The Disturbing Inside Story of Women Who Are Driven to Kill. From Elizabeth Bathory, 'The Bloody Countess' whose vampire-like tendencies terrorized sixteenth-century Hungary, to the Moors Murderer Myra Hindley and the Florida Highway Killer Aileen Wuornos, these women transfix us with their extreme ability to commit savage acts of cruelty and depravity. In some cases their methods of disposing of the corpses fall nothing short of ingenious: meet Leonarda Cianciulli, 'The Soap-Maker of Correggio', who used the fat from her victims' bodies to make soap and teacakes to sell to unsuspecting customers. These killers' backgrounds, methods and their crimes are described in forensic and gripping detail. Killer Women collects the most disturbing yet compelling of all criminals, representing the very darkest side of humanity and subverting the conventional view of women as the weaker sex. 50 terrifying cases of killer women are brought to life, including: Elizabeth Bathory 'The Bloody Countess' Amelia Dyer, The Reading Baby Farmer Jane Toppan, 'Jolly Jane' Juana Barraza, The Old Lady Killer Leonarda Cianciulli, 'The Soap-Maker of Correggio' Bonnie Parker, 'Bonnie & Clyde' Rosemary West Myra Hindley Aileen Wuornos

In this fascinating book, Peter Vronsky exposes and investigates the phenomenon of women who kill—and the political, economic, social and sexual implications buried with each victim. How many of us are even remotely prepared to imagine our mothers, daughters, sisters or grandmothers as fiendish killers? For centuries we have been conditioned to think of serial murderers and psychopathic predators as men—with women registering low on our paranoia radar. Perhaps that’s why so many trusting husbands, lovers, family friends, and children have fallen prey to “the female monster.” From history’s earliest recorded cases of homicidal females to Irma Grese, the Nazi Beast of Belsen, from Britain’s notorious child-slayer Myra Hindley to ‘Honeymoon Killer’ Martha Beck to the sensational cult of Aileen Wournos—the first female serial killer-as-celebrity—to cult killers, homicidal missionaries, and our pop-culture fascination with the sexy femme fatale, Vronsky not only challenges our ordinary standards of good and evil but also defies our basic accepted perceptions of gender role and identity. INCLUDES PHOTOGRAPHS

In the bestselling Deadlier Than The Male and Female of the Species, Wensley Clarkson revealed the terrifying truth of the horror that women can inflict upon their men. Now he brings you a new volume that is more compelling than ever before. The horrifying truth of the world's most dangerous women is revealed in these pages. They come from every cross section of society, and whether young or old, rich or poor, they are united by one thing - murder. This is a collection of darkly readable tales, and if they make you feel uncomfortable then remember that they are made all the more sinister by the fact that each one is completely true...

This true crime biography reveals the disturbing story of a serial killer who terrorized central Michigan—and now has a chance to go free. As a former youth pastor who attended the Michigan State University School of Criminal Justice, Don Miller seemed like a decent young man. But in 1978, he was arrested for the attempted murder of two teenagers. Police soon connected Miller to the disappearances of four women. In exchange for a controversial plea bargain, he led police to the missing women’s bodies. Now, thanks to the deal he was offered and changes to Michigan law, Miller is allowed to seek parole once a year. In Killing Women, author Rodney Sadler examines the crimes, the “justice” meted out, and the possibility that Miller could be unleashed on the world once again.

The Chilling Inside Story of Women Who Are Driven to Kill Killer Women are the most disturbing yet compelling of all criminals, representing the very darkest side of humanity and subverting the conventional view of women as the weaker sex. From Elizabeth Bathory, 'The Bloody Countess' whose vampire-like tendencies terrorised sixteenth-century Hungary, to the Moors Murderer Myra Hindley and the Florida Highway Killer Aileen Wuornos, these women transfix us with their extreme ability to commit savage acts of cruelty and depravity. Most chilling is the fact that many of their victims represent the most vulnerable in society: babies, the ill and infirm, and the elderly. In some cases their methods of disposing of the corpses fall nothing short of ingenious: meet Leonarda Cianciulli, 'The Soap-Maker of Correggio', who used the fat from her victims' bodies to make soap and teacakes to sell to unsuspecting customers. These killers' backgrounds, methods and their crimes are described in forensic and gripping detail. 50 terrifying cases of killer women are brought to life, including: Elizabeth Bathory 'The Bloody Countess' Amelia Dyer, The Reading Baby Farmer Jane Toppan, 'Jolly Jane' Juana Barraza, The Old Lady Killer Leonarda Cianciulli, 'The Soap-Maker of Correggio' Bonnie Parker, 'Bonnie & Clyde' Rosemary West Myra Hindley Aileen Wuornos

