WINNER OF THE DUFF COOPER MEMORIAL PRIZE | LONGLISTED FOR THE SAMUEL JOHNSON PRIZE 'Indispensable reading on both India and the Empire' Daily Telegraph 'Brims with life, colour and complexity . . . outstanding' Evening Standard 'A compulsively readable masterpiece' Brian Urquhart, The New York Review of Books A stunning and bloody history of nineteenth-century India and the reign of the Last Mughal. In May 1857 India's flourishing capital became the centre of the bloodiest rebellion the British Empire had ever faced. Once a city of cultural brilliance and learning, Delhi was reduced to a battered, empty ruin, and its ruler – Bahadur Shah Zafar II, the last of the Great Mughals – was thrown into exile. The Siege of Delhi was the Raj's Stalingrad: a fight to the death between two powers, neither of whom could retreat. The Last Mughal tells the story of the doomed Mughal capital, its tragic destruction, and the individuals caught up in one of the most terrible upheavals in history, as an army mutiny was transformed into the largest anti-colonial uprising to take place anywhere in the world in the entire course of the nineteenth century.

‘A book that is . . . as eccentric and anarchic as its subject’—William Dalrymple In this extraordinary portrait of one of the world’s largest cities, Sam Miller sets out to discover the real Delhi, a city he describes as being ‘India’s dreamtown— and its purgatory’. He treads the city’s streets, including its less celebrated destinations—Nehru Place, Pitampura and Gurgaon—places most writers ignore. His encounters with Delhi’s people, from ragpickers to members of the Police Brass Band, create a richly entertaining portrait of what the city is and what it is becoming. Miller is, like so many of the people he meets, a migrant in one of the world’s fastest growing megapolises and the Delhi he depicts is one whose future concerns us all. Miller possesses an intense curiosity; he has an infallible eye for life’s diversities, for all the marvellous and sublime moments that illuminate people’s lives. This is a generous, original, humorous portrait of a great city; one which unerringly locates the humanity beneath the mundane, the unsung and the unfamiliar.

A definitive, comprehensive and engrossing chronicle of one of the greatest dynasties of the world – the Mughal – from its founder Babur to Bahadur Shah Zafar, the last of the clan. The magnificent Mughal legacy – the world-famous Taj Mahal being the most prominent among countless other examples – is an inexhaustible source of inspiration to historians, writers, moviemakers, artists and ordinary mortals alike. Mughal history abounds with all the ingredients of classical drama: ambition and frustration, hope and despair, grandeur and decline, love and hate, and loyalty and betrayal. In other words: it is great to read and offers ample food for thought on the human condition. Much more importantly, Mughal history deserves to be widely read and reflected upon, because of its lasting cultural and socio-political relevance to today’s world in general and the Indian subcontinent in particular. The Mughals have left us with a legacy that cannot be erased. With regard to the eventful reigns of Babur, Humayun, Akbar, Jahangir, Shah Jahan, Aurangzeb and their successors, crucial questions arise: Where did they succeed? Where did they fail? And more importantly, what should we learn from their triumphs and failures? The author believes that history books should be accurate, informative and entertaining. In The Great Mughals and Their India, he has kept these objectives in mind in an attempt to narrate Mughal history from their perspective. At the same time, he does not shy away from dealing with controversial issues. Here is a fascinating and riveting saga that brings alive a spectacular bygone era – authentically and convincingly.

Aurangzeb Alamgir (r. 1658-1707), the sixth Mughal emperor, is widely reviled in India today. ... While many continue to accept the storyline peddled by colonial-era thinkers--that Aurangzeb, a Muslim, was a Hindu-loathing bigot--there is an untold side to him as a man who strove to be a just, worthy Indian king.

The book presents a new interpretation of the Santal Rebellion, the Hul 1855–1856, drawing on the colonial sources as well as Santal memories. It offers a critique of postcolonial approaches that overlook specifically tribal perspectives and see the Hul as a class-based peasant rebellion. The author analyses the Hul and its participants—the Santals and their opponents, both the colonial administration and the Bengalis. He also looks at the attempts of the Hul’s leaders, Sido and Kạnhu to reform the Santal religion. Offering a new, respectful reading of the Hul’s religious legitimation, the book argues that changes in Santal religion and ethics were responses to the colonial regime’s new and aggressive economic order. The Hul’s leaders, Sido and Kạnhu, demanded the introduction of just laws based on the universal principle of equality. This historical approach leads to a call for the inclusion of the voice of tribal and Adivasi minorities when formulating politics for their development in the 21st century. The book is relevant for researchers and students of social history, social reform, tribal and indigenous studies, postcolonial studies and South Asian studies.

At 4 P.M. On A Hazy November Afternoon In Rangoon, 1862, A Shrouded Corpse Was Escorted By A Small Group Of British Soldiers To An Anonymous Grave In A Prison Enclosure. As The British Commissioner In Charge Insisted, No Vestige Should Remain To Distinguish Where The Last Of The Great Moghuls Rests.' Bahadur Shah Zafar Ii, The Last Mughal Emperor, Was A Mystic, A Talented Poet, And A Skilled Calligrapher. But While Zafar'S Mughal Ancestors Had Controlled Most Of India, The Aged Zafar Was King In Name Only. Deprived Of Real Political Power By The East India Company, Zafar Nevertheless Succeeded In Creating A Court Of Great Brilliance, And Presided Over One Of The Great Cultural Renaissances Of Indian History. Then In 1857 Zafar'S Flourishing Capital Became The Centre Of An Uprising That Reduced His Beloved Delhi To A Battered, Empty Ruin. When Zafar Gave His Blessing To A Rebellion Among The Company'S Own Indian Troops, It Transformed An Army Mutiny Into The Largest Uprising The British Empire Ever Had To Face. The Siege Of Delhi Was The Raj'S Stalingrad: A Fight To The Death Between Two Powers, Neither Of Whom Could Retreat. The Last Mughal Is A Portrait Of The Dazzling Delhi Zafar Personified, The Story Of The Last Days Of The Great Mughal Capital And Its Final Destruction In The Catastrophe Of 1857. William Dalrymple'S Powerful Retelling Of This Fateful Course Of Events Is Shaped From Groundbreaking Material: Previously Untranslated Urdu And Persian Manuscripts That Include Indian Eyewitness Accounts, And The Records Of The Delhi Courts, Police, And Administration During The Siege. The Last Mughal Is An Extraordinary Revisionist Work With Clear Contemporary Echoes. It Is The First Account To Present The Indian Perspective On The Siege, And Has At Its Heart The Stories Of The Forgotten Individuals Tragically Caught Up In One Of The Bloodiest Upheavals In History.