Since the Gold Rush, California prospectors have siphoned off the waters of isolated Tufa Lake, exposing the fragile, otherworldly mineral formations of the lake basin. Now a local environmental group seeks to block the latest incursion by developers—a massive mining operation funded by TransPacific, a US-Hong Kong interest that seems to be behind a series of break-ins, disappearances, and shady land deals. Into this stark, lunar landscape treads San Francisco PI Sharon McCone, searching for a local eccentric now missing after a suspicious land deal. When the bullet-ridden corpse of an investor surfaces in the lake’s silvery waters, McCone finds herself on a twisted trail that leads to San Francisco and then back to where it all began—the eerie desert mesas where a murderer prepares to kill again.

Reprint of the original, first published in 1883.

An emotional story of love, betrayal, friendship, and family from #1 New York Times bestselling author Maeve Binchy. David Power and Clare O'Brien both grew up dreaming of escape from the battered seaside town of Castlebay, Ireland, but they might as well have had the ocean between them. David is the cherished son of a prosperous doctor, while Clare lives with her large family behind their faltering store, longing for a moment of quiet to study. When they both go to university in Dublin—he as a matter of course, she on a hard-won scholarship—their worlds collide. They find freedom in each other—until the families, lovers, and secrets they left in Castlebay come back to haunt them... “Laughter and tears, it’s what Binchy does best.”—San Francisco Chronicle Book Review “The Castlebay Maeve Binchy creates is a marvelous place.”—The New York Times Book Review

“You done lived a tough life, boy, and I know I’m part responsible for that. I ain’t askin’ you to excuse me or forgive me. Just know I did the best I knew to do. I was just tryin’ to make you tough enough to deal with the world. To stand tall among men, I knew you had to be strong and have yo’ own mind.” “You were preparing me for war, Grandfather.” Guy Johnson, the author of the critically acclaimed debut Standing at the Scratch Line, continues the Tremain family saga. Jackson St. Clair Tremain hasn’t spoken to his grandfather King in nearly twenty years. Disgusted by the violence and bloodlust that seemed to be his grandfather’s way of life, Jackson chose to distance himself from King and live a simpler life. But now King is gravely ill, and his impending death places Jackson’s life—as well as those of his family and friends—in jeopardy. Reluctantly, Jackson travels to Mexico to see King. But after a brief reconciliation, his grandfather is assassinated, and Jackson suspects that his grandmother Serena may have had a hand in it. Jackson takes control of King’s organization, and as he does, he reflects on the summers he spent in Mexico as a child and the lessons he learned there at the knee of his strong-willed, complex grandfather. In Echoes of a Distant Summer, Guy Johnson introduces us to a new hero, Jackson St. Clair Tremain, who learns that, like his grandfather, he must be willing to protect those he loves—at all costs.

"Echoes of Dharamsala takes us deep into exile as a performance space, a refugee home on the diasporic range. The metaphor of reverberation comes very much to life as Keila Diehl bears witness to the emergent politics and poetics of Tibetan rock and roll. Compassionate and modest, yet incisive and unromantic, her writing brings us close to amazingly complicated musical lives being forged in a distinct global conjuncture of modernity, desire, and longing."—Steven Feld, Prof. of Music and Anthropology, Columbia University "Echoes from Dharamsala is a charmingly written, ethnographically rich, theoretically ambitious book about a Tibetan community in exile. Keila Diehl joined a Tibetan rock band as its keyboard player, and from that perspective gives us a fresh and honest look at the Tibetan refugee experience through its soundscapes. She has presented us with a model of ethnography, which while not shying away from representing the conflicts and contradictions of the community she studied, nevertheless displays a deep political solidarity with the Tibetan cause."—Akhil Gupta, author of Postcolonial Developments: Agriculture in the Making of Modern India "Giving new meaning to "participant-observation," Keila Diehl explores the politics and poetics of Tibetan cultural production in exile, in a study that is at once engaging and insightful."—Donald S. Lopez, author of Prisoners of Shangri-La: Tibetan Buddhism and the West