A special reissue of a bestselling Australian classic from award-winning author Steven Herrick.Jack is an everyday sixteen-year-old boy. He’s obsessed with Annabel, sport and nose hair. He’s also obsessed with a ghost ...There’s a ghost in our housein a red evening dress,black stockingsand Mum’s slingback shoes.Her hair whispersover white shouldersas she dances through the rooms.A bittersweet comedy about the infinite promise of first love and the everlasting sorrow of grief, Love, Ghosts & Nose Hair was shortlisted for the CBCA Book of the Year: Older Readers and New South Wales Premier’s Literary Awards.‘Sad, funny, moving and thoughtful.’ - Magpies

A special reissue of a bestselling Australian classic from award-winning author Steven Herrick.Jack and Annabel have been dating for two years. With high school over they’re about to start university – until Jack decides to chuck it all in.I think you and Annabel should get out of hereas fast as possible. Have a year doing anythingyou want. My going-away present is enough moneyto buy a car – a cheap old one, okay? You’ll have towork somewhere to buy the petrol, and to keep going.But go.No destination in mind, Jack and Annabel leave town and discover themselves in a place they never knew existed.An inspiring verse novel about the pursuit of dreams and the realities of life, A Place Like This was shortlisted for the CBCA Book of the Year: Older Readers and New South Wales Premier's Literary Awards and commended in the Victorian Premier's Literary Award Sheaffer Pen Prize for Young Adult Fiction.‘A story as crisp and fresh as an apple, as sweet and sharp as life itself.’ - Australian Book Review

Robyn Schneider, author of Extraordinary Means and The Beginning of Everything, delivers a sharply funny, romantic girl-meets-boy novel with a twist: boy-also-meets-girl’s-ghost-brother. When one girl’s best friend is her dead brother’s ghost, romance can be tricky. Perfect for fans of John Green and Nicola Yoon. Rose Asher believes in ghosts. She should, since she has one for a best friend: Logan, her annoying, Netflix-addicted brother, who is forever stuck at fifteen. But Rose is growing up, and when an old friend moves back to Laguna Canyon and appears in her drama class, things get complicated. Jamie Aldridge is charming, confident, and a painful reminder of the life Rose has been missing out on since her brother’s death. She watches as Jamie easily rejoins their former friends—a group of magnificently silly theater nerds—while avoiding her so intensely that it must be deliberate. Yet when the two of them unexpectedly cross paths, Rose learns that Jamie has a secret of his own, one that changes everything. Rose finds herself drawn back into her old life—and to Jamie. But she quickly starts to suspect that he isn’t telling her the whole truth. All Rose knows is that it’s becoming harder to choose between the boy who makes her feel alive and the brother she isn’t ready to lose.

Jack’s got a lot on his mind: He’s trying to figure out the mystery of the opposite sex, he can’t stop wondering about facial hair, and he won’t let go of his mother’s ghost, even though she died seven years ago. Jack knows he can’t hang on to the past forever, but what he doesn’t know is how to let go. Then he meets Annabel. She’s beautiful, smart, and she gets him. Suddenly love makes sense, and the future seems hopeful. And for the first time, Jack feels ready to leave the past where it belongs…

At the request of her many fans, Patty Campbell, editor of the Scarecrow Studies in Young Adult Literature series, has selected some of her best essays, articles, columns, and speeches in Campbell's Scoop. These pieces define the boundaries between children's and adult literature and review the trends, censorship, problems, and glories of the genre. Other essays reflect on some concerns and interests of young adult literature as it has matured: the verse novel, ambivalent endings, violence, the sometimes dubious value of awards and honor lists, the graphic novel, and the difficulties of the genre's recent overwhelming success. A section titled "Inside ALA" looks at the author's many years of service to that organization with, among other pieces, a firsthand look at the Best Books committee at work and a report of her attempt to unite booksellers and librarians in common cause. Many of these selections show the idiosyncratic wit and passion that have made Campbell's column a favorite with Horn Book readers: an exploration of the meaning of the glut of YA novels with death as a theme or character; an indignant denunciation of the fictional abuse of animals; a snarky analysis of "chick lit;" and a technical review from the belly-dancing critic of a YA novel featuring that ancient art. On a more serious note, Campbell pleads for what she calls "Godsearch" in books for teens and pays tribute to her late friend Robert Cormier. Without question, the essays in Campbell's Scoop provide readers with the unique insights of an advocate who is passionate about young adult literature and its future.

Jack is sixteen, obsessed with the beautiful Annabel, the ghost of his mother and nose hair and he writes his story in verse.

National Book Award finalist Laura Ruby returns with the middle chapter in her epic alternate-history adventure—a journey that will test Tess, Theo, and Jaime and change their lives forever. It was only a few weeks ago that the Biedermann twins, Tess and Theo, along with their friend Jaime Cruz, followed the secrets of the Morningstarrs’ cipher further than anyone had in its century-and a-half history—and destroyed their beloved home in the process. But the Old York Cipher still isn’t solved. The demolition of 354 W. 73rd Street only revealed the next clue in the greatest mystery of the modern world, and if Tess, Theo, and Jaime want to discover what lies at the end of the puzzle laid into the buildings of New York by its brilliant, enigmatic architects, they will need to press on. But doing so could prove even more dangerous than they know. It is clear that the Morningstarr twins marshaled all the strange technology they had spent their lives creating in the construction of the Cipher, and that technology has its own plans for those who pursue it. It's also clear that Tess, Theo, and Jaime are not the only ones on the trail of the treasure. As enemies both known and unknown close in on them from all sides and the very foundations of the city seem to crumble around them, they will have to ask themselves how far they will go to change the unchangeable—and whether the price of knowing the secrets of the Morningstarrs is one they are willing to pay.

Throughout history, the verse novel has persisted as a modest but noteworthy literary subgenre, from classic works like Eugene Onegin to contemporary volumes by Vikram Seth, Dorothy Porter, and Derek Walcott. In particular, the verse novel has emerged as a popular form for young adult readers, such as the Newbery Medal winner Out of the Dust by Karen Hesse. As this unique form continues to flourish, it merits closer examination. In The Verse Novel in Young Adult Literature, Brenna Friesner explores both the history and current use of the verse novel in teen fiction. Examining more than 220 titles written over the last few decades, Friesner discusses the verse novel’s evolution, analyzes key works, and considers how these novels can grapple with content that distinguishes them from traditional fiction. Though this study includes volumes written throughout history, its focus on contemporary novels further demonstrates the form’s relevance for today’s teens. By explaining its current popularity, this book acknowledges the verse novel’s potential to provide accessible, authentic stories for young adults to enjoy. The Verse Novel in Young Adult Literature will be of interest to librarians and teachers, as well as anyone wanting to learn more about this burgeoning aspect of young adult literature.

Weary of life with his alcoholic, abusive father, sixteen-year-old Billy packs a few belongings and hits the road, hoping for something better than what he left behind.

Language Toolkit 3 is a workbook for middle secondary students to support the development of language and literacy skills through various communication modes. Students will develop the skills they need to read, view, listen and speak, and to write and create their own texts in a variety of contexts and for a variety of audiences and purposes. With a strong focus on visual grammar and multimodal texts, the workbook's units are organised around different text types that provide a context for the development of language skills. • Grammatical rules are clearly and simply explained • Comprehension, grammar, spelling, punctuation and vocabulary exercises build language and literacy skills • Spelling tests and dictionary exercises encourage vocabulary development confidence • Revision exercises allow students to review their progress and strengthen their understanding and confidence from one unit to the next.