Fifth-grader Patrick can’t read, but when the new girl next door encourages him to overcome his fears and try, he starts believing he isn’t so stupid after all Patrick Lowe has always loved imagining his own fantastic stories of brave knights and dragons. Unfortunately, every time he tries to read, his father’s voice pops up in his head telling him he’s stupid, and the words on the page suddenly become too blurry to see. By his fifth grade year, Patrick has stopped trying to read altogether. He doesn’t think he needs any friends, but his new next-door neighbor Celina just won’t leave him alone. As Patrick and Celina slowly become friends, Celina starts reading The Sword and the Stone to him every afternoon. Patrick is entranced by this mythical world of white knights and vicious beasts, magic and adventure, but no matter how hard he tries, he himself still cannot read. But when Celina betrays his trust, Patrick finds himself betting to the class bully that he can read a story to the entire school. Patrick is determined to show everyone that he’s no dummy, but can he get past his own fears and finally learn to read?

A revised and updated edition of the classic self-help book that has served as a lifeline to the millions of adults who have ADHD! With over a quarter million copies in print, You Mean I'm Not Lazy, Stupid or Crazy?! is one of the bestselling books on attention deficit/hyperactivity disorder ever written. There is a great deal of literature about children with ADHD, but what do you do if you have ADHD and aren't a child anymore? This indispensable reference—the first of its kind written for adults with ADHD by adults with ADHD—focuses on the experiences of adults, offering updated information, practical how-tos, and moral support to help readers deal with ADHD. It also explains the diagnostic process that distinguishes ADHD symptoms from normal lapses in memory, lack of concentration or impulsive behavior, offering guidance on how your reframe our view of ADHD and embrace its benefits. Here's what's new: The new ADHD medications and their effectiveness The effects of ADHD on human sexuality The differences between male and female ADHD—including falling estrogen levels and its impact on cognitive function The power of meditation ADHD coaching tricks and tips And the book still includes the tried-and-true advice about: Achieving balance by analyzing one's strengths and weaknesses Getting along in groups, at work and in intimate and family relationships—including how to decrease discord and chaos Learning the mechanics and methods for getting organized and improving memory Seeking professional help, including therapy and medication

