Gathers photographs of the rock musicians and singers who performed at simultaneous concerts in London and Philadelphia to benefit African famine relief, and shares their comments on the concerts

Birhan Woldu became one of the most recognized faces and forms of the late 20th century after her skeletal image was broadcast at the end of Live Aid to publicize famine in Africa. Although Live Aid, led by musicians such as Bob Geldof and Bono, raised millions for famine relief, most people thought Birhan was dead - until, that is, she was 'rediscovered' by Canadian journalist Brian Stewart, who helped fund her schooling and helped change her life. Twenty years later, Birhan once again became a symbol of hope for Africa when she appeared on stage at Live 8 with Madonna and Geldof in front of millions. But how did she get to that point? Journalist Oliver Harvey tells Birhan's life story - from the days of famine and war in Ethiopia when her father literally carried Birhan and her sister on his shoulders more than 900 km on an epic journey to life, to Live Aid and the years of struggle between. This is a truly inspirational story of triumph over extreme adversity. The ongoing crisis in East Africa makes this book extremely topical and important. New Holland is donating proceeds from the book to Oxfam's DEC East Africa Crisis Appeal.

The terrible 1984 famine in Ethiopia focused the world's attention on the country and the issue of aid as never before. Anyone over the age of 30 remembers something of the events - if not the original TV pictures, then Band Aid and Live Aid, Geldof and Bono. Peter Gill was the first journalist to reach the epicentre of the famine and one of the TV reporters who brought the tragedy to light. This book is the story of what happened to Ethiopia in the 25 years following Live Aid: the place, the people, the westerners who have tried to help, and the wider multinational aid business that has come into being. We saved countless lives in the beginning and continued to save them now, but have we done much else to transform the lives of Ethiopia's poor and set them on a 'development' course that will enable the country to do without us?

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.

Offers a fresh interpretation of the social, cultural and ideological foundations that shaped the rapid expansion of the global NGO sector. Kevin O'Sullivan explains how and why NGOs became the primary conduits of popular compassion for the global poor and how this shaped the West's relationship with the post-colonial world.

Bob Geldof formed Band Aid, orchestrated Live Aid, and is the driving force behind Live 8. He has rallied the forces of rock performers all over the world and inspired millions to raise millions for the starving in Africa. He has met with world leaders and demanded that they change their aid policies. He has travelled in Africa and seen famine first-hand, and he has overseen the disbursement of the millions that Band Aid has raised. In this vividly honest autobiography, written with wit, candour and characteristic energy, Geldof recounts his extraordinary childhood in Dublin and schooldays that were both horrifying and funny. He describes the origins of New Wave music and the beginnings, triumphs, and eventual eclipse of the Boomtown Rats. He writes of his years with Paula Yates, the formation of Band Aid and its achievements and he writes of his hopes for the future. Widely admired, Bob Geldof is nonetheless ferociously independent and remains the most charismatic and controversial public figure in Britain today. '(It) shows that by a combination of charm, loquaciousness and irrevocable moral certainty, a wayward, catholic, hand-reared boy can shift the world on its axis’ Sunday Times

One Day: Saturday 13 July 1985, nearly two billion people woke up with one purpose. Nearly a third of humanity knew where they were going to be that day. Watching, listening to, attending: Live Aid. One Decade: Britain in the Eighties was different. The culture was different, the politics were different, and our engagement with the world was different. And it was just one day in 1985 that showed how different it was. In One Day, One Decade Dylan Jones tells the story of the Eighties through that day at Wembley, sweeping backwards to the end of the Seventies, and forward to the start of the Nineties. It draws on his personal reminiscences and perspective of music, media, fashion, politics and all forms of pop culture to frame the decade. This is a big book but not a exhaustive and dry social history. Live Aid was the decade's pinch point, when a nation's attitudes and expectations were somehow captured and changed forever. The author suggests that before Live Aid, Britain was one place, and after Live Aid it was another. Britain in the Eighties was a juxtaposition of militancy and profligacy, a country where industry was being broken down, societies were being demolished, and unemployment became an inevitable lifestyle choice: yet the Eighties was also the apotheosis of pop culture, a decade where entertainment, opinion and subjectivity were more important than ever before. Dylan Jones was at the heart of the 1980s editing the seminal magazines i-D and The Face. He was one of the Blitz Kids and was both a commentator and one of the style-makers of the time. This is a controversial book, a story told from the inside by one who was at the centre of events.

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