New York Times bestselling Sisters of Suspense join forces for a gripping standalone novel about a clique of popular girls whose high school friendship is marked by a tragedy that continues to haunt them decades later. Jackson and Bush take the reader’s hand and twist them through this shocking tale of suspense. “An increasingly tense race to find who’s doing the killing—and who’s going to survive.” —The Oregonian First they were five. Then they were four. Whose turn will it be next? At Bristol High they were an elite clique known as the Five Firsts: Amanda, Bailey, Carmen, Delta and Zora . . . ABCD & Z. They could have accepted their classmate, Emmy, as "E", but with her bookish disposition and her embarrassing status of scholarship student to boot, they rejected her and chose wealthy Zora instead. At a pre-graduation party just before the end of senior year, Lance Ventura, the hottest guy in school, falls down an embankment toward the river and is barely rescued in time to save his life. One of the Five Firsts, Carman, rushes to save him, but isn't so lucky. Her sudden death causes a community to mourn and rumors of foul play to swirl, but the tragedy is ruled an accident. Fast forward ten years and the classmates all meet again at the high school reunion. Some of them have had good fortune in their lives. Others, not so much. PRAISE FOR LISA JACKSON AND NANCY BUSH “Superb . . . a masterpiece of romantic suspense.” —Publishers Weekly (starred review) on Something Wicked “A chilling thriller with enough false leads to keep readers enthralled to the finish.” —Library Journal on One Last Breath

Born on the cusp of WWII in 1938, at a time when other little girls dreamed of being nurses and secretaries, Trina Robbins’s ambition was to be a bohemian; and indeed she did. She chronicles a life of sex, drugs, rock ’n’ roll — and comics — in Last Girl Standing. Robbins describes her upbringing in Queens, New York, reading comics through her childhood in the 1940s; visiting the EC offices and becoming part of SF fandom (dating Harlan Ellison at age 16); and posing nude for men’s magazines in the 1950s; living in the Village, over her own boutique where she made clothes for and interacted with rock royalty like David Crosby, Donovan, Cass Elliot; her close relationship with Paul Williams; entering the orbit of underground cartoonists like Art Spiegelman, R. Crumb, Vaughn Bodé, and Bill Griffith, when she started contributing comics to The East Village Other; and, in the ’70s, moving to San Francisco, contending with the phallocentric underground scene, marrying Kim Deitch, co-founding Wimmen’s Comix, and being invited into Felch Comics (she declined); her work for the National Lampoon, Marvel Comics, and Eclipse in the 1980s; and her crisis as a cartoonist and transformation into an historian and lecturer in the ’90s and 2000s. From science fiction to the Sunset Strip, from New York’s underground newspapers to San Francisco’s underground comix: Trina Robbins broke the rules and broke the law. From dressing Mama Cass to being pelted with jelly babies as she helped photograph the Rolling Stones’s first US tour, from drunken New York nights spent with Jim Morrison to producing the very first all-woman comic book, this former Lady of the Canyon takes no prisoners in this heavily illustrated memoir.

This queer YA psychological thriller from the author of Some Girls Do is now in paperback, featuring a glow-in-the-dark cover! “Shocking, captivating, and utterly chilling. A delicious thriller that will have you tearing through pages to get to the end, where you won’t be disappointed.” —Jessica Goodman, bestselling author of They Wish They Were Us and The Counselors Sloan and Cherry. Cherry and Sloan. They met only a few days before masked men with machetes attacked the summer camp where they worked, a massacre that left the rest of their fellow counselors dead. Now, months later, the two are inseparable, their traumatic experience bonding them in ways no one else can understand. But as new evidence comes to light and Sloan learns more about the motives behind the ritual killing that brought them together, she begins to suspect that her girlfriend may be more than just a survivor—she may actually have been a part of it. Cherry tries to reassure her, but Sloan only becomes more distraught. Is this gaslighting or reality? Is Cherry a victim or a perpetrator? Is Sloan confused, or is she seeing things clearly for the very first time? Against all odds, Sloan survived that hot summer night. But will she survive what comes next?

A complete narrative history of the weird and wonderful world of Underground Comix! In the 1950s, comics meant POW! BAM! superheroes, family-friendly gags, and Sunday funnies, but in the 1960s, inspired by these strips and the satire of MAD magazine, a new generation of creators set out to subvert the medium, and with it, American culture. Their “comix,” spelled that way to distinguish the work from their dime-store contemporaries, presented tales of taboo sex, casual drug use, and a transgressive view of society. Embraced by hippies and legions of future creatives, this subgenre of comic books and strips often ran afoul of the law, but that would not stop them from casting cultural ripples for decades to come, eventually moving the entire comics form beyond the gutter and into fine-art galleries. Author Brian Doherty weaves together the stories of R. Crumb, Art Spiegelman, Trina Robbins, Spain Rodriguez, Harvey Pekar, and Howard Cruse, among many others, detailing the complete narrative history of this movement. Through dozens of new interviews and archival research, Doherty chronicles the scenes that sprang up around the country in the 1960s and ’70s, beginning with the artists’ origin stories and following them through success and strife, and concluding with an examination of these creators’ legacies, Dirty Pictures is the essential exploration of a truly American art form that recontextualized the way people thought about war, race, sex, gender, and expression.

