The revolt was regarded in its origins & development as wholly evil, yet Mau Mau insurgents became heroes & the day on which the state of emergency was declared is commemorated with pride. This text offers a balanced assessment of the implications.

Kwani? is arguably Africa's most exciting and varied literary initiative of recent years. Describing itself as ?a magazine of ideas, [that] seeks to entertain, provoke and create?, Kwani? commissions and publishes stories, poetry, art and photography ?from all around the African continent and the diaspora'. Rejecting artificial divisions of high and low art and literary snobbery, it is dedicated to the flourishing of literature in Kenya and the of African cultural values. Kwami? 01 is widely available outside Africa for the first time. The volume features the writings of numerous prize-winners. It includes the short story, ?The Weight of Whispers?, by Yvonne Adhiambo Owuor, which won The Caine Prize for African Writing in 2003. Yvonne Owuor is also a screenplay writer, and Executive Director of the Zanzibar International Film Festival. Other contributions are from Parsilelo Kantai, who was short-listed for the Caine Prize in 2004;drawings from Gaddo, one of East Africa's foremost political cartoonists; photographs from the photo-journalist Marion Kaplan; and interviews with ?ghetto youths? conducted by the editor.

"In 1963, Kenya gained independence from Britain, ending nearly seventy years of white colonial rule. While tens of thousands of whites relocated outside Kenya for what they hoped would be better prospects, many stayed. Over the past decade, however, protests, scandals, and upheavals have unsettled families with colonial origins, reminding them of the tenuousness of their Kenyan identity. In this book, Janet McIntosh looks at the lives and dilemmas of settler descendants living in postindependence Kenya. From clinging to a lost colonial identity to embracing a new Kenyan nationality, the public face of white Kenyans has undergone changes fraught with ambiguity. Drawing on fieldwork and interviews, McIntosh focuses on their discourses and narratives, asking: What stories do settler descendants tell about their claims to belong in Kenya? How do they situate themselves vis-a-vis the colonial past and anticolonial sentiment, phrasing and rephrasing their memories and judgments as they seek a position they feel is ethically acceptable? With her respondents straining to defend their entitlements in the face of mounting Kenyan rhetorics of ancestry and autochthony, McIntosh explores their contradictory and diverse responses: moral double consciousness, aspirations to uplift the nation, ideological blind spots, denial, and self-doubt. Ranging from land rights to language, from romantic intimacy to the African occult, Unsettled offers a unique perspective on whiteness in a postcolonial context and a groundbreaking theory of elite subjectivity"--Provided by publisher.

“[An] informative and readable account of the growth of the politically motivated and extremely violent Mau Mau in Kenya.” —Military Historical Society The Second World War forever altered the complexion of the British Empire. From Cyprus to Malaya, from Borneo to Suez, the dominoes began to fall within a decade of peace in Europe. Africa in the late 1940s and 1950s was energized by the grant of independence to India, and the emergence of a credible indigenous intellectual and political caste that was poised to inherit control from the waning European imperial powers. In Kenya, however, matters were different. A vociferous local settler lobby had accrued significant economic and political authority under a local legislature, coupled with the fact that much familial pressure could be brought to bear in Whitehall by British settlers of wealth and influence, most of whom were utterly irreconciled to the notion of any kind of political hand over. Mau Mau was less than a liberation movement, but much more than a mere civil disturbance. This book covers the emergence and growth of Mau Mau, and the strategies applied by the British to confront and nullify what was in reality a tactically inexpert, but nonetheless powerfully symbolic black expression of political violence. That Mau Mau set the tone for Kenyan independence somewhat blurred the clean line of victory and defeat. The revolt was suppressed and peace restored, but events in the colony were nevertheless swept along by the greater movement of Africa toward independences, resulting in the eventual establishment of majority rule in Kenya in 1964.

Brian Herne's White Hunters: The Golden Age of African Safaris is the story of seventy years of African adventure, danger, and romance. East Africa affects our imagination like few other places: the sight of a charging rhino goes directly to the heart; the limitless landscape of bony highlands, desert, and mountain is, as Isak Dinesen wrote, of "unequalled nobility." White Hunters re-creates the legendary big-game safaris led by Selous and Bell and the daring ventures of early hunters into unexplored territories, and brings to life such romantic figures as Cape-to-Cairo Grogan, who walked 4,000 miles for the love of a woman, and Dinesen's dashing lover, Denys Finch. Witnesses to the richest wildlife spectacle on the earth, these hunters were the first conservationists. Hard-drinking, infatuated with risk, and careless in love, they inspired Hemingway's stories and movies with Clark Gable and Gregory Peck.