With his stunning debut novel, She's Come Undone, Wally Lamb won the adulation of critics and readers with his mesmerizing tale of one woman's painful yet triumphant journey of self-discovery. Now, this brilliantly talented writer returns with I Know This Much Is True, a heartbreaking and poignant multigenerational saga of the reproductive bonds of destruction and the powerful force of forgiveness. A masterpiece that breathtakingly tells a story of alienation and connection, power and abuse, devastation and renewal--this novel is a contemporary retelling of an ancient Hindu myth. A proud king must confront his demons to achieve salvation. Change yourself, the myth instructs, and you will inhabit a renovated world. When you're the same brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your bands--the little inconvenience of the look-alike corpse at your feet. And if you're into both survival of the fittest and being your brother's keeper--if you've promised your dying mother--then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Letterman's gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the influence of random selection. Take it from a godless insomniac. Take it from the uncrazy twin--the guy who beat the biochemical rap. Dominick Birdsey's entire life has been compromised and constricted by anger and fear, by the paranoid schizophrenic twin brother he both deeply loves and resents, and by the past they shared with their adoptive father, Ray, a spit-and-polish ex-Navy man (the five-foot-six-inch sleeping giant who snoozed upstairs weekdays in the spare room and built submarines at night), and their long-suffering mother, Concettina, a timid woman with a harelip that made her shy and self-conscious: She holds a loose fist to her face to cover her defective mouth--her perpetual apology to the world for a birth defect over which she'd had no control. Born in the waning moments of 1949 and the opening minutes of 1950, the twins are physical mirror images who grow into separate yet connected entities: the seemingly strong and protective yet fearful Dominick, his mother's watchful "monkey"; and the seemingly weak and sweet yet noble Thomas, his mother's gentle "bunny." From childhood, Dominick fights for both separation and wholeness--and ultimately self-protection--in a house of fear dominated by Ray, a bully who abuses his power over these stepsons whose biological father is a mystery. I was still afraid of his anger but saw how he punished weakness--pounced on it. Out of self-preservation I hid my fear, Dominick confesses. As for Thomas, he just never knew how to play defense. He just didn't get it. But Dominick's talent for survival comes at an enormous cost, including the breakup of his marriage to the warm, beautiful Dessa, whom he still loves. And it will be put to the ultimate test when Thomas, a Bible-spouting zealot, commits an unthinkable act that threatens the tenuous balance of both his and Dominick's lives. To save himself, Dominick must confront not only the pain of his past but the dark secrets he has locked deep within himself, and the sins of his ancestors--a quest that will lead him beyond the confines of his blue-collar New England town to the volcanic foothills of Sicily 's Mount Etna, where his ambitious and vengefully proud grandfather and a namesake Domenico Tempesta, the sostegno del famiglia, was born. Each of the stories Ma told us about Papa reinforced the message that he was the boss, that he ruled the roost, that what he said went. Searching for answers, Dominick turns to the whispers of the dead, to the pages of his grandfather's handwritten memoir, The History of Domenico Onofrio Tempesta, a Great Man from Humble Beginnings. Rendered with touches of magic realism, Domenico's fablelike tale--in which monkeys enchant and religious statues weep--becomes the old man's confession--an unwitting legacy of contrition that reveals the truth's of Domenico's life, Dominick learns that power, wrongly used, defeats the oppressor as well as the oppressed, and now, picking through the humble shards of his deconstructed life, he will search for the courage and love to forgive, to expiate his and his ancestors' transgressions, and finally to rebuild himself beyond the haunted shadow of his twin. Set against the vivid panoply of twentieth-century America and filled with richly drawn, memorable characters, this deeply moving and thoroughly satisfying novel brings to light humanity's deepest needs and fears, our aloneness, our desire for love and acceptance, our struggle to survive at all costs. Joyous, mystical, and exquisitely written, I Know This Much Is True is an extraordinary reading experience that will leave no reader untouched.

Martin's been diagnosed with ADHD, but he feels something about his diagnosis isn't right. The Ritalin he's prescribed doesn't seem to make a difference. When Martin's grades continue to sink no matter how hard he tries, his father writes him off as lazy and just plain stupid. His dad is convinced that Martin just needs to focus more on his studies and less on making movies. One night while out pursuing his passion on the city streets with his camera, Martin meets Stick and is introduced to the energetic and exciting pastime of parkour -- free-running. While filming Stick's flips and tricks, Martin begins to see a connection between how his brain interprets the world, all jumbled and fast-moving and out of order, and what the free-runners see. Camera in hand, Martin sets out to make a video that will show his dad what he sees, and hopefully get him to understand that Martin's real learning disability, dyslexia, has never been properly diagnosed.

To twelve-year-old Jacob Hunter, moving with his family to a small town in south Mississippi - a place he'd never even heard of - means little more than having to get used to a new house, a new school, and trying to find new friends. In less than a week, his world will be changed in ways he could never have imagined. A terrifying chain of events, set in motion by a simple prank, will serve to forge an unlikely bond between Jacob and Jim Hanes - a lonely, bitter old drunk. And, as recurring nightmares and haunting visions begin to blur reality, he will come to discover the true power of friendship, redemption, and the hope of a child sustained by the power of faith. But will it be enough when he finds himself pitted against a dark evil that has long slept, deep within the blackest corners of the soul of The Old Man Down The Road? www.oldmanbook.com

