This eBook edition of "Ode to a Nightingale" has been formatted to the highest digital standards and adjusted for readability on all devices. "Ode to a Nightingale" is either the garden of the Spaniards Inn, Hampstead, London, or, according to Keats' friend Charles Armitage Brown, under a plum tree in the garden of Keats House, also in Hampstead. According to Brown, a nightingale had built its nest near his home in the spring of 1819. Inspired by the bird's song, Keats composed the poem in one day. It soon became one of his 1819 odes and was first published in Annals of the Fine Arts the following July. "Ode to a Nightingale" is a personal poem that describes Keats's journey into the state of Negative Capability. The tone of the poem rejects the optimistic pursuit of pleasure found within Keats's earlier poems and explores the themes of nature, transience and mortality, the latter being particularly personal to Keats. The nightingale described within the poem experiences a type of death but does not actually die. Instead, the songbird is capable of living through its song, which is a fate that humans cannot expect. John Keats (1795-1821) was an English Romantic poet. The poetry of Keats is characterized by sensual imagery, most notably in the series of odes. Today his poems and letters are some of the most popular and most analyzed in English literature.

A princess and a stableboy? It sounds like the worst sort of hackneyed formula romance. Think again, for A MAN OF HIS WORD may well be the most original fantasy you ever read. The magic is unique and applied in unexpected ways, some of which the late Lester del Rey admitted he had not met in fifty years as writer and editor. The world itself is unique - there are no humans in Pandemia, only imps, elves, gnomes, jotnar, and many more, all of whom you will recognize as "human". FAERIE LANDS FORLORN When Inos was abducted through the magic casement and Rap tried to follow her, they arrived in places very strange - and very far apart...

The author of Magic Casement returns to the fantastical world of Pandemia: “The series bears resemblance to Robin Hobb’s Farseer Trilogy” (Fantasy Book Review). When Queen Inos was abducted through the magic casement and her friend, the stableboy Rap, tried to follow her, they arrived in places very strange—and very far apart . . . Inos finds herself in the country of Zark, captured by a powerful sorceress who rules over the desert land with a brutal magic. Meanwhile, Rap and his companions wind up in Faerie. Desperate to find Inos, he’ll try anything, even though witches and warlocks abound—and trustworthy allies are hard to find. One, though, a sea captain, hires Rap as part of his crew, and they embark on a journey that could take him farther away from Inos—and deeper into a dangerous adventure . . . “If it’s traditional fantasy adventure with a bit of nudge-nudge wink-wink you’re after, Dave Duncan is your go-to guy. ”—SFReviews.net “Duncan takes all the trusted fantasy ingredients, meticulously prepares them and brings them together with skill and relish. . . . The series bears resemblance to Robin Hobb’s Farseer Trilogy.” —Fantasy Book Review “Duncan’s unique concept of goblins, fauns, and imps adds a new twist to this imaginative fantasy adventure. Recommended.” —Library Journal

The Celtic Revival began more than a century before Yeats and the Irish Literary Renaissance. Keats and Romantic Celtism is the first book to consider the pervasive influence of period Celticism upon Keats's work, from the Druidism that underlies his unfinished epics to the Celtic-derived folklore that his poetry draws upon. Christine Gallant shows that more than two hundred and fifty traditional folklore motifs of the faerie fill his major poems, as well as minor epistolary ones that have been critically neglected.

A revaluation of the poet's works reveals his critical feelings towards the literature, sexuality, religion and politics of his time as well as his uncertainties as a second generation Romantic.

The myths and legends of the Fair Folk are the oldest in Britain and our Fairy lore is unique to this island. Meetings with Faery are well recorded. Humans have always been aware of a form of life called Fairy, but how exactly do we meet these beings? What is their physical form and nature, and how and where do they live? Here is a deep analysis of the traditional knowledge of the nature of Fairies, and their importance to us, combined with an examination of our interaction with Faery.

The Man of His Word series debut—a novel “with enough fresh ideas to allow it to sit unashamedly alongside the great fantasy books of recent times” (Fantasy Book Review). “Duncan’s unique concept of goblins, fauns, and imps adds a new twist to this imaginative fantasy adventure” as Princess Inosolan is forced to leave behind her carefree childhood—as well as her dear friend, the stableboy Rap (Library Journal). Now of marriageable age, she is sent to a finishing school to hone the skills that all noble ladies should possess. Mystery, menace, and the gods appear in short order, as Inos and Rap begin to discover their magical powers, even as Inos is courted by a charming man with motives far more dangerous than the eye—and heart—can see . . . “Magic Casement has a charm and vibrant sense of humor. . . . If it’s traditional fantasy adventure with a bit of nudge-nudge wink-wink you’re after, Dave Duncan is your go-to guy.” —SFReviews.net