Honorable Mention for the Society for the Anthropology of Work (SAW) Book prize The potential of floriculture grows at Lake Naivasha Kenya supplies more than 35 percent of the fresh-cut roses and other flowers sold annually in the European Union. This industry—which employs at least 90,000 workers, most of whom are women—is lucrative but enduringly controversial. More than half the flowers are grown near the shores of Lake Naivasha, a freshwater lake northwest of Nairobi recognized as a Ramsar site, a wetland of international importance. Critics decry the environmental side effects of floriculture, and human rights activists demand better wages and living conditions for workers. In this rich portrait of Kenyan floriculture, Megan Styles presents the point of view of local workers and investigates how the industry shapes Kenyan livelihoods, landscapes, and politics. She investigates the experiences and perspectives of low-wage farmworkers and the more elite actors whose lives revolve around floriculture, including farm managers and owners, Kenyan officials, and the human rights and environmental activists advocating for reform. By exploring these perspectives together, Styles reveals the complex and contradictory ways that rose farming shapes contemporary Kenya. She also shows how the rose industry connects Kenya to the world, and how Kenyan actors perceive these connections. As a key space of encounter, Lake Naivasha is a synergistic center where many actors seek to solve broader Kenyan social and environmental problems using the global flows of people, information, and money generated by floriculture.

This revealing history explores Britain’s use of concentration camps from the Boer War to WWII and the Troubles in Northern Ireland. The term concentration camp will forever be associated with the horrors of Nazi Germany. But the British were the true driving force behind the development of these notorious facilities. During the Boer War, British concentration camps caused the deaths of tens of thousands of children from starvation and disease. In the years after World War II, hundreds of thousands of enslaved agricultural workers were held in a national network of camps. Not only did the British government run its own camps, they allowed other countries to set up similar facilities within the United Kingdom. During and after the Second World War, the Polish government-in-exile maintained a number of camps in Scotland where Jews, communists and homosexuals were imprisoned and sometimes killed. This book tells the terrible story of Britain’s involvement in the use of concentration camps, which did not finally end until the last political prisoners being held behind barbed wire in the United Kingdom were released in 1975. From England to Cyprus, Scotland to Malaya, Kenya to Northern Ireland, British Concentration Camps: A Brief History from 1900 to 1975 details some of the most shocking and least known events in British history.

In the first years of Kenyan independence, three young women return to the East African highlands where they shared a carefree childhood. Hannah is struggling to preserve her heritage at Langani Farm, where a series of unexplained and violent attacks threaten her security and recent marriage. Sarah is studying wildlife, using her work as a salve for the death of her childhood sweetheart. Camilla, the international fashion icon, abandons her career in London and is drawn back to Kenya by her love for a charismatic hunter and safari guide. But a secret hangs over Langani, overshadowing the friends' efforts to establish themselves in the volatile circumstances of a new African nation... This superb sequel to Blood Sisters is a breathtaking saga of friendship, soaring hope and redemption.

Across contiguous nation-states in Eastern Africa, the geographic proximity disguises an ideological complexity. Land has meant something fundamental in the sociocultural history of each country. Those concerns, however, have manifested into varied political events, and the range of struggles over land has spawned a multiplicity of literary interventions. While Kenya and Uganda were both British colonies, Kenya's experience of settler land alienation made for a much more violent response against efforts at political independence. Uganda's relatively calm unyoking from the colonial burden, however, led to a tumultuous post-independence. Tanzania, too, like Kenya and Uganda, resisted British colonial administration—after Germany's defeat in World War 1. In Writing on the Soil, author Ng’ang’a Wahu-Mũchiri argues that representations of land and landscape perform significant metaphorical labor in African literatures, and this argument evolves across several geographical spaces. Each chapter's analysis is grounded in a particular locale: western Kenya, colonial Tanganyika, post-independence Tanzania, Zimbabwe, Nairobi, Dar es Salaam, Anam Ka'alakol (Lake Turkana), Kampala, and Kitgum in Northern Uganda. Moreover, each section contributes to a deeper understanding of the aesthetic choices that authors make when deploying tropes revolving around land, landscape, and the environment. Mũchiri disentangles the numerous connections between geography and geopolitical space on the one hand, and ideology and cultural analysis on the other. This book embodies a multi-layered argument in the sphere of African critical scholarship, while adding to the growing field of African land rights scholarship—an approach that foregrounds the close reading of Africa’s literary canon.

After narrowly surviving a plane crash, Bill Hatcher wakes up to discover his life of carefree abandon shattered. As a Peace Corps volunteer in Tanzania in the 1990s, he had risen above his own racial prejudices and religious jingoism, and yet had remained emotionally aloft, afraid to commit to the full transformation that was calling to him. In spite of misgivings, he returns to Africa. In Kenya, he flies bush planes, guides wilderness courses, and falls in love with a young Kikuyu woman. All seems well until Bill is attacked and beaten by thugs and then injured when he’s chased by an elephant. Still unable to deal with reality, he escapes to Alaska, where he flies still higher and loves even more recklessly. Ultimately, the principles of flight force him to make a choice: to fly away again or finally return to Earth as an advocate for social, animal, and environmental justice. Set before, during, and after 9/11 and the wars that followed, and filled with spectacular scenes of flights over the African savanna and Alaskan glaciers, Principles of Flight is a memoir of grand adventure as well as a psychosocial inquiry into the hyper-masculinism that has dominated the world.