Exploring the ethical questions posed by, in, and about children’s literature, this collection examines the way texts intended for children raise questions of value, depict the moral development of their characters, and call into attention shared moral presuppositions. The essays in Part I look at various past attempts at conveying moral messages to children and interrogate their underlying assumptions. What visions of childhood were conveyed by explicit attempts to cultivate specific virtues in children? What unstated cultural assumptions were expressed by growing resistance to didacticism? How should we prepare children to respond to racism in their books and in their society? Part II takes up the ethical orientations of various classic and contemporary texts, including 'prosaic ethics' in the Hundred Acre Wood, moral discernment in Narnia, ethical recognition in the distant worlds traversed by L’Engle, and virtuous transgression in recent Anglo-American children’s literature and in the emerging children’s literature of 1960s Taiwan. Part III’s essays engage in ethical criticism of arguably problematic messages about our relationship to nonhuman animals, about war, and about prejudice. The final section considers how we respond to children’s literature with ethically focused essays exploring a range of ways in which child readers and adult authorities react to children’s literature. Even as children’s literature has evolved in opposition to its origins in didactic Sunday school tracts and moralizing fables, authors, parents, librarians, and scholars remain sensitive to the values conveyed to children through the texts they choose to share with them.

As 11-year-old Hope struggles to live under the pressures of her verbally abusive mother, she's tempted to run away but instead chooses resilience. She creates a secret safe haven and an innovative point system (giving herself points for every bad thing her mother says to her); finds comfort and inspiration from Anne Frank, The Diary of a Young Girl; and gains a support team. Ultimately, Hope is able to confront her mother about her hurtful words and help her begin to change.

Desperate to have the right shoes to start his first day of middle school, Ryan has set his sights on the $125 Slam Dunk Sky Jumpers—but can he put together the money in time? Ryan O’Keefe can’t believe his bad luck. Moving to a new state right before sixth grade is hard enough, but when he finds out that sixth grade is part of middle school in Kentucky, he realizes he may have to spend the year getting picked on by the older students. When he meets a couple of seventh graders wearing Slam Dunk Sky Jumpers, the coolest new shoes, Ryan knows he has to have a pair, and then maybe he’ll be cool too. There’s just one problem: The shoes are $125—plus tax! Ryan’s parents give him forty dollars, so now all he has to do is come up with eighty-five more and the shoes are his. The only question is, how is he going to get eighty-five dollars in the remaining week before school starts?

An intimate, humorous look at Brian Kilrea's 60-year career in junior hockey With more wins than any coach in junior hockey history, and a personality as large as his winning record, Brian Kilrea is more than a hockey legend, he's one of the most beloved figures in the game. With veteran sportswriter, James Duthie, Kilrea gives fans a rink-side view of his twenty-nine plus seasons as head coach and now general manager of the Ottawa 67s. With stories and comments from famous NHLers who played for Killer, readers will get a taste of Kilrea's hardnosed coaching style, the gritty often humorous reality of his life as a coach, riding on buses and in the locker room, as well as the knowledge and dedication that has made him last so long. They Call Me Killer sheds light on Kilrea's early life as a centre for the Red Wings, what it was like to score the first-ever goal in the history of the L.A. Kings, and his two years with the New York Islanders. Loaded with anecdotes from a true hockey insider, the book offers fans an unvarnished look at the world of junior hockey—as it's played and lived, including its brutal practices, broken curfews, trades, and tirades. Details Kilrea's role as a coach for the Ottawa 67s, how they won the Memorial Cup twice, and how he's been a mentor to young stars of the future Includes anecdotes and interviews from coaches, trainers, and general managers, and NHLers like Bryan Trottier, Dennis Potvin, Mike Peca, Gary Roberts, Doug Wilson, Brian Campbell, Darren Pang, and many others Brian Kilrea was inducted into the Hockey Hall of Fame in 2003 James Duthie is best known for his work on TSN's The NHL on TSN and his coverage of the World Junior Championships With a Foreword by lifelong friend, Don Cherry, They Call Me Killer is a fascinating, unforgettable look at the world of junior hockey and the man known as the most successful coach in junior hockey history.