Like every major culture, Chinese has its set of keywords: pivotal terms of political, ethical, literary and philosophical discourse. Tracing the origins, development, polysemy, and usages of keywords is one of the best ways to chart cultural and historical changes. This volume analyzes some of these keywords from different disciplinary and temporal perspectives, offering a new integrative study of their semantic richness, development trajectory, and distinct usages in Chinese culture. The authors of the volume explore different keywords and focus on different periods and genres, ranging from philosophical and historical texts of the Warring States period (453-V221 BCE) to late imperial (ca. 6th?V18th centuries CE) literature and philosophy. They are guided by a similar set of questions: What elevates a mere word to the status of keyword? What sort of resonance and reverberations do we expect a keyword to have? How much does the semantic range of a keyword explain its significance? What kinds of arguments does it generate? What are the stories told to illustrate its meanings? What are political and intellectual implications of the keyword's reevaluation? What does it mean to translate a keyword and map its meaning against other languages? Throughout Chinese history, new ideas and new approaches often mean reinterpreting important words; rupture, continuities, and inflection points are inseparable from the linguistic history of specific terms. The premise of this book is that taking the long view and encompassing different disciplines yield new insights and unexpected connections. The authors, who come from the fields of history,

Like every major culture, Chinese has its set of keywords: pivotal terms of political, ethical, literary, and philosophical discourse. Tracing the origins, development, polysemy, and usages of keywords is one of the best ways to chart cultural and historical changes. This volume analyzes some of these keywords from different disciplinary and temporal perspectives, offering a new integrative study of their semantic richness, development trajectory, and distinct usages in Chinese culture. The authors of the volume explore different keywords and focus on different periods and genres, ranging from philosophical and historical texts of the Warring States period (453-221 BCE) to late imperial (ca. 16th-18th centuries CE) literature and philosophy. They are guided by a similar set of questions: What elevates a mere word to the status of keyword? What sort of resonance and reverberations do we expect a keyword to have? How much does the semantic range of a keyword explain its significance? What kinds of arguments does it generate? What are the stories told to illustrate its meanings? What are political and intellectual implications of the keyword's reevaluation? What does it mean to translate a keyword and map its meaning against other languages? Throughout Chinese history, new ideas and new approaches often mean reinterpreting important words; rupture, continuities, and inflection points are inseparable from the linguistic history of specific terms. The premise of this book is that taking the long view and encompassing different disciplines yield new insights and unexpected connections. The authors, who come from the fields of history, philosophy, and literature, explore keywords in different genres and illuminate their multiple dimensions in various contexts. Moreover, despite their different temporal focus, they take into consideration the development of selected keywords from the Warring States to the late imperial period, sometimes adding excurses that extend to contemporary usage.

Deals with 300 Chinese expression that hold the key to a real understanding of Chinese culture. Reveals the significance of these `code words' and explains how they should be used and responded to.

This dictionary contains nearly 1500 entries and constitutes a core of essential knowledge on Chinese culture in a systematized and modernized form. It offers a professional yet highly readable introduction to Chinese culture for a global academic audience. Organized by subject and keyword, the book is divided into six sections: philosophy and ideology, social governance, literature and history, art and aesthetics, humanities and geography, and artefacts and technology. It contains both core knowledge and diversified information, while covering both historical and contemporary aspects. The target audience chiefly includes general readers of Chinese culture as well as sinologists and translators of Chinese books. The dictionary provides the latest information on the full range of Chinese knowledge, an accurate interpretation of Chinese culture, a logically arranged and accessible reference framework and a panoramic experience across the breadth of the subject. It enables readers to grasp the patterns of Chinese culture and its knowledge systems, while also gaining a deeper understanding of contemporary Chinese life.

An Introduction to Chinese Culture through the Family covers a central element of Chinese culture, the idea of family, or jia. Written for both beginners and specialists, this book considers the role of family--literally, metaphorically, and as an organizing principle--in the creation of the Chinese worldview. Individual chapters explore philosophy, art, language, music, folk literature, fiction, architecture, film, and women and gender.

The complete guide to Chinese thought and culture.

This book attempts to deconstruct certain key clusters of Chinese characters and words to make them yield fascinating tales about the country's culture and history.

Promoting cultural understanding in a globalized world, this text is a key tool for students interested in further developing their understanding of Chinese society and culture. Written by a team of experts in their fields, this book provides a survey of Chinese culture, delving deeper into areas such as Chinese philosophy, religion, politics and education. It offers the reader a wide range of essential facts to better understand contemporary China through its history and cultural background, touching on key areas such as the development of science and technology in China, as well as the country’s economy and trade history, and is a key read for scholars and students in Chinese Culture, Sociology and Politics.

This book investigates the internationalization of Chinese culture in recent decades and the global dimensions of Chinese culture from comparative and interdisciplinary perspectives. It covers a variety of topics concerning the contemporary significance of Chinese culture in its philosophical, literary and artistic manifestations, including literature, film, performing arts, creative media, linguistics, translations and philosophical ideas. The book explores the reception of Chinese culture in different geographic locations and how the global reception of Chinese culture contrasts with the local Chinese community. The chapters collectively cover gender studies and patriarchal domination in Chinese literature in comparison to the world literature, explorations on translation of Chinese culture in the West, Chinese studies as an academic discipline in the West, and Chinese and Hong Kong films and performances in the global context. The book is an excellent resource for both scholars and students interested in the development of Chinese culture on the global stage in the 21st Century.