The story of an expedition lead by George Mellis Douglas in 1911-12 to the Coppermine River to search for copper.

The author of Magic Casement returns to the fantastical world of Pandemia: “The series bears resemblance to Robin Hobb’s Farseer Trilogy” (Fantasy Book Review). When Queen Inos was abducted through the magic casement and her friend, the stableboy Rap, tried to follow her, they arrived in places very strange—and very far apart . . . Inos finds herself in the country of Zark, captured by a powerful sorceress who rules over the desert land with a brutal magic. Meanwhile, Rap and his companions wind up in Faerie. Desperate to find Inos, he’ll try anything, even though witches and warlocks abound—and trustworthy allies are hard to find. One, though, a sea captain, hires Rap as part of his crew, and they embark on a journey that could take him farther away from Inos—and deeper into a dangerous adventure . . . “If it’s traditional fantasy adventure with a bit of nudge-nudge wink-wink you’re after, Dave Duncan is your go-to guy. ”—SFReviews.net “Duncan takes all the trusted fantasy ingredients, meticulously prepares them and brings them together with skill and relish. . . . The series bears resemblance to Robin Hobb’s Farseer Trilogy.” —Fantasy Book Review “Duncan’s unique concept of goblins, fauns, and imps adds a new twist to this imaginative fantasy adventure. Recommended.” —Library Journal

Excerpt from Lands Forlorn: A Story of an Expedition to Hearne's Coppermine River Luxuries of civilisation forthe novelties and adventures of work in the wilder ness, when the inducement is added of winning from Nature the treasures she. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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"In this essay on 'what the imagination has made of the phenomenon of echo, ' the author examines certain aspects of the figure of echo in light of their significance for poetry. Looking at echo in its literal, acoustic sense, echo in myth, and echo as literary allusion, Mr. Hollander concludes with a study of the rhetorical status of the figure of echo, and the ancient and newly interesting trope of metalepsis, or transumption, which it appears to embody. Centered on ways by which Milton's poetry echoes, and is echoed by, other texts, The Figure of Echo deals well with Spencer and other Renaissance writers, with romantic poets such as Keats, Shelley, and Wordsworth, and with echoes of their nineteenth-century forebears in such modern poets as Hardy, Eliot, Stevens, Frost, Williams and Hart Crane."--Front dust jacket inside flap.