Reprint of the original, first published in 1859.

For young Englishwomen stepping off the steamer, the sights and sounds of humid colonial India were like nothing they’d ever experienced. For many, this was the ultimate destination to find a perfect civil servant husband. For still more, however, India offered a chance to fling off the shackles of Victorian social mores. The word ‘memsahib’ conjures up visions of silly aristocrats, well-staffed bungalows and languorous days at the club. Yet these women had sought out the uncertainties of life in Britain’s largest, busiest colony. Memsahibs introduces readers to the likes of Flora Annie Steel, Fanny Parks and Emily Eden, accompanying their husbands on expeditions, travelling solo across dangerous terrain, engaging with political questions, and recording their experiences. Yet the Raj was not all adventure. There was disease, and great risk to young women travelling alone; for colonial wives in far-flung outposts, there was little access to ‘society’. Cut off from modernity and the Western world, many women suffered terrible trauma and depression. From the hill-stations to the capital, this is a sweeping, vividly written anthology of colonial women’s lives across British India. Their honesty and bravery, in their actions and their writings, shine fresh light on this historical world.

This book seeks to capture the complex experience of the white woman in colonial India through an exploration of gendered interactions over the nineteenth and early twentieth centuries. It examines missionary and memsahibs' colonial writings, both literary and non-literary, probing their construction of Indian women of different classes and regions, such as zenana women, peasants, ayahs and wet-nurses. Also examined are delineations of European female health issues in male authored colonial medical handbooks, which underline the misogyny undergirding this discourse. Giving voice to the Indian woman, this book also scrutinises the fiction of the first generation of western-educated Indian women who wrote in English, exploring their construction of white women and their negotiations with colonial modernities. This fascinating book will be of interest to the general reader and to experts and students of gender studies, colonial history, literary and cultural studies as well as the social history of health and medicine.

Winner Of The Duff Cooper Prize For History 2007 Bahadur Shah Zafar Ii, The Last Mughal Emperor, Was A Mystic, A Talented Poet, And A Skilled Calligrapher, Who, Though Deprived Of Real Political Power By The East India Company, Succeeded In Creating A Court Of Great Brilliance, And Presided Over One Of The Great Cultural Renaissances Of Indian History. In 1857 It Was Zafar S Blessing To A Rebellion Among The Company S Own Indian Troops That Transformed An Army Mutiny Into The Largest Uprising The British Empire Ever Had To Face. The Last Mughal Is A Portrait Of The Dazzling Delhi Zafar Personified, And The Story Of The Last Days Of The Great Mughal Capital And Its Final Destruction In The Catastrophe Of 1857. Shaped From Groundbreaking Material, William Dalrymple S Powerful Retelling Of This Fateful Course Of Events Is An Extraordinary Revisionist Work With Clear Contemporary Echoes. It Is The First Account To Present The Indian Perspective On The Siege, And Has At Its Heart The Stories Of The Forgotten Individuals Tragically Caught Up In One Of The Bloodiest Upheavals In History.

A weekly review of politics, literature, theology, and art.