Love and Life Behind the Purdah (1901) is a collection of short stories by Indian writer, lawyer, and social reformer Cornelia Sorabji. Raised by Christian missionaries, Sorabji trained as a lawyer at Oxford University before returning to India to work with women and orphans across the country. Her fictional work illustrates a creative imagination and well-rounded sense of the diverse political and religious identities that make up the population of India. In her first published book, Sorabji spins tales of women and children from varied sociopolitical backgrounds. Writing on the Hindu purdahnashin—women cut off from the outside world—Sorabji drew on her experience as a litigator representing these oppressed figures in legal cases regarding property rights and other instances of oppression. Other stories in the collection follow Zoroastrian priestesses and the lives of orphaned children, character studies which serve as crucial catalysts for the discussion of child marriage, the practice of sati, and other controversial traditions prominent in India in the nineteenth century. Love and Life Behind the Purdah is a beautiful, informative meditation on the necessity of perseverance in the face of famine, disease, silence, and death. A lawyer at heart, Sorabji weaves powerful political commentary into her vibrant prose portraits of women and children down, but never out. With a beautifully designed cover and professionally typeset manuscript, this edition of Cornelia Sorabji’s Love and Life Behind the Purdah is a classic work of Indian literature reimagined for modern readers.

Cornelia Sorabji (1866-1952) was a pioneer in the tradition of Indian-Parsee women's literature in English. This collection of Sorabji's short stories reflects her fascination with orthodox Hindu women and her frustrated feminist ambitions to liberate them from their enforced or self-willeddomesticity.

Although Indian Women S Short Fiction Has Always Enjoyed Equal Importance And Popularity As Their Novels, Very Little Critical Attention Has Been Paid To It So Far. Indian Women S Short Fiction Seeks To Fulfil This Long Felt Need. It Puts Together Fifteen Perceptive And Analytical Articles By Scholars Across The World. The Articles, Which Are Focussed On Native Indian Writing As Well As Diasporic Short Fiction, Deal With Such Interesting Literary Issues As Construction Of Femininity, Disablement And Enablement, Bengali Heritage, Hybrid Identities, Nostalgia, Representation Of The Partition Violence, Tradition And Modernity, And Cultural Perspectivism.It Is Hoped That The Book Will Prove Useful To Scholars Interested In Short Fiction Studies In General And Indian Women S Short Fiction In Particular.

This book is expected to be of great help to students and teachers in studying English literature especially in fiction and non-fiction writings Indian and African American literature. It deals with several ideologies and theories in order to evaluate the chosen authors in English.

Modernism has long been characterized as more concerned with aesthetics than politics, but Jessica Berman argues that modernist narrative bridges the gap between ethics and politics, connecting ethical attitudes and responsibilities—ideas about what we ought to be and do—to active creation of political relationships and the way we imagine justice. She challenges the divisions usually drawn between "modernist" and "committed" writing, arguing that a continuum of political engagement undergirds modernisms worldwide and that it is strengthened rather than hindered by formal experimentation.

Contributed articles.

The Oxford Studies in Postcolonial Literatures series offers stimulating and accessible introductions to definitive topics and key genres and regions within the rapidly diversifying field of postcolonial literary studies in English. It is often claimed that unlike the British novel or the novel in indigenous Indian languages, Anglophone fiction in India has no genealogy of its own. Interrogating this received idea, Priyamvada Gopal shows how the English-language or Anglophone Indian novel is a heterogeneous body of fiction in which certain dominant trends and recurrent themes are, nevertheless, discernible. It is a genre that has been distinguished from its inception by a preoccupation with both history and nation as these come together to shape what scholars have termed 'the idea of India'. Structured around themes such as 'Gandhi and Fiction', 'The Bombay Novel', and 'The Novel of Partition', this study traces lines of influence across significant literary works and situates individual writers and texts in their historical context. Its emergence out of the colonial encounter and nation-formation has impelled the Anglophone novel to return repeatedly to the question: 'What is India?' In the most significant works of Anglophone fiction, 'India' emerges not just as a theme but as a point of debate, reflection, and contestation. Writers whose works are considered in their context include Rabindranath Tagore, Mulk Raj Anand, RK Narayan, Salman Rushdie, Nayantara Sahgal, Amitav Ghosh, Arundhati Roy, and Vikram Seth.