“Brilliant . . . even more ambitious than Vogel’s How I Learned to Drive . . . it covers more ground and is bolder in its storytelling. Vogel’s language is at its most poetic, eloquent and elegiac. In fact, its vivid imagery rivals the prose style of any great American short story writer. The play sounds like it might have been adapted from a beautiful, undiscovered novella.”—New Haven Register “One of the most absorbing evenings of theatre to come along in some time.”—Variety Past and present collide on a snowy Christmas Eve for a troubled family of five. Humorous and heart-wrenching, this beautifully written play proves that magic can be found in the simplest breaths of life. Combining the elements of No theatre and Bunraku with contemporary Western sensibilities, Vogel’s Ride is a mesmerizing homage to the works of Thornton Wilder, including Our Town. A moving and memorable study of the American family careening near the edge of oblivion. Paula Vogel’s plays include The Baltimore Waltz, Mineola Twins, Hot ‘n’ Throbbing, Desdemona, And Baby Makes Seven, among others. Ms. Vogel will be the resident playwright during the Signature Theatre’s 2004–05 season dedicated to her works. She has taught at Brown University in the MFA playwriting program since 1985.

"The Long Christmas Dinner - nine decades long - showcases the lives of several generations of the Bayard family, and some of their Christmas dinners. Wilder breaks the boundaries of time as we measure it, and invites us to partake of 'one long, happy Christmas dinner' - past, present, and future. As generations appear, have children, wither, and depart, only the audience appreciates what changes and what remains the same. 'Every last twig is wrapped around with ice. You almost never see that, ' young Genevieve marvels, not realizing that her mother made this observation years earlier, or that her daughter-in-law will one day do the same."--

It's a dark and lonely Christmas Eve in the dining room of ancient Soul's College. The kitchen boy, 11-year-old Lewis, has helped prepare a highly unusual meal, made with unrecognisable ingredients, cooked by a mysterious chef. And then the guests arrive ... and carnage ensues. They are ex-students of Soul's College, and they are all completely demented. They demand bottle after bottle of wine, flinging their cutlery and howling like banshees until ... silence. The Dean of Soul's College has arrived, and the evening's ceremonies must begin. For this is the annual meeting of a secret club for those who despise children, warmth, happiness, and above all Christmas. Each member must try to outdo the others by telling the most terrible, disgusting story they know. A spooky, shocking, bloodthirsty alternative to festive cheer that will appeal to, fascinate and delight young readers.

For the first time in the history of the Little House books, this new edition features Garth Williams’ interior art in vibrant, full color, as well as a beautifully redesigned cover. The adventures of Laura Ingalls and her family continue as Pa, Ma, Laura, Mary, Carrie, and little Grace bravely face the hard winter of 1880-81 in their little house in the Dakota Territory. Blizzards cover the little town with snow, cutting off all supplies from the outside. Soon there is almost no food left, so young Almanzo Wilder and a friend make a dangerous trip across the prairie to find some wheat. Finally a joyous Christmas is celebrated in a very unusual way in this most exciting of all the Little House books.

A timeless, utterly charming Christmas fable, beautifully illustrated and destined to become a classic When Paul Auster was asked by The New York Times to write a Christmas story for the Op-Ed page, the result, "Auggie Wren's Christmas Story," led to Auster's collaboration on a film adaptation, Smoke. Now the story has found yet another life in this enchanting illustrated edition with Argentine artist Isol. It begins with a writer's dilemma: he's been asked by The New York Times to write a story that will appear in the paper on Christmas morning. The writer agrees, but he has a problem: How to write an unsentimental Christmas story? He unburdens himself to his friend at his local cigar shop, a colorful character named Auggie Wren. "A Christmas story? Is that all?" Auggie counters. "If you buy me lunch, my friend, I'll tell you the best Christmas story you ever heard. And I guarantee every word of it is true." And an unconventional story it is, involving a lost wallet, a blind woman, and a Christmas dinner. Everything gets turned upside down. What's stealing? What's giving? What's a lie? What's the truth? It's vintage Auster, and pure pleasure: a truly unsentimental but completely affecting tale.

This is a collection of ten original Christmas stories, some of which have been published before. The author has also added a little essay, written on the occasion of the first Christmas celebrated by the King of Italy in Rome. Titles featured include 'Daily Bread', 'Love is the Whole', and 'The Survivor's Story'.

"Anguished, beautifully written... The Long Goodbye is an elegiac depiction of drama as old as life." -- The New York Times Book Review From one of America's foremost young literary voices, a transcendent portrait of the unbearable anguish of grief and the enduring power of familial love. What does it mean to mourn today, in a culture that has largely set aside rituals that acknowledge grief? After her mother died of cancer at the age of fifty-five, Meghan O'Rourke found that nothing had prepared her for the intensity of her sorrow. In the first anguished days, she began to create a record of her interior life as a mourner, trying to capture the paradox of grief-its monumental agony and microscopic intimacies-an endeavor that ultimately bloomed into a profound look at how caring for her mother during her illness changed and strengthened their bond. O'Rourke's story is one of a life gone off the rails, of how watching her mother's illness-and separating from her husband-left her fundamentally altered. But it is also one of resilience, as she observes her family persevere even in the face of immeasurable loss. With lyricism and unswerving candor, The Long Goodbye conveys the fleeting moments of joy that make up a life, and the way memory can lead us out of the jagged darkness of loss. Effortlessly blending research and reflection, the personal and the universal, it is not only an exceptional memoir, but a necessary one.