Player. Jock. Slacker. Competitor. Superhero. Goofball. Boys are besieged by images in the media that encourage slacking over studying; competition over teamwork; power over empower - ment; and being cool over being yourself. From cartoons to video games, boys are bombarded with stereotypes about what it means to be a boy, including messages about violence, risktaking, and perfecting an image of just not caring. Straight from the mouths of over 600 boys surveyed from across the U.S., the authors offer parents a long, hard look at what boys are watch ing, reading, hearing, and doing. They give parents advice on how to talk with their sons about these troubling images and provide them with tools to help their sons resist these mes sages and be their unique selves.

How to become a stronger leader and a better teammate. Whatever your role or job, you need to find the sweet spot where you can fit in with your team, yet still have the ability to express your true opinions in a way that will be heard and accepted. This book is about finding that sweet spot. It is an essential read for anyone who: - wants to make sure they are heard, regardless of rank or position - is currently going through induction into a new team or organisation - is on the fringe of a team, struggling to have impact - leads a team and wants to ensure each member can play an effective role - runs a company and wants to ensure the culture is conducive to authentic leadership at all levels.

Get ready to dive into the terrifying world of horror movies like never before! Critic Steve Hutchison takes you on a spine-chilling journey through 2000 horror movie reviews, ranked from the best to the worst. With each review including the year, synopsis, star rating, a list of genres, and a short, expert analysis, this comprehensive guide is the ultimate resource for horror fans everywhere. From classic cult favorites to modern masterpieces, Hutchison's reviews cover every corner of the genre, providing insight into what makes each film a must-see or a must-avoid. Whether you're a horror veteran or just starting out, this book is sure to have something that will make your blood run cold.

From the bestselling Sisters of Suspense, the fourth installment in their New York Times and USA Today bestselling series featuring a cult-like group of women with psychic abilities - reissued for the first time since its original release a decade ago! THE GREATEST TERRORS Elizabeth Gaines Ellis is an ordinary suburban wife and mother. That’s what she tells herself as she flits between her realtor job, yoga class, and caring for her daughter, Chloe. But for months now, Elizabeth has worried that she’s far from normal…that she’s somehow the cause of a series of brutal, horrible deaths. ARE THE ONES Her mean-spirited boss. A bullying traffic cop. Her cheating husband. Elizabeth had reason to be angry with them all. She didn’t mean for them to die. No one will take her fears seriously—except the private investigator prying into her past… TOO CLOSE TO SEE The more scared and angry Elizabeth becomes, the higher the death toll grows. But those who wrong her aren’t the only ones in danger. Because others have secrets too, and a relentless urge to kill without mercy or remorse…

In this thorough update of one of the classic texts of media and cultural studies, Douglas Kellner argues that media culture is now the dominant form of culture that socializes us and provides and plays major roles in the economy, polity, and social and cultural life. The book includes a series of lively studies that both illuminate contemporary culture and society, while providing methods of analysis, interpretation, and critique to engage contemporary U.S. culture. Many people today talk about cultural studies, but Kellner actually does it, carrying through a unique mixture of theoretical analysis and concrete discussions of some of the most popular and influential forms of contemporary media culture. Studies cover a wide range of topics including: Reagan and Rambo; horror and youth films; women’s films, the TV series Orange is the New Black and Hulu’s TV series based on Margaret Atwood’s The Handmaid’s Tale; the films of Spike Lee and African American culture; Latino films and cinematic narratives on migration; female pop icons Madonna, Beyoncé, and Lady Gaga; fashion and celebrity; television news, documentary films, and the recent work of Michael Moore; fantasy and science fiction, with focus on the cinematic version of Lord of the Rings, Philip K. Dick and the Blade Runner films, and the work of David Cronenberg. Situating the works of media culture in their social context, within political struggles, and the system of cultural production and reception, Kellner develops a multidimensional approach to cultural studies that broadens the field and opens it to a variety of disciplines. He also provides new approaches to the vexed question of the effects of culture and offers new perspectives for cultural studies. Anyone interested in the nature and effects of contemporary society and culture should read this book.