Spring, 1992. Jevrem Andric is eleven years old and war is erupting in Sarajevo. As the shelling worsens, Jevrem's journalist father and teenaged brother join the Bosnian army. Jevrem, his sisters, his concert pianist mother and beloved grandmother move into the basement. Spring, 1997. Refugee life in Toronto is bleak, and 16-year-old Jevrem and his gang of Yugoslav friends are on a rampage: drinking, smoking weed, popping pills, breaking into houses. Survival means relying on your cunning in an indifferent world. Besides, they relish the adrenaline rush; it reminds them of home. Spring, 1998. After a year in remand, Jevrem has another three in juvenile detention ahead of him, once again trapped in cramped spaces. The only way to save his soul is to escape, and so he does. He hitches rides and as he makes his way west across America toward Los Angeles and his estranged uncle, he feels that it's a chance to leave the repeating patterns of the past behind.

16 tenants. An apartment building that’s in Los Angeles one chapter and Boston the next. A little old landlady who’s just trying to save the world… Emily Henderson went to church every Sunday. She married the love of her life, had herself a couple of kids, and ran a boarding house for wayward souls in her retirement. But when scientists discovered how to clone her beloved Lord and Savior from DNA found on his death shroud, Emily chafed under the rule of her world’s blasphemous Jesus 2.0. After a tenant of hers sacrifices himself to save their city, Emily travels back in time to see if she can stop the speeding train of history before it goes off the rails once again. Along the way, she meets a depraved and lonely man who hacks his way to a date in the days before Tinder; a piano instructor has a tawdry affair with a young pop star he's tutoring; and a husband sent to the doghouse roped into a murder plot by two vagrants living in a nearby open field. Can Emily save these flawed people from the fate she knows is coming for them all? And if she can, should she? Those Little Bastards is the obnoxious 2002 debut of author E. Christopher Clark—an “uncensored and unabridged” collection of short stories “peppered with tang and spice” (Psychofairy). If you like stories of vamps and vampires, femme fatales and dirty old men, then you’ll love the short fictions of this fearless and defiant young writer. Buy Those Little Bastards to start your extended stay with this filthy cast of housemates today!

It's spring 1992. Jevrem Andric is eleven years old, and brutal civil war is erupting in Sarajevo. Five years later, what's left of his family has immigrated to Toronto, where Jevrem Andric faces fight for emotional survival and a family's attempt to find peace in a new land.

Queneau's tragicomic masterpiece which retells in an array of styles the primal Freudian myth of sons killing the father. Queneau satirizes anthropology, folklore, philosophy, and epistemology while spinning a story as appealing as a fairy tale about a land where it never rains and a bizarre festival is held every Saint Glinglin's Day.

"Raise your glass to Randall Grahm. Long may he tickle our fancy."—Kermit Lynch, author of Adventures on the Wine Route “Long a fan of Bonny Doon, it cheered me to find Randall Grahm's writing just as irreverent and delicious as his approach to wine.”—Kathleen Flinn, author of The Sharper Your Knife, the Less You Cry “Randall Grahm is the Willy Wonka of the wine world, and Been Doon So Long is intelligent, insightful, and mischievous. It's a work of genius.”—Jamie Goode, author of The Science of Wine "If Donald Barthelme had studied philosophy and oenology he might have written like Randall Grahm. He's a provocateur, a punster, a philosopher, and jester. As entertaining as Grahm is, he also manages to edify, ultimately surprising us with contrarian common sense and a flamboyant defense of tradition."—Jay McInerney, author of Bacchus and Me and A Hedonist in the Cellar

Kamil, a Warsaw sociologist, is summoned to Geneva to participate in an oral history project about the collapse of Eastern European communism and resolves to tell his own story through a gallery of portraits of the many women he has loved. These reminiscences emerge against the broader canvas of circumstances and events that have shaped the past sixty years of Poland’s turbulent, tragic history. Soon he finds himself inexorably drawn to his interrogator from the “free” world; the chronicler of his life, the keeper of his secrets, and his heart’s last hope for redemptive love. Self-Portrait with Woman is at once a haunting and lyrical portrait of a man, of a country, and of the twilight years of an era.

Brooding and sexy Rafe Di Luca has returned to his family's luxurious vineyard resort for one reason: to find out who attacked his beloved grandmother. His homecoming stirs up a decades-old feud, forcing him to work with Brooke Petersson, the woman he once seduced and betrayed...but never forgot.

Second in the contemporary Italian crime fiction series featuring Inspector Lojacono by the bestselling author of the Commissario Ricciardi novels. A kidnapped child and the burglary of a high-class apartment: Two crimes that seem to have no connection at all until Inspector Lojacono, known as “The Chinaman,” starts to investigate. Darkness for the Bastards of Pizzofalcone is the second book in a series set in contemporary Naples that draws inspiration from Ed McBain’s 87th Precinct novels and features a large cast of complicated cops doing battle with ruthless criminals. De Giovanni is one of the most dexterous and successful writers of crime fiction currently working in Europe. His award-winning and bestselling novels, all set in Naples, offer a brilliant vision of the criminal underworld and the police that battle it in Europe’s most fabled, atmospheric, dangerous, and lustful city. “Imagine Fellini and Chandler collaborating on a Neapolitan remake of Our Town, and that begins to give you an idea of what you’re in for with Darkness for the Bastards of Pizzofalcone. . . . While de Giovanni never wavers from a world where terrible people do terrible things, motivated by selfishness, greed, and loathing (for themselves, for others, for both), he illuminates the soft underbelly of fear and loss without being manipulative.” —Los Angeles Review of Books “The police characters are flawed, lovable, and believable—you cannot but take to them. . . . Naples comes through loud and clear in the story.” —Tripfiction