sight-reading and hearing in memory; and scope for non-denotative meaning. In other words, looking at these elements in music is a way to look at them in poetry, and vice versa.This is a study of these two formal craft traditions that is concerned with the similarities in their roles, structures, projects and capacities.Key FeaturesSets out a new way to think about both music and poetry Doesnt make its arguments from within or for one particular school of music or poetry but has wide applicability Uses each 'cousin' art-form to cast light on the other as a whole: it is not just for poet-musicians, or musicians writing for voiceA rare 'joint' perspective: written by an award-winning poet who was formerly a professional musician

Exploring the relationship between hermeneutics and the arts, including painting, music, and literature, this book builds on hermeneutics from a practical perspective, connecting this area of critical research with others to reveal how it is viewed from different perspectives. International and interdisciplinary in scope, this edited volume draws on the work of scholars and practitioners working across a variety of subject areas, themes and topics, including philosophy, literature, religious paintings, musical oeuvres, Chinese urbanscapes, Moroccan proverbs, and Ukrainian internet blogs. Focusing on the idea of hermeneutics as a discipline that can connect different areas of interest, the book offers an inside view into how the contributors 'interpret' it within their own academic remits, demonstrating its presence in qualitative academic interpretations and canonical contemporary research in humanities.

Not everyone flees a steamy back seat session without an explanation but that’s how my new single mom life starts out. From Marie Johnston comes a small town romance with a newly single mom and a guy who's sworn off relationships. I don’t expect to see that guy again. All he knows of me is that I’m new in town and freshly divorced, not that I have four kids and have zero interest in dating. Yet who do I find coaching my son’s third grade football team? My random hookup, Holden Barron, looking even better in broad daylight. I assume a guy like him will stay far away now that he’s seen the hot mess of my life, but he won’t quit finding reasons to hang out with me. Like helping with my kids at the clinic after my son takes a hard sack. Horse riding lessons for my oldest daughter. A movie night. And the first weekend my kids are with their dad… Well, no back seat required. But I’ve trusted the wrong man before, and Holden’s history with women doesn’t scream commitment. My heart can’t take getting shattered again, especially not by the man who’s helping me piece it back together. Make Me Blush is a standalone novel in the Oil Barrons series. Topics: contemporary romance, series, romantic suspense series, mystery, modern romance, urban romance, wealthy, city romance, smart romance, mystery, lighthearted romance, hot romance, sexy, heartwarming, heart-warming, family, love, love books, kissing books, emotional journey, contemporary, contemporary romance, romance series, wealthy hero, sassy, strong heroine, captivating romance, hot, hot romance, sparks, loyalty, swoon, contemporary, bodyguard, forced marriage, marriage arrangement, morally gray hero, beach read, romantic vacation, found family, strong heroine, caretaker, protective hero, steamy, spicy Other readers enjoyed books by: Riley Edwards, Cat Johnson, Alexis Abbott, Lori Ryan, Meghan March, Kristin Ashley, Brittney Sahin, Sharon Hamilton, Catherine Cowles, Lexi Blake, Piper Davenport, Abbie Zanders, Lani Lynn Vale, Kristen Proby, Vanessa Vale, Denver Perry, Corinne Michaels, K Bromberg, Melanie Harlow

Michael Field, the poetic identity created by Katharine Bradley (1846-1914) and her niece Edith Cooper (1862-1913), ceaselessly experimented with forms of identity and forms of literary expression. The Forms of Michael Field argues that their modes of self-creation are analogous to their poetic creations, and that exploring them in tandem is the best way to understand Michael Field’s cultural and literary importance. Michael Field deploys a different form in each volume of their lyric poetry: translations of Sappho, ekphrasis, songs, sonnets, and devotional verse. They also appropriate and revise the dramatic genres of verse tragedy and the masque. Each of these experiments in form enable Michael Field to differently address the cultural questions that beset late-Victorian women writers. Drawing on the insights of new lyric studies and new formalism, this book analyzes Michael Field’s continual quest for the aesthetic forms that best express their evolving ideas about identity and sexuality, gender and sacrifice, lyric voice and authority.

In works by Kipling and Forster, Lawrence and Shaw, Mansfield and Conrad, the Germans were transformed from peaceful country cousins into bloodthirsty Huns. The author's aim is to present what Lukacs calls extreme situations, which radiate a symbolic force far beyond their relatively narrow confines.

This dictionary includes over 4500 Chinese characters with over 60,000 entries. The entries cover a wide range of topics, including technical and specialized new terms and phrases, especially those which have appeared since the 1990s.