An account of how, in certain parts of sixteenth-century England, challenges to conventional piety anticipated the Reformation. Here is a richly detailed account of the relationship between Lollard heresy and orthodox religion before the English Reformation. Robert Lutton examines the pious practices and dispositions of families and individuals in relationto the orthodox institutions of parish, chapel and guild, and the beliefs and activities of Wycliffite heretics. He takes issue with portrayals of orthodox religion as buoyant and harmonious, and demonstrates that late medieval piety was increasingly diverse and the parish community far from stable or unified. By investigating the generation of family wealth and changing attitudes to its disposal through inheritance and pious giving in the important Lollard centre of Tenterden in Kent, he suggests that rapid economic development and social change created the conditions for a significant cultural shift. This study contends that in certain parts of England by the early sixteenth century piety was subject to dramatic changes which, in a number of important ways, anticipated the Reformation. Dr ROBERT LUTTON teaches in the Department of History at the University of Nottingham.

Analysing the lollard legacy in the post-Reformation era, this book identifies the significance of John Foxe's Acts and Monuments in shaping these medieval dissenters for early moderns. It shows that Foxe left much of their radical beliefs intact, inadvertently contributing to later contentions in the Church of England's struggle for iden.

A sumptuously written people’s history and a major retelling and reinterpretation of the story of the English Reformation Centuries on, what the Reformation was and what it accomplished remain deeply contentious. Peter Marshall’s sweeping new history—the first major overview for general readers in a generation—argues that sixteenth-century England was a society neither desperate for nor allergic to change, but one open to ideas of “reform” in various competing guises. King Henry VIII wanted an orderly, uniform Reformation, but his actions opened a Pandora’s Box from which pluralism and diversity flowed and rooted themselves in English life. With sensitivity to individual experience as well as masterfully synthesizing historical and institutional developments, Marshall frames the perceptions and actions of people great and small, from monarchs and bishops to ordinary families and ecclesiastics, against a backdrop of profound change that altered the meanings of “religion” itself. This engaging history reveals what was really at stake in the overthrow of Catholic culture and the reshaping of the English Church.

Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.

This is the most complete account yet of Lollardy, the medieval English heretical movement derived from the ideas of John Wyclif that anticipated many of the ideas and demands of sixteenth- and seventeenth-century reformers and Puritans. Considering new evidence--such as texts composed or assembled by adherents of Lollardy, episcopal records, chronicles, and tracts written against Wyclif and his followers--Hudson offers an exceptionally coherent picture of the movement, sheds new light on the reasoning that lay behind the radical opinions of Wyclif's disciples, and demonstrates that the concern shown by ecclesiastical authorities may have been justified.

This book examines the afterlife of the lollard movement, demonstrating how it was shaped and used by evangelicals and seventeenth-century Protestants. It focuses on the work of John Foxe, whose influential Acts and Monuments (1563) reoriented the lollards from heretics and traitors to martyrs and model subjects, portraying them as Protestants’ ideological forebears. It is a scholarly mainstay that Foxe edited radical lollard views to bring them in line with a mainstream monarchical church. But this book offers a strong corrective to the argument, revealing that the subversive material present in Foxe’s text allowed seventeenth-century religious radicals to appropriate the lollards as historical validation of their own theological and political positions. The book argues that the same lollards who were used to strengthen the English church in the sixteenth century would play a role in its fragmentation in the seventeenth.

This prize-winning account of the pre-Reformation church recreates lay people’s experience of religion, showing that late-medieval Catholicism was neither decadent nor decayed, but a strong and vigorous tradition. For this edition, Duffy has written a new introduction reflecting on recent developments in our understanding of the period. “A mighty and momentous book: a book to be read and re-read, pondered and revered; a subtle, profound book written with passion and eloquence, and with masterly control.”—J. J. Scarisbrick, The Tablet “Revisionist history at its most imaginative and exciting. . . . [An] astonishing and magnificent piece of work.”—Edward T. Oakes, Commonweal “A magnificent scholarly achievement, a compelling read, and not a page too long to defend a thesis which will provoke passionate debate.”—Patricia Morison, Financial Times “Deeply imaginative, movingly written, and splendidly illustrated.”—Maurice Keen, New York Review of Books Winner of the Longman-History Today Book of the Year Award