Enumerates all the special qualities of Jeoffry the cat.

The presentation of poetry to auditor and reader from the sixteenth to the twentieth centuries.

Jeoffry was a real cat who lived 250 years ago, confined to an asylum with Christopher Smart, one of the most visionary poets of the age. In exchange for love and companionship, Smart rewarded Jeoffry with the greatest tribute to a feline ever written. Prize-winning biographer Oliver Soden combines meticulous research with passages of dazzling invention to recount the life of the cat praised as 'a mixture of gravity and waggery'. The narrative roams from the theatres and bordellos of Covent Garden to the cell where Smart was imprisoned for mania. At once whimsical and profound, witty and deeply moving, Soden's biography plays with the genre like a cat with a toy. It tells the story of a poet and a poem, while setting Jeoffry's life and adventures against the roaring backdrop of eighteenth-century London.

This highly original study of the 'manic style' in enthusiastic writing of the seventeenth and eighteenth centuries identifies a literary tradition and line of influence running from the radical visionary and prophetic writing of the Ranters and their fellow enthusiasts to the work of Jonathan Swift and Christopher Smart. Clement Hawes offers a counterweight to recent work which has addressed the subject of literature and madness from the viewpoint of contemporary psychological medicine, putting forward instead a stylistic and rhetorical analysis. He argues that the writings of dissident 'enthusiastic' groups are based in social antagonisms; and his account of the dominant culture's ridicule of enthusiastic writing (an attitude which persists in twentieth-century literary history and criticism) provides a powerful and daring critique of pervasive assumptions about madness and sanity in literature.

A Finalist for the Pulitzer Prize in Poetry A stunning new collection by the award-winning young poet and translator Like, that currency of social media, is a little word with infinite potential; it can be nearly any part of speech. Without it, there is no simile, that engine of the lyric poem, the lyre’s note in the epic. A poem can hardly exist otherwise. In this new collection, her most ambitious to date, A. E. Stallings continues her archeology of the domestic, her odyssey through myth and motherhood in received and invented forms, from sonnets to syllabics. Stallings also eschews the poetry volume’s conventional sections for the arbitrary order of the alphabet. Contemporary Athens itself, a place never dull during the economic and migration crises of recent years, shakes off the dust of history and emerges as a vibrant character. Known for her wry and musical lyric poems, Stallings here explores her themes in greater depth, including the bravura performance Lost and Found, a meditation in ottava rima on a parent’s sublunary dance with daily-ness and time, set in the moon’s Valley of Lost Things.

"This new biography of Christopher Smart offers a picture of a multifaceted eighteenth-century wit whose writing has far-reaching social, political, and historical significance. Poet, journalist, theater performer, cross-dresser, and theologian, who was questionably incarcerated for insanity, wherever Smart found himself his approach to life was at once serious and joyful, confirming him as one of God's clowns." "Building on previous biographical, bibliographical, and critical work - as well as on a broad scholarship on the publishing trade, on Grub Street and the position of the professional writer, and on the institutional treatment of madness in eighteenth-century England - Chris Mounsey constructs a version of Smart's life that is radically original. In its intelligent use of legal, parliamentary, and other archives, Mounsey both reappraises the familiar source material and mounts a challenge to earlier accounts of Smart's life and career. New interpretations of Smart's relationship with others (including his father-in-law John Newbery), his life on Grub Street as a political satirist, and his involvement in theological speculations provide a fuller and more engaging picture of the social, political, scientific, and religious context of his life and work."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved