This remarkable first novel from award-winning short fiction writer Ken Scholes will take readers away to a new world—an Earth so far in the distant future that our time is not even a memory; a world where magick is commonplace and great areas of the planet are impassable wastes. But human nature hasn't changed through the ages: War and faith and love still move princes and nations. In Lamentation, the first entry in the Psalm of Isaak series, an ancient weapon has completely destroyed the city of Windwir. From many miles away, Rudolfo, Lord of the Nine Forest Houses, sees the horrifying column of smoke rising. He knows that war is coming to the Named Lands. Nearer to the Devastation, a young apprentice is the only survivor of the city—he sat waiting for his father outside the walls, and was transformed as he watched everyone he knew die in an instant. Soon all the Kingdoms of the Named Lands will be at each others' throats, as alliances are challenged and hidden plots are uncovered. The Psalms of Isaak #1 Lamentation #2 Canticle #3 Antiphon #4 Requiem #5 Hymn At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Set in the highlands of the Mexican state of Chiapas, The Book of Lamentations tells of a fictionalized Mayan uprising that resembles many of the rebellions that have taken place since the indigenous people of the area were first conquered by European invaders five hundred years ago. With the panoramic sweep of a Diego Rivera mural, the novel weaves together dozens of plot lines, perspectives, and characters. Blending a wealth of historical information and local detail with a profound understanding of the complex relationship between victim and tormentor, Castellanos captures the ambiguities that underlie all struggles for power. A masterpiece of contemporary Latin American fiction from Mexico’s greatest twentieth-century woman writer, The Book of Lamentations was translated with an afterword by Ester Allen and introduction by Alma Guillermoprieto.

The sixth novel in the Matthew Shardlake Tudor Mystery series—the inspiration for the Disney+ original series Shardlake! Summer, 1546. King Henry VIII is slowly, painfully dying. His Protestant and Catholic councillors are engaged in a final and decisive power struggle; whoever wins will control the government of Henry's successor, 8-year-old Prince Edward. As heretics are hunted across London, and the radical Protestant Anne Askew is burned at the stake, the Catholic party focus their attack on Henry's 6th wife, Matthew Shardlake's old mentor, Queen Catherine Parr. Shardlake, still haunted by events aboard the warship Mary Rose the year before, is working on the Cotterstoke Will case, a savage dispute between rival siblings. Then, unexpectedly, he is summoned to Whitehall Palace and asked for help by his old patron, the now beleaguered and desperate Queen. For Catherine Parr has a secret. She has written a confessional book, Lamentation of a Sinner, so radically Protestant that if it came to the King's attention it could bring both her and her sympathizers crashing down. But, although the book was kept secret and hidden inside a locked chest in the Queen's private chamber, it has--inexplicably--vanished. Only one page has been found, clutched in the hand of a murdered London printer. Shardlake's investigations take him on a trail that begins among the backstreet printshops of London but leads him and Jack Barak into the dark and labyrinthine world of the politics of the royal court; a world he had sworn never to enter again. Loyalty to the Queen will drive him into a swirl of intrigue inside Whitehall Palace, where Catholic enemies and Protestant friends can be equally dangerous, and the political opportunists, who will follow the wind wherever it blows, more dangerous than either. The theft of Queen Catherine's book proves to be connected to the terrible death of Anne Askew, while his involvement with the Cotterstoke litigants threatens to bring Shardlake himself to the stake. Awarded the CWA Diamond Dagger – the highest honour in British crime writing.

Bible scholar Christian Brady, an expert on Old Testament lament, was as prepared as a person could be for the death of a child—which is to say, not nearly well enough. When his eight-year-old son died suddenly from a fast-moving blood infection, Brady heard the typical platitudes about accepting God's will and knew that quiet acceptance was not the only godly way to grieve. With deep faith, knowledge of Scripture, and the wisdom that comes only from experience, Brady guides readers grieving losses and setbacks of all kinds in voicing their lament to God, reflecting on the nature of human existence, and persevering in hope. Brady finds that rather than an image of God managing every event and action in our lives, the biblical account describes the very real world in which we all live, a world full of hardship and calamity that often comes unbidden and unmerited. Yet, it also is a world into which God lovingly intrudes to bring comfort, peace, and grace.

The five poems composing the book express Israel's sorrow, brokenness, and bewilderment before God."--BOOK JACKET.

The goal of this book is to present a revised edition of the Sumerian Lamentation over the Destruction of Ur, a lament bewailing the fall of the glorious Ur III kingdom in 2004 B.C.E. Lamentation is a well-known genre in world literature. Laments of various types are part of the cultural legacy and literary corpus of many societies, from ancient to modern times, and Sumerian literature is no exception. However, Mesopotamian lamentation literature includes a significant body of laments belonging to a unique and almost unparalleled genre—the genre of lamentations over the destruction of cities and temples. This genre has no known ancient parallel outside the ancient Near East; more specifically, it is almost exclusively attested in Sumerian and biblical literature. The Lamentation over the Destruction of Ur is the most famous and important exemplar of the city-laments. In this updated and revised publication of the Lamentation over the Destruction of Ur, Samet provides an introductory discussion of Sumerian city-laments in general; a full presentation of the text of the Ur Lament, including transliteration, translation, and an extensive philological commentary; and an accounting of the extant textual witness in score format. Plates with color photos of many texts are included.

Time's mysteries seem to resist comprehension and what remains, once the familiar metaphors are stripped away, can stretch even the most profound philosopher. In Of Time and Lamentation, Raymond Tallis rises to this challenge and explores the nature and meaning of time and how best to understand it. The culmination of some twenty years of thinking, writing and wondering about (and within) time, it is a bold, original, and thought-provoking work. With characteristic fearlessness, Tallis seeks to reclaim time from the jaws of physics. For most of us, time is composed of mornings, afternoons, and evenings and expressed in hurry, hope, longing, waiting, enduring, planning, joyful expectation, and grief. Thinking about it is to meditate on our own mortality. Yet, physics has little or nothing to say about this time, the time as it is lived. The story told by caesium clocks, quantum theory, and Lorentz coordinates, Tallis argues, needs to be supplemented by one of moss on rocks, tears on faces, and the long narratives of our human journey. Our temporal lives deserve a richer attention than is afforded by the equations of mathematical physics. The first part of the book, "Killing Time" is a formidable critique of the spatialized and mathematized account of time arising from physical science. Part 2, "Human Time" examines tensed time, the reality of time as it is lived: what we mean by "now", how we make sense of past and future events, and the idea of eternity.

The American church avoids lament. But lament is a missing, essential component of Christian faith. Soong-Chan Rah's prophetic exposition of the book of Lamentations provides a biblical and theological lens for examining the church's relationship with a suffering world. Hear the prophet's lament as the necessary corrective for Christianity's future.

When published, this work on the book of Lamentations opened a new wave of studies on that much neglected biblical book. After a fresh translation, followed by acute analyses of the acrostic form and literary genres, the author develops the two-fold theology of "doom" and "hope" that reverberates through the five laments composed during the exile to cope with the fall of Jerusalem. Created for public performance, the poems artfully alternate the voices of the poet and the community, personified by turns as a forlorn widow (Fair Zion) and as an afflicted man (Jacob/Israel). The book attributes the catastrophe in part to the moral and social failures of Judah's leadership, but it also finds the enormity of the suffering beyond moral or theological explanation. - Back cover.