Clough (history, U. of Northern Colorado) analyzes 13 personal accounts by Kenyans in order to make a case for not only their historical value, but their role in the struggle to define the importance of Mau Mau within Kenyan historiography and politics. He argues that the recollections of the authors, whose experiences ranged from organizing the secret movement, to supplying the guerillas, to active fighting, to resistance in the British detention camps, serve to refute both the British and Kenyan versions of the revolt. Annotation copyrighted by Book News, Inc., Portland, OR

In 1963 David P. Sandgren went to Kenya to teach in a small, rural school for boys, where he remained for the next four years. These were heady times for Kenyans, as the nation gained its independence, approved a new constitution, and held its first elections. In the school where Sandgren taught, the sons of Gikuyu farmers rose to the challenges of this post colonial era and, in time, entered Kenyan society as adults, joining Kenya’s first generation of post colonial elites. In Mau Mau’s Children, Sandgren has reconnects with these former students. Drawing on more than one hundred interviews, he provides readers with a collective biography of the lives of Kenya’s first postcolonial elite, stretching from their 1940s childhood to the peak of their careers in the 1990s. Through these interviews, Mau Mau’s Children shows the trauma of growing up during the Mau Mau Rebellion, the nature of nationalism in Kenya, the new generational conflicts arising, and the significance of education and Gikuyu ethnicity on his students' path to success.

Decades on from independence the role of Mau Mau still excites argument and controversy, not least in Kenya itself.

This new study of Britain's counterinsurgency campaign in Kenya examines the difference between official and accepted methods of conquering insurgents.

This offers an alternative to the colonialistand nationalist explanations of the Mau Mau revolt, examining a widely studied period of Kenyan history from a new perspective.

This widely-acclaimed book on a troubled period of Kenyan history summarizes some of the more important Kikuyu customs, and a discussion of their break-down under the impact of European civilization. This discussion illustrates why and how the Mau Mau came into being and how the situation could be improved so that peace could once again come to Kenya.

Radical Chic and Mau-Mauing the Flak Catchers is classic Tom Wolfe, a funny, irreverent, and "delicious" (The Wall Street Journal) dissection of class and status by the master of New Journalism The phrase 'radical chic' was coined by Tom Wolfe in 1970 when Leonard Bernstein gave a party for the Black Panthers at his duplex apartment on Park Avenue. That incongruous scene is re-created here in high fidelity as is another meeting ground between militant minorities and the liberal white establishment. Radical Chic provocatively explores the relationship between Black rage and White guilt. Mau-Mauing the Flak Catchers, set in San Francisco at the Office of Economic Opportunity, details the corruption and dysfunction of the anti-poverty programs run at that time. Wolfe uncovers how much of the program's money failed to reach its intended recipients. Instead, hustlers gamed the system, causing the OEO efforts to fail the impoverished communities.