Part of the "Carsten Niebuhr Institute Publications" series, this volume is a study of tombs of officials in the Theban necropolis, now lost, but recorded in the manuscripts of travellers to Egypt in the early and mid 19th century. It also includes the fragments of relevant wall-decoration in museums and other collections.

The tombs and mortuary temples of Thebes have proved an enduring topic of interest thanks to a quickly expanding corpus of field materials and a series of conferences devoted to the subject. This volume, the fourth in a series of occasional proceedings from the ongoing Theban Workshop, presents new research on wall decoration in the Theban necropolis. Its thirteen essays, by an international array of leading scholars, attest to the wide and varied scope of the theme.

An international group of scholars have contributed to Joyful in Thebes, a Festschrift for the distinguished Egyptologist Betsy M. Bryan. The forty-two articles deal with topics of art history, archaeology, history, and philology representing virtually the entire span of ancient Egyptian civilization. These diverse studies, which often present unpublished material or new interpretations of specific issues in Egyptian history, literature, and art history, well reflect the broad research interests of the honoree. Abundantly illustrated with photographs and line drawings, the volume also includes a comprehensive bibliography of Bryan's publications through 2015.

Attested from the Fifth Dynasty until, and including, the Saite Period, the Tekenu is a puzzling icon depicted within funerary scenes in the tombs of some ancient Egyptian nobles. In this work four distinct types of Tekenu are identified and classified and then a Corpus Catalogue is formed.

Papers presented with love and appreciation to Zoltán Imre Fábián by several authors, colleagues and friends from various universities. The papers focus mainly on Ancient Egypt, the theban necropolis with a dashing of miscellaneous subjects.

The unique relationship between word and image in ancient Egypt is a defining feature of that ancient culture's records. All hieroglyphic texts are composed of images, and large-scale figural imagery in temples and tombs is often accompanied by texts. Epigraphy and palaeography are two distinct, but closely related, ways of recording, analyzing, and interpreting texts and images. This Handbook stresses technical issues about recording text and art and interpretive questions about what we do with those records and why we do it. It offers readers three key things: a diachronic perspective, covering all ancient Egyptian scripts from prehistoric Egypt through the Coptic era (fourth millennium BCE-first half of first millennium CE), a look at recording techniques that considers the past, present, and future, and a focus on the experiences of colleagues. The diachronic perspective illustrates the range of techniques used to record different phases of writing in different media. The consideration of past, present, and future techniques allows readers to understand and assess why epigraphy and palaeography is or was done in a particular manner by linking the aims of a particular effort with the technique chosen to reach those aims. The choice of techniques is a matter of goals and the records' work circumstances, an inevitable consequence of epigraphy being a double projection: geometrical, transcribing in two dimensions an object that exists physically in three; and mental, an interpretation, with an inevitable selection among the object's defining characteristics. The experiences of colleagues provide a range of perspectives and opinions about issues such as techniques of recording, challenges faced in the field, and ways of reading and interpreting text and image. These accounts are interesting and instructive stories of innovation in the face of scientific conundrum.

This volume compares the religious and social functions of the Ancient Egyptian festivals of Opet, the Valley, and the New Year. Until now, detailed study of the New Year Festival has only been carried out with reference to the Greco-Roman period; this study turns its attention to the New Kingdom.

Tomb Families investigates the apparently random distribution of New Kingdom private tombs in the Theban Necropolis by focusing on factors that may have influenced tomb location. This research provides a deeper understanding of the necropolis and how private tombs linked to the wider sacred landscape of Thebes.

In The Sacred Landscape of Dra Abu el-Naga during the New Kingdom, Ángeles Jiménez-Higueras offers the reconstruction of the physical, religious and cultural landscape of Dra Abu el-Naga south and its conceptual development from the 18th to the 20th Dynasties (1550-1069 BC). A wider insight into the Theban necropolis is provided, including the position played by the Dra Abu el-Naga cemetery within the Theban funerary context understood as an inseparable complex of diverse components. For this study, Ángeles Jiménez-Higueras has reconciled textual and archaeological perspectives with theories relating to Landscape Archaeology, which efficiently manages to compile and to link prosopographical-genealogical, archaeological and GIS (Geographical Information System) data.

Thebes (Egypt : Extinct city); history.