Attested from the Fifth Dynasty until, and including, the Saite Period, the Tekenu is a puzzling icon depicted within funerary scenes in the tombs of some ancient Egyptian nobles. In this work four distinct types of Tekenu are identified and classified and then a Corpus Catalogue is formed.

Historical and Archaeological Aspects of Egyptian Funerary Culture, a thoroughly reworked translation of Les textes des sarcophages et la démocratie published in 2008, challenges the widespread idea that the “royal” Pyramid Texts of the Old Kingdom after a process of “democratisation” became, in the Middle Kingdom, accessible even to the average Egyptian in the form of the Coffin Texts. Rather they remained an element of elite funerary culture, and particularly so in the Upper Egyptian nomes. The author traces the emergence here of the so-called “nomarchs” and their survival in the Middle Kingdom. The site of Dayr al-Barshā, currently under excavation, shows how nomarch cemeteries could even develop into large-scale processional landscapes intended for the cult of the local ruler. This book also provides an updated list of the hundreds of (mostly unpublished) Middle Kingdom coffins and proposes a new reference system for these.

A discussion of funerary procedures in ancient Egypt, covering mummification, burial practices, ritual texts, tombs and coffins, and other topics, and including background on Egyptian history and religion, a chart of the hieroglyphic alphabet, and other resources.

Ancient Egyptian artists produced masterpieces and works of funerary art on a scale never seen before or since. This book is the first to discuss the artistic development of funerary scenes over the four hundred years of the New Kingdom, covering the different reigns of the period. It shows the sequence of events in the funeral processions and how they developed over the course of time. Moreover, it covers many different sites in the Theban necropolis, including scenes from many closed and unpublished tombs. This first-ever survey describes the pictorial drama that was the funeral procession, explores rare and unique scenes, and shows the echoes that remain from these ancient funerals in modern Egypt today.

This book is a vivid reconstruction of the practical aspects of ancient Egyptian religion. Through an examination of artefacts and inscriptions, the text explores a variety of issues. For example, who was allowed to enter the temples, and what rituals were performed therein? Who served as priests? How were they organized and trained, and what did they do? What was the Egyptians' attitude toward death, and what happened at funerals? How did the living and dead communicate? In what ways could people communicate with the gods? What impact did religion have on the economy and longevity of the society? This book demystifies Egyptian religion, exploring what it meant to the people and society. The text is richly illustrated with images of rituals and religious objects.

"Human beings," the acclaimed Egyptologist Jan Assmann writes, "are the animals that have to live with the knowledge of their death, and culture is the world they create so they can live with that knowledge." In his new book, Assmann explores images of death and of death rites in ancient Egypt to provide startling new insights into the particular character of the civilization as a whole. Drawing on the unfamiliar genre of the death liturgy, he arrives at a remarkably comprehensive view of the religion of death in ancient Egypt. Assmann describes in detail nine different images of death: death as the body being torn apart, as social isolation, the notion of the court of the dead, the dead body, the mummy, the soul and ancestral spirit of the dead, death as separation and transition, as homecoming, and as secret. Death and Salvation in Ancient Egypt also includes a fascinating discussion of rites that reflect beliefs about death through language and ritual.

This study takes a linguistic approach to Ancient Egyptian funerary ritual, focusing on the definition of the word h3i and its performance. Whilst h3i has the connotation of "ritually transport" with the express purpose of revivifying or rejuvenating the deceased, it has been translated as emotionally connected both to rejoicing and mourning.

A Book Riot 100 Must-Read Book on Ancient History Death, burial, and the afterlife were as important to the ancient Egyptians as how they lived. This well-illustrated book explores all aspects of death in ancient Egypt, including beliefs of the afterlife, mummification, the protection of the body, tombs and their construction and decoration, funerary goods, and the funeral itself. It also addresses the relationship between the living and the dead, and the magico-religious interaction of these two in ancient Egyptian culture. Salima Ikram's own experience with experimental mummification and funerary archaeology lends the book many completely original and provocative insights. In addition, a full survey of current development in the field makes this a unique book that combines all aspects of death and burial in ancient Egypt into one volume.

This discussion will be centered on one ubiquitous and rather simple Egyptian object type – the wooden container for the human corpse. We will focus on the entire 'lifespan' of the coffin – how they were created, who bought them, how they were used in funerary rituals, where they were placed in a given tomb, and how they might have been used again for another dead person. Using evidence from Deir el Medina, we will move through time from the initial agreement between the craftsman and the seller, to the construction of the object by a carpenter, to the plastering and painting of the coffin by a draftsman, to the sale of the object, to its ritual use in funerary activities, to its deposit in a burial chamber, and, briefly, to its possible reuse.