The Story of Shirin and Farhad and Khosrow Parviz is one of the sweet story in literature and culture of Iranians. There are different narrations of the tale. The timing of history is in the last glorious king of Sassanid; the king who brought catastrophe to the said dynasty and Iran since after him within five year the dynasty collapsed and Iran defeated badly in war imposed by Arabs the most horrible event in history of Iran, region and the world of culture and politics. The whole history is brought in Shahnameh, the great work of Ferdowsi though he has narrated the story from other documents that were accessible in his time but now we know just their name such Shahnameh in prose by Abu Mansouri. After Ferdowsi, many poets narrated part or whole of the story among which two are very important: Nezami The great poet of Iran, and Vahshi Bafqi, another eminent poet of Iran. In this book, parts of the story which are narrated by these three poets is brought as well the description of those other poets that have narrated whole or parts of the story.

The third volume in this ground-breaking series, Persian Narrative Poetry in the Classical Era, 800-1500: Romantic and Didactic Genres, introduces masterpieces of Persian literature from these seven centuries to an international audience. In the process, it underlines the remarkable tenacity of their malleable tradition: the perennial dialogue and the interconnectedness which binds together a vast and varied literature composed of many threads, romantic and didactic, in many lands, from Anatolia and Iran to India and Central Asia. In its companion volume, Persian Lyric in the Classical Era, 800-1500, the readers of the series will have already met in passing all the mythical and historical figures who appear with far more aplomb on the stage here, with their lives narrated in detail by poets of different caliber from different perspectives. The first two chapters of this volume recount the literary history of the entire period, focusing on didactic and romantic narratives. The central chapters take a closer look at the towering figure of the poet Nezâmi Ganjavi. The final chapter takes the reader to a wider landscape tracing the footsteps of Alexander across the globe, offering insights to the cultural preoccupations refracted in so many versions past and present.

The third volume in this ground-breaking series, Persian Narrative Poetry in the Classical Era, 800-1500: Romantic and Didactic Genres, introduces masterpieces of Persian literature from these seven centuries to an international audience. In the process, it underlines the remarkable tenacity of their malleable tradition: the perennial dialogue and the interconnectedness which binds together a vast and varied literature composed of many threads, romantic and didactic, in many lands, from Anatolia and Iran to India and Central Asia. In its companion volume, Persian Lyric in the Classical Era, 800-1500, the readers of the series will have already met in passing all the mythical and historical figures who appear with far more aplomb on the stage here, with their lives narrated in detail by poets of different caliber from different perspectives. The first two chapters of this volume recount the literary history of the entire period, focusing on didactic and romantic narratives. The central chapters take a closer look at the towering figure of the poet Nezâmi Ganjavi. The final chapter takes the reader to a wider landscape tracing the footsteps of Alexander across the globe, offering insights to the cultural preoccupations refracted in so many versions past and present.

The present publication, by Ulrich Marzolph and Roxana Zenhari, is a comprehensive assessment of the art of Mirzā ʿAli-Qoli Khoʾi, the unsurpassed master of the art of illustration in Persian lithographed books of the Qajar period.

A new translation of the late-tenth-century Persian epic follows its story of pre-Islamic Iran's mythic time of Creation through the seventh-century Arab invasion, tracing ancient Persia's incorporation into an expanding Islamic empire. 15,000 first printing.