Since the publication in English of his masterwork, The Sources of Christian Ethics, Servais Pinckaers has become the preferred guide for English-speaking students of Catholic moral theology. This late Belgian Dominican has made themes such as Beatitude, happiness, virtue, and freedom for excellence standard features of classroom instruction in ethics, moral theology, and catechesis. Father Pinckaers's new directions in moral theology came none too soon to Anglo-American moral thought, which otherwise would have become submerged completely under the waves of one kind of relativism or another. Instead of enabling cheap escapes from moral truth, Father Pinckaers directs his students to the Sermon on the Mount. There they discover that those who suffer persecution for justice's sake are called blessed or happy. This suffering may even lead to death. The present volume completes Sources. It gives us a theological account of Christian martyrdom. Authentic martyrs testify to the highest meaning that God inscribes into the moral life. In a word, nothing should deter the Christian from choosing God. No one completes a Christian life without becoming, at least, a martyr for charity. -- from back cover.

Seldom can one predict that a book will have an effect on history, but this is such a work. Merton's many biographers and the American press now say unanimously that he died from accidental electrocution. From a careful examination of the official record, including crime scene photographs that the authors have found that the investigating police in Thailand never saw, and from reading the letters of witnesses, they have discovered that the accidental electrocution conclusion is totally false. The widely repeated story that Merton had taken a shower and was therefore wet when he touched a lethal faulty fan was made up several years after the event and is completely contradicted by the evidence. Hugh Turley and David Martin identify four individuals as the primary promoters of the false accidental electrocution narrative. Another person, they show, should have been treated as a murder suspect. The most likely suspect in plotting Merton's murder, a man who was a much stronger force for peace than most people realize, they identify as the Central Intelligence Agency of the United States government. Thomas Merton was the most important Roman Catholic spiritual and anti-warfare-state writer of the 20th century. To date, he has been the subject of 28 biographies and numerous other books. Remarkably, up to now no one has looked critically at the mysterious circumstances surrounding his sudden death in Thailand. From its publication date in the 50th anniversary of his death, into the foreseeable future, this carefully researched work will be the definitive, authoritative book on how Thomas Merton died.

This book is the first extensive research on the role of poetry during the Iranian Revolution (1979) and the Iran-Iraq War (1980-1988). How can poetry, especially peaceful medieval Sufi poems, be applied to exalt violence, to present death as martyrdom, and to process war traumas? Examining poetry by both Islamic revolutionary and established dissident poets, it demonstrates how poetry spurs people to action, even leading them to sacrifice their lives. The book's originality lies in fresh analyses of how themes such as martyrdom and violence, and mystical themes such as love and wine, are integrated in a vehemently political context, while showing how Shiite ritual such as the pilgrimage to Mecca clash with Saudi Wahhabi appreciations. A distinguishing quality of the book is its examination of how martyrdom was instilled in the minds of Iranians through poetry, employing Sufi themes, motifs and doctrines to justify death. Such inculcation proved effective in mobilising people to the front, ready to sacrifice their lives. As such, the book is a must for readers interested in Iranian culture and history, in Sufi poetry, in martyrdom and war poetry. Those involved with Middle Eastern Studies, Iranian Studies, Literary Studies, Political Philosophy and Religious Studies will benefit from this book. "From his own memories and expert research, the author gives us a ravishing account of 'a poetry stained with blood, violence and death'. His brilliantly layered analysis of modern Persian poetry shows how it integrates political and religious ideology and motivational propaganda with age-old mystical themes for the most traumatic of times for Iran." (Alan Williams, Research Professor of Iranian Studies, University of Manchester) "When Asghar Seyed Gohrab, a highly prolific academician, publishes a new book, you can be certain he has paid attention to an exciting and largely unexplored subject. Martyrdom, Mysticism and Dissent: The Poetry of the 1979 Iranian Revolution and the Iran-Iraq War (1980-1988) is no exception in the sense that he combines a few different cultural, religious, mystic, and political aspects of Iranian life to present a vivid picture and thorough analysis of the development and effect of what became known as the revolutionary poetry of the late 1970s and early 1980s. This time, he has even enriched his narrative by inserting his voice into his analysis. It is a thoughtful book and a fantastic read." (Professor Kamran Talattof, University of Arizona)

The phenomenon of martyrdom is more than 2000 years old but, as contemporary events show, still very much alive. Martyrdom: Canonisation, Contestation and Afterlives examines the canonisation, contestation and afterlives of martyrdom and connects these with cross-cultural acts and practices of remembrance. Martyrdom appeals to the imagination of many because it is a highly ambiguous spectacle with thrilling deadly consequences. Imagination is thus a vital catalyst for martyrdom, for martyrs become martyrs only because others remember and honour them as such. This memorialisation occurs through rituals and documents that incorporate and re-interpret traditions deriving from canonical texts. The canonisation of martyrdom generally occurs in one of two ways: First, through ritual commemoration by communities of inside readers, listeners, viewers and participants, who create and recycle texts, re-interpreting them until the martyrs ultimately receive a canonical status, or second, through commemoration as a means of contestation by competing communities who perceive these same people as traitors or terrorists. By adopting an interdisciplinary orientation and a cross-cultural approach, this book goes beyond both the insider admiration of martyrs and the partisan rejection of martyrdoms and concisely synthesises key interpretive questions and themes that broach the canonised, unstable and contested representations of martyrdom as well as their analytical connections, divergences and afterlives in the present.

Sufism is a religion which emphasizes direct knowledge of the divine within each person, and meditation, music, song, and dance are seen as crucial spiritual strides toward attaining unity with God. Sufi paths of mysticism and devotion, motivated by Islamic ideals, are still chosen by men and women in countries from Morocco to China, and there are nearly one hundred orders around the world, eighty of which are present and thriving in the United States. The Chishti Sufi order has been the most widespread and popular of all Sufi traditions since the twelfth-century. Sufi Martyrs of Love offers a critical perspective on Western attitudes towards Islam and Sufism, clarifying its contemporary importance, both in the West and in traditional Sufi homelands. Finally, it provides access to the voices of Sufi authorities, through the translation of texts being offered in English for the first time.

Examines the association of love and death in medieval French and Occitan courtly literature using an approach informed by Lacanian psychoanalysis and Jacques Derrida. Offers new readings of canonical authors and texts, including Bernart de Ventadorn, Jaufre Rudel, Chrétien de Troyes, Thomas's Tristan, the Prose Lancelot, the Tristan en prose, La Mort le roi Artu, Marie de France, Le Chastelaine de Vergy, Le Castelain deCouci, and Le Roman de la Rose.