THE THRILLING CONCLUSION TO THE SIM WAR SERIES There’s new hope for resolution of the decades-long war against the Sims: the discovery of Omega, a mysterious planet far from the fighting. Reena Mortas, the embattled leader of the human alliance, is betting everything that Omega could unlock the mystery of what’s creating the Sims. Meanwhile, her husband and predecessor, the missing-and-believed-dead Olech Mortas, has made contact with the aliens who gave mankind the faster-than-light mode of travel known as the Step. Existing in a different realm, Olech is re-living the most important decisions of his life—while trying to explain human contradiction to a being that looks just like him, known only as Mirror. Olech’s children, Jander and Ayliss, are still embroiled in the war. Jander has rejoined the Orphan Brigade on the mineral-rich planet Celestia, where he comes to believe what many of the Orphans feel: they’re supporting the wrong side. Ayliss, fighting in the all-female Banshees, is soon thrown into the losing war against the Sims, not knowing that every Banshee in the Human Defense Force is slated for an all-out assault on Omega that could win the war—or get them all killed. Live Echoes is the gripping end to the Sim War series, and finally answers its central question: Where did the Sims come from, and why are they bent on humanity’s destruction?

From their gigs in tiny church halls to multimillion-selling albums--"The Dark Side" "of the Moon," "Wish You Were Here," and the rock opera "The Wall"--and elaborate stadium shows, this tome celebrates legendary rock band Pink Floyd. Lavishly illustrated with previously unpublished photographs and rare graphic memorabilia, including posters, advertisements, handbills, and tickets from every era of the band's remarkable history, this survey provides a comprehensive overview of the group, its members, and the times. In addition to a biographical account of the band's collective and individual careers--from their pre-Floyd times in the early 1960s to the present day and their music's evolution from psychedelic and space rock to progressive rock genres--this definitive reference presents a meticulously researched chronological listing of every Pink Floyd and solo concert with set lists, radio and television appearances, and a UK and U.S. discography.

This book explores the interplay between performing arts, intangible cultural heritage and digital environments through a compendium of essays on emerging practices and case studies, as well as critical, historical and theoretical perspectives. It features essays that engage with varied forms of intangible cultural heritage, from music and storytelling to dance, theatre and martial arts. Cases of digital technology interventions are provided from different geographical and cultural settings, from Europe to Asia and the Americas. Together, the collection reflects on the implications that digital interventions have on intangible cultural heritage engagements, its curation and transmission in diverse localities. The volume is a valuable resource for discovering the multiple ways in which cultural heritage is mediated through digital technologies, and engages with audiences, artists, users and researchers.

Global Ebook Award Winner 2021 - Bronze Award for Sci-fi category. Dream Phaze is about the inception of engineered dreams and the evolution of indulgence. Set at the crossroads of alternative realities in the near future, it plunges into a world where every human desire, no matter how heroic or evil, can be fulfilled…

Echo and Reverb is the first history of acoustically imagined space in popular music recording. The book documents how acoustic effects--reverberation, room ambience, and echo--have been used in recordings since the 1920s to create virtual sonic architectures and landscapes. Author Peter Doyle traces the development of these acoustically-created worlds from the ancient Greek myth of Echo and Narcissus to the dramatic acoustic architectures of the medieval cathedral, the grand concert halls of the 19th century, and those created by the humble parlor phonograph of the early 20th century, and finally, the revolutionary age of rock 'n' roll. Citing recordings ranging from Gene Austin's 'My Blue Heaven' to Elvis Presley's 'Mystery Train,' Doyle illustrates how non-musical sound constructs, with all their rich and contradictory baggage, became a central feature of recorded music. The book traces various imagined worlds created with synthetic echo and reverb--the heroic landscapes of the cowboy west, the twilight shores of south sea islands, the uncanny alleys of dark cityscapes, the weird mindspaces of horror movies, the private and collective spaces of teen experience, and the funky juke-joints of the mind.