Khosrow and Shirin is a love story by Nezami Ganjavi--considered the greatest medieval Persian romance poet--based on historical characters of the seventh-century Iranian court. Written 850 years ago, the narrative poem is presented here for the first time in a stunning modern-verse English translation by Dick Davis, the pre-eminent translator of Persian poetry. The love between an Iranian prince (Khosrow) and an Armenian princess (Shirin) is at the center of this tumultuous tale in which the exigencies of politics and warfare intertwine with no less powerful forces of erotic desire and the quest for personal and spiritual fulfilment. Nezami vividly dramatizes the clash between heroism and sensuality as they are pitted against the desire for the amenities of order and humane civilization. These marvelously presented discordant themes result in a complex love story based on conflicting concepts of love, one regarding the beloved as a prize to be conquered and possessed, the other unrequited and all-consuming, relishing the very notion of the annihilation of the self through love. Davis has captured the energy and poetry of Nezami's original in a delightful, contemporary idiom, and given us a story to read aloud, to savor, and to treasure for its luminous lyrical mastery. Davis's superb introduction and textual commentary provide insightful background information for the general reader and scholar alike, intensifying the strength of Davis's translation. Khosrow and Shirin will enchant both the classicist and the general reader, to captivate a new audience for Nezami's masterpiece.

The Story of Shirin and Farhad and Khosrow Parviz is one of the sweet story in literature and culture of Iranians. There are different narrations of the tale. The timing of history is in the last glorious king of Sassanid; the king who brought catastrophe to the said dynasty and Iran since after him within five year the dynasty collapsed and Iran defeated badly in war imposed by Arabs the most horrible event in history of Iran, region and the world of culture and politics. The whole history is brought in Shahnameh, the great work of Ferdowsi though he has narrated the story from other documents that were accessible in his time but now we know just their name such Shahnameh in prose by Abu Mansouri. After Ferdowsi, many poets narrated part or whole of the story among which two are very important: Nezami The great poet of Iran, and Vahshi Bafqi, another eminent poet of Iran. In this book, parts of the story which are narrated by these three poets is brought as well the description of those other poets that have narrated whole or parts of the story.

A new translation of the late-tenth-century Persian epic follows its story of pre-Islamic Iran's mythic time of Creation through the seventh-century Arab invasion, tracing ancient Persia's incorporation into an expanding Islamic empire. 15,000 first printing.

In this volume three stories from Persian poem the Khamseh - "Khosrow and Shirin," "Layla and Majnum," and "The Seven Princesses" - have been told with abridgement in prose. They are augmented by color reproductions of Persian miniatures based on an early 16th manuscript dated 1524/25.

‘Among the many national poets of historical Persia, Ferdowsi is perhaps the greatest...In this superb translation of the epic, the Western reader would not fail to discern clear equivalents of chapters in Genesis, The Odyssey, Paradise Lost or the Canterbury Tales.’ Islamic Review The Shah-nama is the national epic poem of Persia. Written in the tenth century it contains the country’s myths, legends and historic reminiscences. This edition makes available a valuable prose translation selecting the most representative parts of the original including the stories of Rustum, the giant hero and his son Sohrab.

The Epic of Kings, Hero Tales of Ancient Persia Firdausi - The Epic of Kings, Hero Tales of Ancient Persia (The Shahnameh) is an epic poem by the Persian poet Firdausi, written between 966 and 1010 AD. Telling the past of the Persian empire, using a mix of the mythical and historical, it is regarded as a literary masterpiece. Not only important to the Persian culture, it is also important to modern day followers of the Zoroastrianism religion. It is said that the poem was Firdausi's efforts to preserve the memory of Persia's golden days, following the fall of the Sassanid empire. The poem contains, among others, mentions of the romance of Zal and Rudba, Alexander the Great, the wars with Afrsyb, and the romance of Bijan and Manijeh.

Includes thirteen essays by eminent scholars in the field of Persian Studies, each focusing on different aspects of the Khamsa, which is a collection of five long poems written by the Persian poet Nizami of Ganja. Nizami (1141-1209) lived and worked in Ganja in present-day Azerbaijan.

A National Indie Bestseller An NPR Best Book of the Year A New York Times Best Book of the Year An Amazon Best Book of the Year A Booklist Editors' Choice A BookPage Best Book of the Year A NECBA Windows & Mirrors Selection A Publishers Weekly Best Book of the Year A Wall Street Journal Best Book of the Year A Today.com Best of the Year PRAISE "A modern masterpiece." —The New York Times Book Review "Supple, sparkling and original." —The Wall Street Journal "Mesmerizing." —TODAY.com "This book could change the world." —BookPage "Like nothing else you've read or ever will read." —Linda Sue Park "It hooks you right from the opening line." —NPR SEVEN STARRED REVIEWS ★ "A modern epic." —Kirkus Reviews, starred review ★ "A rare treasure of a book." —Publishers Weekly, starred review ★ "A story that soars." —The Bulletin, starred review ★ "At once beautiful and painful." —School Library Journal, starred review ★ "Raises the literary bar in children's lit." —Booklist, starred review ★ "Poignant and powerful." —Foreword Reviews, starred review ★ "One of the most extraordinary books of the year." —BookPage, starred review A sprawling, evocative, and groundbreaking autobiographical novel told in the unforgettable and hilarious voice of a young Iranian refugee. It is a powerfully layered novel that poses the questions: Who owns the truth? Who speaks it? Who believes it? "A patchwork story is the shame of the refugee," Nayeri writes early in the novel. In an Oklahoman middle school, Khosrou (whom everyone calls Daniel) stands in front of a skeptical audience of classmates, telling the tales of his family's history, stretching back years, decades, and centuries. At the core is Daniel's story of how they became refugees—starting with his mother's vocal embrace of Christianity in a country that made such a thing a capital offense, and continuing through their midnight flight from the secret police, bribing their way onto a plane-to-anywhere. Anywhere becomes the sad, cement refugee camps of Italy, and then finally asylum in the U.S. Implementing a distinct literary style and challenging western narrative structures, Nayeri deftly weaves through stories of the long and beautiful history of his family in Iran, adding a richness of ancient tales and Persian folklore. Like Scheherazade of One Thousand and One Nights in a hostile classroom, Daniel spins a tale to save his own life: to stake his claim to the truth. EVERYTHING SAD IS UNTRUE (a true story) is a tale of heartbreak and resilience and urges readers to speak their truth and be heard.