In works by Kipling and Forster, Lawrence and Shaw, Mansfield and Conrad, the Germans were transformed from peaceful country cousins into bloodthirsty Huns. The author's aim is to present what Lukacs calls extreme situations, which radiate a symbolic force far beyond their relatively narrow confines.

In the years before World War I, the great European powers were ruled by three first cousins: King George V, Kaiser Wilhelm II, and Tsar Nicholas II. Carter uses the cousins' correspondence and a host of historical sources to tell their tragicomic stories.

The extraordinary family story of George V, Wilhelm II, and Nicholas II: they were tied to one another by history, and history would ultimately tear them apart. Drawing widely on previously unpublished royal letters and diaries, made public for the first time by Queen Elizabeth II, Catrine Clay chronicles the riveting half century of the royals' overlapping lives, and their slow, inexorable march into conflict. They met frequently from childhood, on holidays, and at weddings, birthdays, and each others' coronations. They saw themselves as royal colleagues, a trade union of kings, standing shoulder to shoulder against the rise of socialism, republicanism, and revolution. And yet tensions abounded between them. Clay deftly reveals how intimate family details had deep historical significance: the antipathy Willy's mother (Victoria's daughter) felt toward him because of his withered left arm, and how it affected him throughout his life; the family tension caused by Otto von Bismarck's annexation of Schleswig and Holstein from Denmark (Georgie's and Nicky's mothers were Danish princesses); the surreality surrounding the impending conflict. "Have I gone mad?" Nicholas asked his wife, Alexandra, in July 1914, showing her another telegram from Wilhelm. "What on earth does Willy mean pretending that it still depends on me whether war is averted or not?" Germany had, in fact, declared war on Russia six hours earlier. At every point in her remarkable book, Catrine Clay sheds new light on a watershed period in world history.

British Images of Germany is the first full-length cultural history of Britain's relationship with Germany in the key period leading up to the First World War. Richard Scully reassesses what is imagined to be a fraught relationship, illuminating the sense of kinship Britons felt for Germany even in times of diplomatic tension.

Set against a background of war-scarred Berlin in the early 1950s, M. M. Kaye's Death in Berlin is a consummate mystery from one of the finest storytellers of our time. Miranda Brand is visiting Germany for what is supposed to be a month's vacation. But from the moment that Brigadier Brindley relates the story about a fortune in lost diamonds--a story in which Miranda herself figures in an unusual way--the vacation atmosphere becomes transformed into something more ominous. And when murder strikes on the night train to Berlin, Miranda finds herself unwillingly involved in a complex chain of events that will soon throw her own life into peril. "Leisurely, well-plotted, affable entertainment." - Kirkus Reviews

In the summer of 1944 Gertraud Weisker was 20 years old when her cousin Eva Braun invited her to come and keep her company at Berchtesgaden. This is the story of her fascination with the easy, glamorous lifestyle of her cousin and the gradual realisation of the dark history unfolding around it.

In the first book-length treatment of Elizabeth von Arnim's fiction, Isobel Maddison examines her work in its historical and intellectual contexts, demonstrating that von Arnim's fine comic writing and complex and compelling narrative style reward close analysis. Organised chronologically and thematically, Maddison's book is informed by unpublished material from the British and Huntington Libraries, including correspondence between von Arnim, her publishers and prominent contemporaries such as H.G. Wells, Bertrand Russell and her cousin Katherine Mansfield -- whose early modernist prose is seen as indebted to von Arnim's earlier literary influence. Maddison's exploration of the novelist's critical reception is situated within recent discussions of the ’middlebrow’ and establishes von Arnim as a serious author among her intellectual milieu, countering the misinformed belief that the author of such novels as Elizabeth and Her German Garden, The Caravaners, The Pastor's Wife and Vera wrote light-hearted fiction removed from gritty reality. On the contrary, various strands of socialist thought and von Arnim's wider political beliefs establish her as a significant author of British anti-invasion literature while weighty social issues underpin much of her later writing.

Millions murdered . . . Millions raped . . . Millions tortured . . . Millions enslaved . . . Millions of men, women and children cast to the winds.No matter what you have read about the Second World War, no matter what you have been told about it, no matter what you believe happened during the so-called "Good War" . . . forget it!Now, for the first time in over 70 years, learn what the war and "peace" looked like to those who lost.Discover what was done to Germany and her people in the name of "freedom, democracy, and liberation."In their own words, in graphic detail, this is their story . . .

Although German Americans number almost 43 million and are the largest ethnic group in the United States, scholars of American literature have paid little attention to this influential and ethnically diverse cultural group. In a work of unparalleled depth and range, Waldemar Zacharasiewicz explores the cultural and historical background of the varied images of Germany and Germans throughout the past two centuries. Using an interdisciplinary approach known as comparative imagology, which borrows from social psychology and cultural anthropology, Zacharasiewicz samples a broad spectrum of original sources, including literary works, letters, diaries, autobiographical accounts, travelogues, newspaper reports, films, and even cartoons and political caricatures. Starting with the notion of Germany as the ideal site for academic study and travel in the nineteenth century and concluding with the twentieth-century image of Germany as an aggressive country, this innovative work examines the ever-changing image of Germans and Germany in the writings of Louisa May Alcott, Samuel Clemens, Henry James, William James, George Santayana, W. E. B. Du Bois, John Dewey, H. L. Mencken, Katherine Anne Porter, Kay Boyle, Thomas Wolfe, Upton Sinclair, Gertrude Stein, Kurt Vonnegut, Thomas Pynchon, William Styron, Walker Percy, and John Hawkes, among others.