Women are killers too and throughout history there have been many, inside is a collection of these notorious killer women

Whether a side-street skirmish or an all-out war, fight scenes bring action to the pages of every kind of fiction. But a poorly done or unbelievable fight scene can ruin a great book in an instant. In Fight Write you'll learn practical tips, terminology, and the science behind crafting realistic fight scenes for your fiction. Broken up into "Rounds," trained fighter and writer Carla Hoch guides you through the many factors you'll need to consider when developing battles and brawls. • In Round 1, you will consider how the Who, When, Where, and Why questions affect what type of fight scene you want to craft. • Round 2 delves into the human factors of biology (think fight or flight and adrenaline) and psychology (aggression and response to injuring or killing another person). • Round 3 explores different fighting styles that are appropriate for different situations: How would a character fight from a prone position versus being attacked in the street? What is the vocabulary used to describe these styles? • Round 4 considers weaponry and will guide you to select the best weapon for your characters, including nontraditional weapons of opportunity, while also thinking about the nitty-gritty details of using them. • In Round 5, you'll learn how to accurately describe realistic injuries sustained from the fights and certain weapons, and what kind of injuries will kill a character or render them unable to fight further. By taking into account where your character is in the world, when in history the fight is happening, what the character's motivation for fighting is, and much more, you'll be able write fight scenes unique to your plot and characters, all while satisfying your reader's discerning eye.

This is Capote’s In Cold Blood for serial killer enthusiasts: meticulously researched, superbly written, and incredibly vivid. Don’t miss it.” —Gabino Iglesias, author of Coyote Songs America’s First Female Serial Killer novelizes the true story of first-generation Irish-American nurse Jane Toppan, born as Honora Kelley. Although all the facts are intact, books about her life and her crimes are all facts and no story. Jane Toppan was absolutely a monster, but she did not start out that way. When Jane was a young child, her father abandoned her and her sister to the Boston Female Asylum. From there, Jane was indentured to a wealthy family who changed her name, never adopted her, wrote her out of the will, and essentially taught her how to hate herself. Jilted at the altar, Jane became a nurse and took control of her life—and the lives of her victims. “A thoughtful and inspired take on one of the greatest poisoners in history. America’s First Female Serial Killer: Jane Toppan and the Making of a Monster seethes with rage, compulsion, and a righteous condemnation of the servitude of the underclass. A chilling and sobering read.” —Robert Levy, author of The Glittering World “McBrayer offers us a complex—and terrifying—portrait of a killer who seemed almost doomed from birth.” —Kate Winkler Dawson, author of American Sherlock: Murder, Forensics, and the Birth of American CSI “Brings the horrifying true story of Jane Toppan to lurid, novelistic life, and forces the reader face-to-face with the thoughtlessness and cruelty that helped turn a gifted, damaged child into one of America’s most legendary killers.” —Shaun Hamill, author of A Cosmology of Monsters

From Lady Elizabeth Bathory to Bell Gunness to Aileen Wuornos, this book takes an in-depth approach to evaluating the life and crimes of some of the world’s most vicious women, who are grouped into chapters by psychological type. Readers can also take a personality disorder self-assessment quiz to learn more about psychopathy—the most common psychological condition for serial killers.

The surprising true story of Mexico’s hunt, arrest, and conviction of its first female serial killer For three years, amid widespread public outrage, police in Mexico City struggled to uncover the identity of the killer responsible for the ghastly deaths of forty elderly women, many of whom had been strangled in their homes with a stethoscope by someone posing as a government nurse. When Juana Barraza Samperio, a female professional wrestler known as la Dama del Silencio (the Lady of Silence), was arrested—and eventually sentenced to 759 years in prison—for her crimes as the Mataviejitas (the little old lady killer), her case disrupted traditional narratives about gender, criminality, and victimhood in the popular and criminological imagination. Marshaling ten years of research, and one of the only interviews that Juana Barraza Samperio has given while in prison, Susana Vargas Cervantes deconstructs this uniquely provocative story. She focuses, in particular, on the complex, gendered aspects of the case, asking: Who is a killer? Barraza—with her “manly” features and strength, her career as a masked wrestler in lucha libre, and her violent crimes—is presented, here, as a study in gender deviance, a disruption of what scholars call mexicanidad, or the masculine notion of what it means to be Mexican. Cervantes also challenges our conception of victimhood—specifically, who “counts” as a victim. The Little Old Lady Killer presents a fascinating analysis of what serial killing—often considered “killing for the pleasure of killing”—represents to us.